ATL..defend Charlie Jabaley's STREET EXECS operation: UPDATE - He's retired from the music industry

TransJenner

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Why does everything gotta be Black and White

No one cares about that shyt anymore , we all bleed the same
 

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Lowkey, I refuse to fukk with any of these white execs that love to promote black trap rappers and black ignorance and refuse to give shine to any positive black artists outside of hip-hop or any black artists outside of hip-hop I see what they doing. :scust:

The sad thing is the need for white approval acceptance is more valuable in their minds then the well-being of their people. I realized this when I dissed Vice/Noisey on twitter for their denigrating blaxploitation docs on twitter. It seemed like I was the only one saying stuff against them (I dont' follow Vice, Vice UK, Noisey, Thump, or Creators Project on twitter anymore...thats all vice)..while every other rappper is like "yo shouts out to Viceland, Vice, noisey...." like they have no idea they don't have any black people in their offices and they long history of racism, just white people blantantly exploiting black culture without any sort of thought period.

I feel the same way about Julia Beverly too and I'd say this shyt to both of them cacs faces and have them crying. :pacspit: fukk your tears.

Diary of a tired black man...I ain't taking this shyt no more!
 
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Why does everything gotta be Black and White

No one cares about that shyt anymore , we all bleed the same
"Why do you have to make everything have to be about race?????"
- Any white person regarding something that EXPLICITLY has to do with race.


Well, Trevor, we never had a fair shake in this country since 1492 (to be technical, 1776...and even more technical, 1865) and still don't own shyt so this and matter like it will ALWAYS be black and white as long as we are still living under a system of WHITE SUPREMACY...get the fukk outta here with this shyt man. :francis: Why do y'all want us to think like you with this "we all bleed the same' post racial bullshyt. My people still getting gunned down in the streets by cops and getting off, still doing football numbers in prison, still haven't gotten reperations, still ain't treated with dignity.

Y'all lowkey okay with this peace love kumbaya bullshyt as long as we black folks don't got a fukking pot to piss in and y'all still own everything. Basically you saying we should be happy being second class citizens. fukk outta here with that bullshyt!
:pacspit:

Black folks will not be happy until we own our art, control our businesses, own our businesses, control our image in teh media, and have wealth and be able to hire our own people so we dont' have to depend on y'all all the time so you can seriously get the motherfukk out of my face with this shyt!

And an extra :pacspit: to you.

I don't care about your feelings,. What makes you think you're so important?
 
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You gonna be mad at white guys pushing demonic black music then be prepared for how deep that rabbit hole actually is.
I've already showed them with this thread.

http://www.thecoli.com/threads/how-...ling-stone-grammys-xxl-fader-included.401458/

Cacs know black folk can be pacified easily with media (especially those that have us overrepresented cause we love feeling validated by the media and seeing people that look like us on TV, movies, etc) so they use it to hoodwink us into thinking we actually run this shyt when it's just another way for them to remove the cash from our pockets and keep it in theirs.
 

Jchr is

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I use to fukk with Charlie and the 2-9 kids back in highschool, even did an early record with Jace. It's weird seeing nikkas talk about thes cats lol.

Still surprised by CJ. Kid was deff the fat white dude fukking with the blacks chillin in the cut at parties and shyt.
 

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exactly...

because we FEAR "THEM"


And because whites like Charlie know how to use "negroes" as buffers.....I NEVER seen Charlie ...always dealt with the "help" whenever we (MY former company)did promotions with acts like Travis Porter and a few other Street Exec acts.....

Lyor...Craig Kallman and Todd Moscowitz and Steve Rifkind all have done this for years...even though THEY were the ones pulling the strings...it was the "negroes" under them such as the Kevin Liles.....Chris Lighty's.....and Tina Davis's whom caught the HEAT...BEEF's and eventual "mysterious deaths"........

it's like all these blacks whom work in the industry whether it's an artist like Bankroll or an exect like Chris are all a bunch of CRASH TEST DUMMIES to protect the "REAL BOSSES" I.E (white, jewish) from taken the L's.....

but it's been like that since the inception of the "Rap Game" which we NEVER OWNED TO BEGIN WITH....

we've been seeing lately all these stories about how corrupt the Robinsons were when they ran SUGAR HILL RECORDS

they even got a documentery about it which didn't even really point the finger at the real culprit ...which was Mob affiliate MORRIS LEVY and his Jewish "friend" ...MCA RECORDS chaiman and distributor of Sugar Hill records....IRVING AZOFF who was very instrumental in the creation and success of LIVE NATION as well as now being the head of MSG/TICKETMASTER.....

so you see it's the same usual suspects as far as MASS (MASTERS) while all these "soc alled" real niccas posing as BOSSES are taking penitentiary risks and attempts on their lives to protect the business intrests of those whom don't give a rat's azz about them or t hier community or socalled CULTURE.

But at the end of the day WE ARE TO BLAME
:ufdup:

Charlie got all these "so-called street niccas" and trapping rappers SHARECROPPING for him, simply cause he knows NEGROES ARE MORE TRUSTING OF HIM , then a BROTHER.....

I ATTEMPTED TO DO WHAT CHARLIE DID DECADES AGO WHEN I first started managing deejays and a few artists.........but it's so difficult to get black folks to do business with another BLACK MAN...simply cause as one WHITE EXEC told me...."black folks are MORE SUSPCISIOUS of BLACK FOLKS THAN THE WHITE MAN, which is why blacks are willing to take on business ventures and risks because their is a sense of "comfort" with a white businessman"

and he was RIGHT
:manny:

which is why WE CAN'T AND NEVER WILL OWN SHYT........... :francis:
Repped.

A white person being able to profit greatly from art made from black people in a black dominated artform is the ultimate example of white privilege.

This is why they are able to get away with so much until it's too late. People expect too much of them and don't expect anything from us. They expect us to be unprofessional. They expect us to not know about business or money. Meanwhile other people think white people automatically are experts in that shyt even if they might of failed.

It basically comes down to whiteness being seen as "safe" and them getting the benefit of the doubt because of it. This is why white people are making a killing in the legal weed game while brothers and sisters still getting locked up for it. People ain't gonna think a white dude with out of state plates on an interstate is shady at all, so they can get away with moving pounds. Meanwhile, if my black ass did that... :francis:
 

L&HH

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fukk the bullshyt. Instead of asking that, we should be doing the same to white people. There's a slew of white rappers now that you probably haven't even heard of because they pander to that white college Greek life audience.



This song is an ode to the Wolf of Wall Street dude much like street rappers make anthems for el chapo, Escobar, etc.



A song to Niykee Heaton like rappers have songs about Rihanna.

There's alot of parallels between these new-age "white frat" rappers and "trap" rappers. The "mainstream" versions of these would probably be Mac Miller, Maclemore, G-eazy. Instead of performing at clubs and strip clubs they're at frat parties and bars. Also, could probably get some good festival money as well. Let's start signing these dudes to 360s and eat.
 

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this is actually for another topic - but ATL is funny like that

ATL is mostly black and every nikka down there is clearly trying to rap
but behind the scenes, if you ain't WHITE or OTHER - keep it moving

the music video game? Decatur Dan was running it for a while

DSC_0180.jpg


and the motion family runs that shyt right now:
167956568-motion-family-attends-an-intimate-night-with-gettyimages.jpg


yeah nikkas...get your asses on that stage or in front of these cameras and make us some money :sas2:
Sickening.
:scust:

The same types actively not doing anything to promote any black artists not doing ignorant rap music....they all over the media breh. I've come in contact with them and they've been seeing me recently as a threat.

Seriously though...the industry needs ANOTHER TUPAC! Another proud black man that's gonna call out this bullshyt and puts their integrity before dollars.

Will not happen though...
:mjlol: Be a grown man and not understand what a topic of discussion is brehs

Everything I laid out is reality, you have a white dude running a trap music den, tell me where I made something up?

Now if I said something that hurt your feelings or made your bottom lip quiver, that's my bad sweetheart, I'll be more tender and caring in my future posts :skip:
Don't even bother explaining it to them....I went too deep down that rabbit hole and never went back. Black people want that white acceptance so bad they'll ignore the premise of the thread.

"oh maybe he's about the culture and genuinely likes hip-hop"///

It saddens me how low black folks think of other black folks. @PhonZhi was right, hip-hop is being used as a weapon by our oppressors, shyt is garbage.

Dafuq some white dude who's great granddaddy was probably a slave owner know about trappin?:usure::francis::stopitslime:
 

KENNY DA COOKER

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I don't have anything personal against ole buddy, but his "factory" is some bullshyt though

plus seeing that there's speculation that BANKROLL was murdered by a label mates crew/entourage(?)
it would behoove him to try and clean up his roster :francis:

:russ: Dude is a BUSINESSMAN it aint in his intrests to build the MORAL FIBER much less save the lives of his "WORKERS"(artists)

Yall keep brainwashing yourselves into thinking this is a CULTURE full of CODES and ETHICS

charlie-murphy-hates-your-web-host.jpg


That white man like the rest of his peers and predecessors such as Steve Rifkind...Lyor Cohen and countless others saw hip hop for what it really is a BUSINESS OPPORTUNITY.

WHILE MILLIONS OF BLACK ARTISTS AND FANS from BED STUY NYC to BANKHEAD ROAD in ATL SINCE THE EARLY 80s refuse to face reality and constantly wondered how a WHOLE RACE got finessed out of its Music and Identity

Its simple we have a lack of KNOWLEDGE AND RESPECT FOR OURSELVES..

If u dont VALUE what you have another MAN will






:sas2: It happen to Blues..jazz and Rock ..

So what makes RAP MUSIC any different?
 

Paradise50

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Always thought that was 2 chainz studio/label :ohhh:



Cac smart for having 2 chainz in the front
 
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