ART BARR RANTS COMPTON LIVE ON THE FIRST LISTEN
- Thread starter Art Barr
- Start date
Art Barr
INVADING SOHH CHAMPION
all in a days work is an excellent instrumental.
that feels like visuals of leaving a day room for the last day.
when you are about to get hit with sunlight.
when you get discharged.
a completely lush sonic pad that completely delivers.
which hits all the mtv content points.
of being a skewed uber hard universe rendition of respect ya self on mtv.
all these components work to hit the quality mark.
as the actual lyric content is always a gateway feature style record.
that never really indepthly went hardcore into a genre lengthing vocal lyrically.
so, this just covers the bases and feels.
like it is more a writing pool submission style record.
that dre oversees the mixing and execution of pieces.
i would hope he actually did all these himself.
except, this feels a bit to plastic as far as.
reconjuring up feeling of the older nwa breakbeat big movie style feel records.
this record is pretty much the execution of the original chronic.
dre figures out neo soul on explosive instrumental moments of 2oo1.
which is what i guess is all people want as far as the gateway to these style records
in what i guess would be dre and interscopes idea.
of recounting the great series of mostly chronic era style records.
i kinda feel i can stop now, if that is gonna be the reoccurring theme on this record.
i like the dre meets chronic merge of mama gun style change ups on neo soul and all the beats.
yet, i am getting the feeling rap vocal and lyrically.
this will fall short as all dre chronic series records do for me outside of deep cover and eminem.
this is also turning into.
dead homies meets little ghetto boi on 110th street.
which, i guess is supposed to mirror a movie being scored/
in relation to the idea.
this is a marketing tool for the movie, straight outta compton = SOCMOVIE
art barr
that feels like visuals of leaving a day room for the last day.
when you are about to get hit with sunlight.
when you get discharged.
a completely lush sonic pad that completely delivers.
which hits all the mtv content points.
of being a skewed uber hard universe rendition of respect ya self on mtv.
all these components work to hit the quality mark.
as the actual lyric content is always a gateway feature style record.
that never really indepthly went hardcore into a genre lengthing vocal lyrically.
so, this just covers the bases and feels.
like it is more a writing pool submission style record.
that dre oversees the mixing and execution of pieces.
i would hope he actually did all these himself.
except, this feels a bit to plastic as far as.
reconjuring up feeling of the older nwa breakbeat big movie style feel records.
this record is pretty much the execution of the original chronic.
dre figures out neo soul on explosive instrumental moments of 2oo1.
which is what i guess is all people want as far as the gateway to these style records
in what i guess would be dre and interscopes idea.
of recounting the great series of mostly chronic era style records.
i kinda feel i can stop now, if that is gonna be the reoccurring theme on this record.
i like the dre meets chronic merge of mama gun style change ups on neo soul and all the beats.
yet, i am getting the feeling rap vocal and lyrically.
this will fall short as all dre chronic series records do for me outside of deep cover and eminem.
this is also turning into.
dead homies meets little ghetto boi on 110th street.
which, i guess is supposed to mirror a movie being scored/
in relation to the idea.
this is a marketing tool for the movie, straight outta compton = SOCMOVIE
art barr
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LandryFieldsDad
All Star
Art- goat
Art Barr
INVADING SOHH CHAMPION
Darkside/gone, is kl replaces eminem on the hood urban style record.
which, king gordy is actually better.
if you needed the actual black hood eminem.
if you reference, van dyke and harper.
anyway, we get the spastic ralph bashki meets rahzel decides to rap.
styles war mashup of on key voices kl mixes here.
to cover all the bases for this style of evolution of the chronic .
or supposedly the lyrical side for the white hipster.
not knowing about the possible rbx undertones, meets dog pound homage to eazy e change up.
which leads into the lord finesse shows his background out west with ice t.
now, with dre five star produced dead homies reflective chronic 2001 style record.
this is a great changeup next level evolution of this type of.
let's revisit the little ghetto boi sonic experience.
found in these chronic style moment series of records.
art barr
which, king gordy is actually better.
if you needed the actual black hood eminem.
if you reference, van dyke and harper.
anyway, we get the spastic ralph bashki meets rahzel decides to rap.
styles war mashup of on key voices kl mixes here.
to cover all the bases for this style of evolution of the chronic .
or supposedly the lyrical side for the white hipster.
not knowing about the possible rbx undertones, meets dog pound homage to eazy e change up.
which leads into the lord finesse shows his background out west with ice t.
now, with dre five star produced dead homies reflective chronic 2001 style record.
this is a great changeup next level evolution of this type of.
let's revisit the little ghetto boi sonic experience.
found in these chronic style moment series of records.
art barr
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I imagine Art is in some Chicago apartment right now with his dark shades on with incense burning, mid grade weed smoke in the air drinking on a 40 ounce king cobra listening through on of these
Art Barr
INVADING SOHH CHAMPION
@@@@@
just a text book scattergories horrorcore gangsta rap meets bushwick bill with eminem in the background in a slasher killer mask double time goodness,.....
sckraight in to a fukkn dre meets eminem schzio one less bytch evolution in time style record.
shyt is like a fukkn' intro to a movie.
that would just need to be clipped and be the movie trailer to some next compton adventure.
just textbook execution of what a fellowship at the shop would feel like meets the chronic.
ruthless records era to chronic 187 to above the law accussation of theft braggadoccio in a good way.
that acts as an incredible evolution to these style records.
art barr
just a text book scattergories horrorcore gangsta rap meets bushwick bill with eminem in the background in a slasher killer mask double time goodness,.....
sckraight in to a fukkn dre meets eminem schzio one less bytch evolution in time style record.
shyt is like a fukkn' intro to a movie.
that would just need to be clipped and be the movie trailer to some next compton adventure.
just textbook execution of what a fellowship at the shop would feel like meets the chronic.
ruthless records era to chronic 187 to above the law accussation of theft braggadoccio in a good way.
that acts as an incredible evolution to these style records.
art barr
Art Barr
INVADING SOHH CHAMPION
@@@@@
evolution of the aftermath meets ice cube predator/natural born killers.
mixed with that one time they did a video with mark romanek style visual videos and feel.
finally a dre noob delivers two times in a row on the second appearances of anderson paak and dem joints.
pac looked in the scope on this one.
art barr
evolution of the aftermath meets ice cube predator/natural born killers.
mixed with that one time they did a video with mark romanek style visual videos and feel.
finally a dre noob delivers two times in a row on the second appearances of anderson paak and dem joints.
pac looked in the scope on this one.
art barr
Art Barr
INVADING SOHH CHAMPION
deep water : FF
this is pretty much the chronic style snoop dog pound in 2015 style record.
where it sinks to far into that cheesy gayness lyrically and in performance.
which is like some industry wide leroy from fame now, is a gay rapper.
which, is just no no ville,....
plus, found on the first record.
that emulates all the violation of the culture moments rap wise on that show.
when terrence howard did the only right thing in that show and threw shawty in the trash.
which leads into some weird dre was with tool in larrabee studios smoking hell chronic interesting coolness. with eminem there,....and then,...
an eminem kinda biter guy comes on and he says nikka so i know i know it isn't em.
or maybe it is, i don't know.
i ain't feelin this vocal quality wise, it is amateur.
this is like those universal posse big budget records they would have for a movie like belly.
plus uses a epmd stolen like guitar loop.
the reggae is as horrific as the guy on doc'd funky enough and efil4zaggin shot up like pac in battery studios.
trying to act like biggie was stretch in a gun shot induced haze bad.
fast forward.
this is that, platinum meets gay ass fame song that the industry is trying to fukk'n program us with.
what is this...
fast fast forward.......
this is fukk'n dre present.
you're so beautifully gay like the theme song on that terrence howard show on aftermath bad.
fukk this record.
this is pretty much the chronic style snoop dog pound in 2015 style record.
where it sinks to far into that cheesy gayness lyrically and in performance.
which is like some industry wide leroy from fame now, is a gay rapper.
which, is just no no ville,....
plus, found on the first record.
that emulates all the violation of the culture moments rap wise on that show.
when terrence howard did the only right thing in that show and threw shawty in the trash.
which leads into some weird dre was with tool in larrabee studios smoking hell chronic interesting coolness. with eminem there,....and then,...
an eminem kinda biter guy comes on and he says nikka so i know i know it isn't em.
or maybe it is, i don't know.
i ain't feelin this vocal quality wise, it is amateur.
this is like those universal posse big budget records they would have for a movie like belly.
plus uses a epmd stolen like guitar loop.
the reggae is as horrific as the guy on doc'd funky enough and efil4zaggin shot up like pac in battery studios.
trying to act like biggie was stretch in a gun shot induced haze bad.
fast forward.
this is that, platinum meets gay ass fame song that the industry is trying to fukk'n program us with.
what is this...
fast fast forward.......
this is fukk'n dre present.
you're so beautifully gay like the theme song on that terrence howard show on aftermath bad.
fukk this record.
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Art Barr
INVADING SOHH CHAMPION
contemplates why the industry keeps trying to gives us.
these gay leroy from fame vocal ass records/
they criticized emo rappers for before 2003.
then, after that just started implanting.
just sckraight obviously out the closet guecchi suede face ass singer nikkaz like bilal.
now, they have rappers who sound like that and it is on tv.
art barr
these gay leroy from fame vocal ass records/
they criticized emo rappers for before 2003.
then, after that just started implanting.
just sckraight obviously out the closet guecchi suede face ass singer nikkaz like bilal.
now, they have rappers who sound like that and it is on tv.
art barr
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get the tables out 
El Vato
Pro
lol art. I've been bumping that new dre album for the past 3 weeks...it's off the hook
eastside313
Superstar
what u know bout van dyke and harper
Art Barr
INVADING SOHH CHAMPION
for the love of money goes to far into being wannabe weezy.
probably had kl or aftermath writing pool as a ghostwriter.
mixed with rick ross wannabe imma boss with meek style vocals level of double time biterness.
even dre flips off key a bit and it dips into rnb ghetto club changeups and breaks that marsha gives her best beth gibbons from portishead from the hood rendition of love of money.
the new nana nee nanna i make it sound like i made love of money before yomo and maulkie taunt eazy in death rhyme style record.
in other words a new explosive tv track.
made in the atmospheric edm house meets compton in a box sample nostalgia.
flip of love of money by yomo and maulkie.
@@.5
for the tv track and the fact the actual lyrics and inability to do double time smoothly.
when, being in cali.
plus the fact do or die exists.
to also learn from since you wanna bite weak double time offkey guys like meek ross and hood.
slights the other side of the lyric portion of the record.
when, in their native style this same tandem was just fine and should have not tried to meet some commercial bells and whistle ideal of what should be or not be on this style of record.
as the record fails to elevate past just in a box style tricks paris hilton does as a dj.
so the novelty of being in ibiza to elevate a rap song is done.
good flip on the marsha meets portishead.
transplanted to yomo and maulkie meets bone rendition flip on the instrumental and tv track.
art barr
probably had kl or aftermath writing pool as a ghostwriter.
mixed with rick ross wannabe imma boss with meek style vocals level of double time biterness.
even dre flips off key a bit and it dips into rnb ghetto club changeups and breaks that marsha gives her best beth gibbons from portishead from the hood rendition of love of money.
the new nana nee nanna i make it sound like i made love of money before yomo and maulkie taunt eazy in death rhyme style record.
in other words a new explosive tv track.
made in the atmospheric edm house meets compton in a box sample nostalgia.
flip of love of money by yomo and maulkie.
@@.5
for the tv track and the fact the actual lyrics and inability to do double time smoothly.
when, being in cali.
plus the fact do or die exists.
to also learn from since you wanna bite weak double time offkey guys like meek ross and hood.
slights the other side of the lyric portion of the record.
when, in their native style this same tandem was just fine and should have not tried to meet some commercial bells and whistle ideal of what should be or not be on this style of record.
as the record fails to elevate past just in a box style tricks paris hilton does as a dj.
so the novelty of being in ibiza to elevate a rap song is done.
good flip on the marsha meets portishead.
transplanted to yomo and maulkie meets bone rendition flip on the instrumental and tv track.
art barr
Big Mel
@bigboss
who else besides @Art Barr barr will name drop Yomo & Maulkie seamlessly and topically without batting an eye? I bought that wack album and had completely forgotten they did For The Love Of Money first.
for posterity/Bone stans, Yomo & Maulkie were on Ruthless records pre Bone.
and WOW at that Jewell feature! This album was so bad to me I don't recall anything off it at all.
for posterity/Bone stans, Yomo & Maulkie were on Ruthless records pre Bone.
and WOW at that Jewell feature! This album was so bad to me I don't recall anything off it at all.