People have always talked about No Limit, it's just that since their peak, No Limit had a lengthy stretch of flat out bad and embarrassing music, and that's pretty fresh on people's minds. Hell, a lot of veterans have suffered from that, including Eminem and Jay-Z, that's what happens when you're in the game for a long time.
Them not being major draws had nothing to do with my post. Mystikal, Fiend, Mac, C-Murder, Mia X, Magic and Soulja Slim were all dope rappers, but Mystikal being the only one that break out as a major draw cause he was lucky enough to link with a rising production team in the Neptunes, while everybody else fell out of NL's favor for various reasons. No Limit would've still been a force for longer than they were had they found legit production once BBTP fell off and left instead of getting production that sounded like the knockoff versions of past stuff. As far as Baby, he did exactly what Master P didn't do, he not only found very good production once Mannie's started declining and left, but he also had his claw deep into Lil' Wayne and did everything to keep Cash Money afloat heading into the next era (which in turn led to Drake and Nicki the era after that). After everybody left No Limit, Master P was basically left with himself, Silkk, Lil Romeo, a very young Curren$y, and a bunch of dudes no one wanted to here.
Would you rather hear stuff like this?
or stuff like this?
Good/great production can save the most subpar artists. That is the case ten-fold today, and that was the biggest reason for No Limit's fall off, not anything about "not being draws", cause good consistent production heading into the next era would've saved No Limit from becoming the punchline years after their peak.