Krazy
Rifle weh taller dan palm tree
Negativity got him to a high point but also contributed heavily to his down fall.
50 Cent Says He's Done With Negative Energy. Instead Of Destroying Enemies He Will Focus On Building
- Thread starter b@squ1@t
- Start date
we all gotta support positivity in hiphop unfortunately hiphop right now is all or mostly negative. gets really tiring listening to hiphop. it's garbage. rapping about haters, and robbing your own ppl or anyone for that matter, selling drugs, shooting other people for dumb shyt etc... someone who's got their shyt together or trying to cannot appreciate this garbage today we call hiphop.
we moved on to r&b or older music now. yall can have this rap shyt. some of us don't want no part of it. the "corporations" exploited hiphop (suge, irv, dame, jay, 50) and use it as a tool to break down and divide the black community.
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remy ma like all rappers outta jail are hot the first month they're out and disappear eg turk, mystikal etc....
at the very least they are both talented musicians so why not. both locked up in a studio can come out with something great. that's all we th fans want... music.
we moved on to r&b or older music now. yall can have this rap shyt. some of us don't want no part of it. the "corporations" exploited hiphop (suge, irv, dame, jay, 50) and use it as a tool to break down and divide the black community.
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black hiphop elite are/were jay-z, 50, nelly, usher, 2pac, murder inc, nolimit, cashmoney, diddy/bad boy. 50's up there with the best of them. if not better than them. he ain't no c00n. he was but now he ain't..:fif: realizing no one gives a fukk about him and needs everyone's stimulus package to stay even Nelly status
+rep just for the smileys. powerfulHave seizures from exhaustion making 1 mill less than ya inactive enemy in 2013
http://www.forbes.com/pictures/eeel45efgik/19-50-cent-7-million/
http://www.forbes.com/pictures/eeel45efgik/20-rick-ross-6-million-tie/
Claim you a boss but have no major ventures to speak of brehs (WingStop )
Star in a cancelled Starz (Magic City) show when ya enemy owns a successful one (Power) brehs
Let your underlings beef and associate with ya enemy and say nothing brehs
Try to go platinum with GFID against a triple platinum artist brehs
Be a ducktale corrections officer against a convicted bullet ridden felon brehs
Let ya enemy take ya babymoms and your seed shopping brehs
Sign Stalley brehs
bobby shumrda has a hot record. hot records come out every quarter.. doesn't mean the artists are here to stay. bet you his record ain't even bigger than bobby johnson. we already forgot about que.
remy ma like all rappers outta jail are hot the first month they're out and disappear eg turk, mystikal etc....
well they are both victims of white supremacy. or are gonna be in the very near future.
at the very least they are both talented musicians so why not. both locked up in a studio can come out with something great. that's all we th fans want... music.
the music/entertainment industry loves to build and destroy. they love the negativity. that's all what's mostly posted on these hiphop sites.
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A.V.
reTIreMEnt: THE ALBUM (01/22) ALL DSPs
No shyt. I think you missed my point. I'm speaking from a purely capitalistic/business perspective. No one said OMG BOBBY & REMY THE NEXT HOTTEST THING! OMG OMG THEY HERE TO STAY!
Anybody in their right mind will see taking a chance on either one as a risk, and not for nothing, not too many labels could pull off signing/knowing how to manage the two, They'd inevitably lose money, and create two rappers disgruntled with their situation/postion within the industry. But with them signing to 50, the two of them would undoubtedly be RESPECTING & WORKING for their label boss, which is why the move by 50 would be a plausible one. The access to his resources alone makes it a good move. They may or may not be one hit wonders now, (remains to be seen), but 50 made TONY fukkING YAYO a Gold artist. (I'm aware that more records were selling in 2005, but piracy wasn't in it's infantile stages, and Yayo's not that ill of a rapper. It's a testament to 50's ability to parlay his own successes into successes of his comrades.)
With that said, he'd be the perfect fit for either of the two. They are both "street" artists with a degree of authentic, verifiable credibility (as is 50). If ANYONE can market them, it's him. Seeing how the game is now (not catered towards "street" music, moving more and more closer to becoming pop/gay by the minute, and that there's basically a general (but muted) consensus that the game is too soft right now, 50 not only could take advantage of what's become a niche market, but use it to his advantage to market his own new musical endeavors. Could possibly even change the landscape of the game, like he did in '03. Also not to mention, NY would be "back."
(Don't even ask me how.)Under 50, Rem & Bobby would not only thrive having a FORCE behind them, but a mentor who would actually be ABLE to make legit stars of them. They'd both become wiser, and be MILES ahead of any new competition in those terms. Pretty much the same result (but polar opposite) of what Wayne's done with Drake.
There's no way the logic in that is flawed, no disrespect. I know you don't really care for street music, and for what it's worth, I've outgrown it myself, but with age/wisdom comes the ability to discern, and see music as just that. I feel what you're saying, b/c it no doubt influences the youth, but from a business perspective, it's a perfect move for all parties involved. It'd just hit 50's pockets moreso now, more than had he still been signed to a major.
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i said what i said because you said 50 should sign bobby. and you mentioned remy ma in your post. you probably mentioned them cause you're in ny and that's what's buzzing over there. outside the east coast no one really cares about them like that and no one really knows who bobby is. 'might be a little familiar with the song but it's not a national song like that just yet. i know it cause i listen to east coast online radio. k camp is bigger than bobby nationally.No shyt. I think you missed my point. I'm speaking from a purely capitalistic/business perspective. No one said OMG BOBBY & REMY THE NEXT HOTTEST THING! OMG OMG THEY HERE TO STAY!
Anybody in their right mind will see taking a chance on either one as a risk, and not for nothing, not too many labels could pull off signing/knowing how to manage the two, They'd inevitably lose money, and create two rappers disgruntled with their situation/postion within the industry. But with them signing to 50, the two of them would undoubtedly be RESPECTING & WORKING for their label boss, which is why the move by 50 would be a plausible one. The access to his resources alone makes it a good move. They may or may not be one hit wonders now, (remains to be seen), but 50 made TONY fukkING YAYO a Gold artist. (I'm aware that more records were selling in 2005, but piracy wasn't in it's infantile stages, and Yayo's not that ill of a rapper. It's a testament to 50's ability to parlay his own successes into successes of his comrades.)
With that said, he'd be the perfect fit for either of the two. They are both "street" artists with a degree of authentic, verifiable credibility (as is 50). If ANYONE can market them, it's him. Seeing how the game is now (not catered towards "street" music, moving more and more closer to becoming pop/gay by the minute, and that there's basically a general (but muted) consensus that the game is too soft right now, 50 not only could take advantage of what's become a niche market, but use it to his advantage to market his own new musical endeavors. Could possibly even change the landscape of the game, like he did in '03. Also not to mention, NY would be "back."
Under 50, Rem & Bobby would not only thrive having a FORCE behind them, but a mentor who would actually be ABLE to make legit stars of them. They'd both become wiser, and be MILES ahead of any new competition in those terms. Pretty much the same result (but polar opposite) of what Wayne's done with Drake.
There's no way the logic in that is flawed, no disrespect. I know you don't really care for street music, and for what it's worth, I've outgrown it myself, but with age/wisdom comes the ability to discern, and see music as just that. I feel what you're saying, b/c it no doubt influences the youth, but from a business perspective, it's a perfect move for all parties involved. It'd just hit 50's pockets moreso now, more than had he still been signed to a major.
positivity will or should always win but the way these niccas are set up if you have too many egos they're gonna explode on each other. so while i hate the "hater" songs the hate is real when someone's successful. the paranoia in hiphop is ridiculous but real..
negativity isn't going anywhere. it's part of current hiphop.
real hits seem to be flukes. 50 has his hands full with g-unit anyway. with the kind of money he has, it wouldn't really make sense to invest in an artist. there's better and easier and safer ways to make money than on street hiphop artists.
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A.V.
reTIreMEnt: THE ALBUM (01/22) ALL DSPs
Actually I'm in Virginia, homie.
And as I said. No one even spoke on my OPINION of EITHER of the 2 artists, so refuting what I said, by saying how they're one hit wonders, & not poppin where you are, is like telling me Michael Jordan was a good basketball player because he rock Hanes underwear.
And nobody on your coast, in your hood, etc might not know who Bobby Shmurda is, but Raekwon, Jada, French, Diddy, Young Buck & a slew of other artists are either co-signing, remixing, or hip to his dance.
So what's the point in acknowledging who you know & who people in your area fukk with? They're not gonna make or break no stars lmao. You act as if I was sitting here telling you Bobby Shmurda the next best thing since sliced bread, or even saying I fukk wit him at all...That's the part I don't get. You nikkas just automatically don't like an artist, then if someone says something concerning said artist, automatically start refuting shyt.
A.V.
reTIreMEnt: THE ALBUM (01/22) ALL DSPs
from a "capitalisitc"/"business" perspective. imo 50 shouldn't even think about signing or dealing with music. he's bigger than the music biz. he could invest in himself and make more money and build himself up than spending it on another artist. all his "coli" "failed" songs and albums are probably netting him more than your average rapper.No shyt. I think you missed my point. I'm speaking from a purely capitalistic/business perspective. No one said OMG BOBBY & REMY THE NEXT HOTTEST THING! OMG OMG THEY HERE TO STAY!
with the money he has i think him jay-z, puff, master p could team up on a non-entertainment industry venture.
the business of signing artists is played out. unless you sign to rape them like trindad james. 50 now doesn't have the media to turn rappers against the public. didn't work with ross.
JermaineTR
O.G.
2 days ago 50 posted pics with KRS but after couple hours he deleted all of them idk why. He was showin to him real love
Plenty of rappers came from backgrounds like Fif, but none of them resort to such c00nish means to make money by destroying other black men. He destroyed too many innocent people's lives outside of Murder Inc for him to be respected by the level-headed people. Like someone said, he is a Black KKK Klansman.
Fif just re-enforced stereotypes and destroyed many talented black men's careers for his own gain on some crabs-in-a-barrel shyt. Someone should follow Jigga or Kanye's blueprint to success or even Nas for the sake of longevity. He destroyed NYC rap and gave the commercial south the opportunity to take over, which harmed the rap game beyond repair.
SpacelySprockets
Veteran
Yea Jay Z never beefed with several NY artists and had people blackballed
Yea Jay Z never beefed with several NY artists and had people blackballed
To the extent where another region took over? Hell, other crews at that time were eating when Hov was at his prime. ROcafella, Ruff Ryders, Murder Inc, Terror Squad. People were eating, and even when he went against Nas, it was straight lyrical competition.
