darealvelle
Real Talk
Surprised nobody immediately thought of this one from Curren$y when that one came on
pretty much the same beat
I noticed
Surprised nobody immediately thought of this one from Curren$y when that one came on
pretty much the same beat
I can absolutely explain it, because I'm super passionate about this overall topic.I need you to explain this statement that "it was objectively easier to make fake changing and pioneer groundbreaking level shyt like what RZA was doing".
If we apply the law of averages the proportion of producers that are ground breaking should be the same throughout hip hop history, if we consider 5-10 periods. Even with the easy access to beatmaking software.
I think that these new sounds/techniques get lost in the sheer amount of music you are exposed to. I am not up on the new trends but when I heard that Pop smoke "Welcome to the party", I knew that the beat making technique was different and groundbreaking as I have never heard anything like that before.
I will say, I would love to hear Eminem over beats like these. How does he have a relationship with Alc and can't make a lil 6 song mixtape
Theres so little replay value on this its hard to comprehend.
The raps are great...but so what?
This album makes me think what Jada could've did in his prime if he had tight focused vision or a single producer project. Them late 90's-2000's commercial formula projects didn't work for everybody.
It's a gift knowing your sound and what you do well.
I will say, I would love to hear Eminem over beats like these. How does he have a relationship with Alc and can't make a lil 6 song mixtape
There was a review of Kiss of Death on RYM that summed him up perfectly:jada issue is trying to recreate the LAD formula Big created. Also swizz being so hit and miss.
If I'm being honest, rappers like Jadakiss are some of the most boring album makers in the world. These are the type of rappers that sound a little too caught up in trying to prove one thing or another, rather than focusing on saying exactly what they think. Too often the rhymes struggle with being covered in pop culture references, ladies raps or gangster posturing. It's hard to figure out exactly who Jadakiss is, all we know is that he's a rapper and he's got some lines for us. I enjoy him on features but unfortunately Jada sounds to me like another casualty of the Jiggy era and confused about what exactly a rapper is. His music seems to come form a heartfelt place, but the way he presents the music is entirely commercial and unartistic.
All good pointsI agree. Em over these type of beats with his Relapse style of rhyming would be dope but musically he is tone deaf and devoid of any quality control. But why would he when his fans eat up anything he puts out?
I think about this shyt all the time.This album makes me think what Jada could've did in his prime if he had tight focused vision or a single producer project. Them late 90's-2000's commercial formula projects didn't work for everybody.
It's a gift knowing your sound and what you do well.
That Bust a Brick Nick beat is nastyHe’s cemented. I don’t wanna hear shyt. There might be more technical beatmakers but Al is as good a producer as you’ll find.
Dude knows exactly what bags to dip into for each artist and knows how to showcase them first while still displaying his own skill.
Kiss Of Death album was FIREThere was a review of Kiss of Death on RYM that summed him up perfectly: