http://www.grantland.com/story/_/id/9594200/the-summer-no-mailbag
Bill's a Kliqster
Q: Did I just hear on your podcast that you were "never a fan of" Bret Hart? As a lifelong follower of the best there is, the best there was, and the best there ever will be, I'd appreciate an explanation.
—Dennis, Philadelphia
SG: Let's see … no personality, no sense of humor, wet hair, horrible entrance music, hideous wrestling outfit (pink and black?), never tweaked his gimmick, didn't get along with Shawn Michaels, "carried" the WWE during its most boring stretch of the past 40 years, sold out for WCW money, remains memorable only because of (a) the Montreal Screwjob (and the fact that he punched Vince McMahon afterward), and (b) his phenomenal Ewing Theory credentials (the WWE took off again right after he left). Just thought he was overrated.
Quick tangent: In our aforementioned podcast last week, Wesley Morris mentioned his "market corrections" theory and how, sometimes, there can be only one "type" of successful lane for one actor (only with multiple actors vying for it). An example he liked: Mark Harmon never making it as a leading movie actor because Kevin Costner took all of those marquee roles that could have gone to Harmon from 1988 through 1995. Costner was Harmon's market-correction guy, the guy blocking Harmon from having a Costner-like career.
Same for Tom Hanks and Michael Keaton — they battled for seven years for "funny/likable comic actor who dabbles in serious roles and will eventually become an A-lister" supremacy, with Keaton gaining an early A-list upper hand in 1989 thanks to the Batman movies. What happened to Hanks? Total tailspin! That was his Joe Versus the Volcano/Bonfire of the Vanities stretch — three years of forgettable movies. When Hanks rallied back in 1992 with A League of Their Own, then Sleepless in Seattle,Philadelphia (Oscar) and Forrest Gump (Oscar), what happened to Keaton? TAILSPIN! As Wesley says, there could be only one.
Back to Bret Hart: His market-correction guy was "Mr. Perfect," Curt Hennig, another technically terrific wrestler who hit the WWE in the mid-1980s. I always loved the arrogant "Mr. Perfect" gimmick and thought Hennig was more interesting and entertaining than Hart, but Hart's extended wrestling family (brother Owen, brothers-in-law Jim Neidhart and British Bulldog) morphed into the Hart Foundation family, which stole good spots in every pay-per-view. With the Hitman leading the way, of course. So Hennig ended up being the Keaton to Hitman's Hanks — he never won the WWE title and eventually jumped to WCW. So not only did Bret Hart semi-bore the hell out of us in dozens of pay-per-views, he drove away his more entertaining market-correction guy. I don't hate him for it. Just can't call myself a Hitman fan. Wait, did we just spend four paragraphs on this?
Bill's a Kliqster
