I've never trained in this fighting style but have always been interested since waaay back in the early 90s.
My personal attractions to it is that it's very street effective, it's a Black originated art, and the practicioners are usually conscious brothers (whether you agree with their 'religious' beliefs or not).
I also like it because it makes racist whites uncomfortable - and i'll touch on that a little more, later.
Many peoples' first recollection of ever even
hearing the term '52 hand blocks' was when the GZA referenced it in the song "Cold World" from the album Liquid Swords, in this line:
"...Beat nikkaz toothless, physically cut up like gooses,
but with iron on the side thugs took no excuses, therefore,
your fifty-two hand blocks was useless.."
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Here are a few clips briefly explaining 52 Hand Blocks
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A few excerpts from Wikipedia:
Jailhouse rock (fighting style)
Jailhouse rock or
JHR is a name which is used to describe a collection of different fighting styles that have been practiced and/or developed within US penal institutions. The different regional “styles” of JHR vary but share a common emphasis on improvisation governed by a specific set of underlying principles.
Some examples of the many styles of JHR are
52 Hand Blocks,
Comstock Style,
Stato. Many of these styles of JHR are thought to have evolved regionally in different penal institutions.
[1]
Jailhouse Rock if it exists is in fact one of two of the USA's only "Native Martial Arts", the other being called
Rough and Tumble. As such, Jailhouse Rock, the 52 Hand Blocks and their variants may be compared to
savate, which was originally a semi-codified fighting method associated with an urban criminal
subculture, which underwent a gradual process of codification before becoming established as a martial art accessible by the cultural mainstream.
52 blocks has been referenced in journalist
Douglas Century's
Street Kingdom: Five Years Inside the Franklin Avenue Posse, as well as numerous
Wu Tang Clan songs and
Ted Conover's book
Newjack. Recently, celebrities including actor
Larenz Tate and rapper
Ludacris have taken up the fighting system for film roles and self-defense, shining a brighter light on this previously unknown martial art.
Existential controversy
"The existence of this martial art has been debated, but some media exposure has contributed towards verifying the existence of Jailhouse Rock. According to researcher Douglas Century,
professional boxers, including
Zab Judah and
Mike Tyson, have testified to the existence of the style and it is referred to in rap songs by artists including the
Wu Tang Clan. Tales of the
pugilistic exploits of legendary 1970's New York prison fighter "Mother Dear" have also contributed to the extensive
urban mythology surrounding this system......."
"......The name 52 may be a reference to the
playing card games of
52 Pickup and to the expression "let the cards fall where they may." Other theories relate the name to a combat training game involving the use of playing cards and/or to the
Supreme Mathematics of the
Nation of Gods and Earths. It could even be a reference, coded, symbolic, or otherwise, to a specific cell block. However, a more likely explanation is that it simply refers to the fifty-two blocking techniques encompassed in the art."
"......According to Dennis Newsome, a well-known JHR specialist, JHR is an indigenous
African American fighting art that has its origins in the 17th and 18th centuries, when
slaves were first institutionalized and needed to defend themselves.
Oral tradition has the skill evolving secretly within the U.S. penal system, with regional styles reflecting the physical realities of specific institutions. This theory relates JHR to the fusion of African and European/American bare-knuckle fist-fighting styles known as "cutting", which is said to have been practiced by champions such as
Tom Molineaux, and also to the little-known African-American fighting skill known as "knocking and kicking," which is said to be practiced clandestinely in parts of the Southern US and on the
Sea Islands..."
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And here are some excerpts I found from the site USADojo.com where the author is an obvious bigot cac:
http://www.usadojo.com/articles/phil-elmore/myth-52-blocks.htm
"...These techniques range from striking to wrestling, using the hands, elbows, knees, head butts, and some low kicks. Practitioners of Jailhouse Rock supposedly learn in-depth knowledge of pressure points and vital striking areas, as well as foot sweeps and “
Gangsta Locks”(which Newsome equates to trapping such as in Wing Chun or Jeet Kune Do)...."
"...According to Newsome, 52 Blocks or Jailhouse Rock is
an underground system.
Unless you go to jail, hang out in underground fighting circles, or are family to an ex con, you’ll never learn it — and if you are white guy, nobody will teach it to you. ..."
"....As Newsome’s interviewer, identified only as “Dempsy,” wrote, “the art is the art of the African who needs it for survival. Much like the Asians decades ago, who would not teach outside their race, the analogy is that you do not give your enemy your best weapon.” In other words,
Jailhouse Rock is a racist, racially determined system, in which all of you who are white and NOT in prison are the enemy. .."
"...The fiction of Jailhouse Rock is now realized as a living, breathing style because there are people who say so… regardless of the truth. In so doing, they’ve breathed life into the lie of 52 Blocks… and helped further the popular culture imagery associated with street criminals and thugs, for good or for ill..."
Got these bigots sick to their stomachs at a Black Martial Art
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More Footage:
http://www.nytimes.com/video/style/1194841017001/the-52-blocks.html?src=vidm
Good Article on 52 Hand Blocks and origin:
http://www.fullcontactmartialarts.org/52-hand-blocks-jailhouse-rock-jhr.htm
FB Page:
https://www.facebook.com/52Blocks