Piff Perkins
Veteran
Heard one of the Alchemist joints from this a few days ago. whewwww. I'm def listening to the full album this weekend.
Havoc and Sid Roams didn't have any beats on that album. Sid Roams doesn't even produce anymore
ALC had one beat.
Which beats were you thinking of?
Big Twins* - Grimey LifeHaven't been able to find the production credits, but the beats I was thinking of were "Memories", "Cut off My Right Hand" and "Winners Circle".
It's way better.....Gunn is garbageProduction is mad cut and dry.
I don't know who picking first between Conway and Westside, but Benny clearly getting the leftovers.
Someone better not try and tell me this shyt fukkin with Everybody Is Food or even H6
Ive heard Benny rap on Conway, Westside's shyt but this was my first time listening to a full project by him and I like it.
Benny is diffently the best one outta Griselda.
Variation in what way?
These are top shelf hard beats. I have no idea what people are complaining about.
I know you weren’t expecting a song for girls. Or some friendly beats. Benny already told us back on Reject 2 he’s not a friendly Breh :prodigylol:
@Black Ball
Tana Talk 3 is literally the perfect marriage of beats and MC.
The thing is you aren't from an era where a lot of your classic material is low to medium tempo beats.
You from the trap turn up /Kendrick, Trac Scott era.
And you either buggin, listening on suspect headphones or speaker, or no speakers.
I've said it before and I'll say it again 2012 posters stay posting wierd shyt !
Still my favorite Griselda/TCF release. Had me thinking Spesh was better than Benny for a couple weeks...Go check out Stabbed And Shot with 38 spesh. Its amazing
facts. don't listen to the detractors. Benny being better produced would be epic.So my current feeling is that the beats aren't wack, but the production is mad bland and one note as a collection. The other group members have more diverse production and standout type beats on their projects.
Benny has a straight forward delivery, so he needs the production to change up the mood and feel of the songs.