For those of us watching Kane's falloff back then in real-time, the problem was that he didn't know who he wanted to be.
First two albums were classic. It's A Big Daddy Thing was the first Hip Hop album I copped as a kid, that wasn't a bootleg, lol. Third album is a personal classic, for me. But Kane got caught up in wanting to be on some R&B sh*t because that's where the money was, back then, and more mainstream. He was trying to crossover to the market where people were spending more money on the albums and tours. One time he was on WBLS talking about he was the "rap Keith Sweat". So he started showing up places rocking silk smoking jackets and wearing velvet slippers and sh*t, at shows.
The music got mad weird on some Freddie Jackson sh*t, and he stopped spittin' the way he was on the first couple of albums. Dude started doing nude photoshoots and basically lost himself on some debonair Barry White vibe. Then when the game changed to rawer Hip Hop, he was trying to rock bandanas and Fila visors upside down to look like what he felt "the street" dudes were doing. And even though he was mad young, MC's from the 80's were seen as "old school" by '92. Which was always dumb as sh*t. So Kane was looking crazy out here and like the outta touch uncle who just came home from a two-decade bid upstate. People started booing him at shows in NYC and thinking he was corny. Bro never recovered from that.