20 Years Ago, Wu-Tang Low-Key Had The Greatest Run In Hip-Hop History.... Daps+Rep 4 All

[NVious]

Just dapped everyone in this thread and repped who I could before I couldn’t anymore haha.

I’ll get you brehs when I can :pause:

 

[MartyMcFly]

I agree one hunnid. I guess I never realized how dope this one was. Kinda the subtle version of the OG run.

It’s a slept on run because outside of meth there were no main group member albums and the luster had worn off a bit due to their tour issues in 97

 

[BuddahMAC]

On Heavy Mental:

Quotes from Killah Priest:

Intro - This is dope. The intro came from this movie "The Egyptian." I like watching those old flicks. There was "The Egyptian" and "Jesus Christ" that I used.

One Step (Prod. by True Master) (Feat. Tekitha and Hell Razah) - I actually ended up doing this during a Sunz of Man session. True Master was in the studio. Originally, Poppa Wu was on there. That's why I said, "Freedom, let's feed 'em/They took the first book of Jacob to Jamaica" because Poppa Wu was talking on it. I just got on the mic and did it. Hell Razah was there so he did the hook.

Didn't find a single link to the demo version w/ Poppa Wu ("The Gallery") but it starts this b-side/unreleased mix full upload:



One Step/Fake MCs video


BTS of One Step video

Blessed Are Those (Prod. by Y-Kim) - There's a big story behind this one. That was an incredible time right there. This wasn't an original beat. They had to go in there and do it again. Al Green wouldn't clear the sample. I called up Al Green and got on the phone with him. I called him Al Green. Al Green was fronting because of my name "Killah Priest," because he's supposed to be a preacher and everything. Me and him ended up having words with each other. That's a highlight of my career. They wouldn't clear it, so we ended up having to redo it. I still have the original beat. We're going to leak that one out there too.

This also got the Rhyme of the Month in The Source. I didn't even think this was that strong. We ended up doing this track towards the end of recording for the album and we just put it in the right place.

Blessed Are Those original version:

From Then Till Now (Prod. by Y-Kim) - This is great. This was a great time. There's a big story behind this one too. Ghostface wanted this beat also. I was coming up and I was like, "I got it, I got it." Me and Ghost were going at it over this beat. I think Ghost had enough tracks though. I ended up getting the beat. Y-Kim definitely came through on this one. The whole Clan wanted this track. Everyone was going crazy over the beat. I had known Y-Kim for awhile because he was from Brownsville. My man Full Moon is the one talking at the beginning. This song was magic. I did this in a house studio out in Flatbush.

Trivia: The back & forth over this beat is part of what got Y-Kim jumped by the Clan.

Cross My Heart (Prod. by True Master) (Feat. Inspectah Deck and GZA) - This was another incredible track. This was done by True Master. It definitely sounds like a RZA joint. There's a good story on this one. We ended up doing this one out in Cali. RZA was on the original one. It was me, RZA, and GZA. At the end of the day, he wanted his verse off of it. I assured him that his verse was dope. We went back-and-forth. We took RZA off "Cross My Heart" and put Inspectah Deck on the track, who came in and murdered it. Deck recorded his verse in New York. There are so many stories behind "Heavy Mental" because it took awhile for it to come out.

Cross My Heart video:

Fake MC's (Prod. by 4th Disciple) - We did this out in Steubenville, Ohio, at 4th Disciple's crib. This was also done at the end of the album. 4th played the beat. We were in a small-ass room and it was real dope. I was like, "This is crazy." Every time 4th makes a dope beat, he doesn't go crazy over it. I ended up just jumping on this track and doing it right there.

It's Over (Prod. by 4th Disciple) - We did this out in Cali. This was with 4th Disciple. This was my first deal and I wanted to keep it moving. I just made up the intro out there. We did all of this out there. 4th made the beat around the rhymes. I kicked the rhyme and then when I heard the beat, I was like, "It's over!" There were two girls around from New York and we threw them on the track too. That's who you hear screaming "run!" We just put them in front of the mic and they did a good job.

There's a demo version that runs around 4:20, check the mix linked under "One Step."

Crusaids (Prod. by 4th Disciple) - This is a phat-ass song. This was featuring Rose Cartel and the whole Sunz of Man. Rose ended up being in The Maccabeez. This ended up being crazy-long. We were all rhyming on this. I think 4th Disciple still has the original track of this. I think there were 12 MC's on there going crazy with long-ass rhymes.

While the version he talks about never surfaced, there is an extended 3 minute track. No solo link, but check the mix linked under "One Step."

Tai Chi (Prod. by 4th Disciple) (Feat. Hell Razah, 60-Second Assassin, and Father Lord [R.I.P.]) - This was really the first track I made for "Heavy Mental." Hell Razah and 60-Second went to the studio with me. 4th Disciple played this beat and my girl at the time was in there and she was like, "What beat is that?" It was a wrap from there. 4th Disciple definitely came through on this beat. We did another song that day called "Break it Down" that never came out. Prodigal Sunn was on that one.

Trivia: Hell Razah says "it's 9-6, beware of bio-chips" at the start of his rhyme because the song was recorded in 96, but since it was 98 when released, they edited it & Priest even references it on "Information."

"Break It Down" listed as "Build It Up":

Heavy Mental (Prod. by Killah Priest) - I produced this one! This was a song that I always wanted to do to get off my chest. I lost the first one. I always tell this story. I was on a ferry boat in Staten kicking it with Prodigal. I kicked him the rhyme and he was like, "Are you going to say all that?" I was like, "Yeah, man." The rhyme was on a piece of paper, and I turned around and could not find it. I finished up the last part in the studio. I was so mad. I was like, "Let's record it right now." There was really no sample but it was a dope sound I got. It was an Australian musical instrument. I got it in the art department of the guy who was designing my album. I heard that instrument and said, "You're going to the studio" and we laid it there.

If You Don't Know (Prod. by True Master) (Feat. Ol' Dirty b*stard) - Oh man, this one has my brother O.D.B. This was during the same time that we did "Cross My Heart." We were still out in Cali. It worked out good. I was out there for a minute. Dirty came to the studio and he was bugging. I don't know if he was high, but he came to the studio saying that aliens were chasing him. He came through with his girl, got on the mic, and did his thing. True gave us two bangers out there, "Cross My Heart" and "If You Don't Know." This was a marriage right here. This was Masta Killa's and GZA's favorite joint off the album.

Atoms to Adam (Prod. by True Master) - This was a beautiful time. This was done during the time the Sunz of Man album was coming together. I heard the track in New York and it blew my mind. It was a phenomenal track and I had never heard anything like it at the time. We were just experimenting with a lot of different styles. We went out to Cali and I just spazzed out. This beat is so melodic. My man Shanghai sung throughout the whole song. He wouldn't get off the mic! We had to chop up his vocals. That's why you hear the "oooooh oooooh." You should hear the original version. I came in and blessed it. This one took awhile because I was just zoning out on the beat so much. This beat is so melodic.

High Explosives (Prod. by Arabian Knight) - Q-Base was working with Y-Kim. I was doing a lot of work at his crib. I did a lot of stuff at his crib, like "Blessed Are Those" and "Mystic City." He threw on this track and I was like, "This shyt sounds crazy." At the time, the beat sounded like some high explosive Dr. Dre shyt. I just called the shyt "High Explosives" and we took it from there.

Trivia: Anyone ever confused by the album credits, Q-Base, usually affiliated w/ Royal Fam, is the same person as Arabian Knight who produced this track and a good chunk of GZA's Beneath the Surface.

cont...

 

[BuddahMAC]

on Heavy Mental continued:

quotes by Killah Priest

Wisdom (Prod. by 4th Disciple) - This was done at the same time as "Fake MC's" out in Steubenville in 4th Disciple's room. He had this small orange light in his room and he played this track. This took two takes and it was done. We didn't even want to touch that. I was staying at 4th's crib in Ohio and we were knocking out mad songs. This song came out of a little mood. This was done during the last stages of "Heavy Mental." The album sat around for so long. They kept on pushing it back so we just kept recording songs for it.

B.I.B.L.E. (Prod. by 4th Disciple) - The original one was done in RZA's crib, way back. It was Shabaaz the Disciple who put me on to this beat. He was like, "You have to listen to this track." When I heard the track, I was like, "Yo, this is dope." This was the first track that I ever recorded. I was listening to Raekwon. He was doing "Cuban Linx," recording songs and stuff. He was downstairs. I had actually done this song for "Cuban Linx" but I was trying to be on a positive tip. I did some stuff for that. After I did it, they were thinking about letting this one make it. This came across too positive. I said, "Straight-up, I ain't the thug-type." They were like, "This has to be hard." After that session, I went back in and all of a sudden, the track got lost. RZA was like, "I don't know where that track is at." After I got my deal, we still couldn't find "Basic Instructions." 4th came back and redid the track. Everybody loved this song so much. RZA said it was too positive and happy for "Liquid Swords," but GZA was like, "Nah, we're putting it on there." A lot of people don't know that I came in with one of the illest MC's that started up with the Clan. I was amongst RZA and GZA and it was just crazy for me.

We worked on this so many times. We got it mixed here, got it mixed there. A lot of cats were just vibing to it, smoking weed in a studio out in Cali. I got a bad report. The studio called up Geffen Records and said, "There's too much smoking in Priest's sessions. He's a cool dude, but it's the entourage that he brings with him." I had a lot of cats with me when we recorded. After I laid the vocals, it just came out right. I'm one of the first cats to have his whole song featured on another album. That was the first song right there. That was a blessing to do that song. I had that rhyme for a very long time. It was basically about my life.

BIBLE- one of the earlier mixes

Mystic City (Prod. by Y-Kim) - Like I said before, this was also done during the time of "High Explosives." I had to go back and do this twice. I liked the first version, but everyone else liked the second version. I was more relaxed on the first version, but everyone wanted a more aggressive version. Y-Kim wanted me to go back and re-spit it. This ended up getting a lot of props too. I forced this one to be on the album. I think this was the last song that we did.

Information (Prod. by 4th Disciple) - Let me think about this one. We did this during the time of "Crusaids" and all that. No, this was done in Steubenville at 4th Disciple's crib. 4th had given me this conspiracy book and we were reading the scriptures, lighting candles. A lot of information was being given out. Cats don't make songs like this. You have to vibe out on tracks like this. We were lighting candles reading conspiracy books, and this shyt just came across. Where are you gonna run, where are you gonna hide?

Science Projects (Prod. by 4th Disciple) (Feat. Hell Razah) - This was done in Soundtrack in New York. 4th Disciple was the only producer I was working with until True Master and Y-Kim came through and blessed me. We did this in New York. Like I said earlier, I had my clique with me. Razah and 12 O'Clock were there. Dirty came through. This beat sounded like a movie. Prodigal Sunn told me I should talk about my life and where I grew up at. I ended up doing exactly what he said at the beginning of the song. This was incredible right here. The beat sounded like a movie, and I wrote the rhyme right there on the spot. The beat was so melodic that I just wanted to do something different and rhyme a certain way, and actually be a part of the rap. If you listen to "Science Projects" real good, I do become the character and I rhyme in 3rd-person. It all intertwines. It's a different type of style because I liked the beat. Then Razah came up with "Life in the science projects, life in the science projects." Then he changed it and we were like, "Why don't you name all the projects?"

Life Is a Gamble:


Trivia: You might recognize the same 4th Disciple beat from La the Darkman's "Fifth Disciple" & some lyrics reused in KP's "Moanin'" which was a b-side along with "Street Opera" (both 4th Disciple productions) on the One Step single.

La the Darkman- 5th Disciple


Moanin' feat Killah Sin & Shanghai the Messenger


Street Opera feat Hell Razah

The Professional (Prod. by John the Baptist) - This brings us to the closing and one of the illest songs. I worked with John the Baptist, and I was one of the first to work with him. I always get to work with the first producers that bang shyt out. We were out in Miami recording this song. This version is not the original. The original was called "How to MC" or something like that. It was a whole different song. I did two songs to this beat. It was crazy. John the Baptist still has the original one to this day. I think it was RZA that heard the beat and liked it so much that they were like, "Yo, that shyt is dope." I don't know what it was that made me go back in the studio and record another track. I was just showing that I was a professional. That's why I was saying that in the rhyme. They were like, "That song is dope. The rhyme is cool and the beat is nice." I was like, "No beat is going to show me out." I went back to do a whole new song over that. The first one was banging too.

With all of these songs put together, this album became a classic. I knew it would have something to allow it to live longer that a lot of MC's. I never thought it would have the great impact it does. Every time I do shows, people are like, "Yo Priest, do songs off of 'Heavy Mental!'" A lot of people appreciate that. That makes me feel good because that's something that I created all by myself, as far as getting the studio time, having everyone coming through, and the cats that I wanted on the album. It was all fun. It was a learning experience. I had to get used to the studio, learn how to work the microphone, how to work the engineers…I was always up at the label and they were like, "How are we going to market this." They wanted to market it as "alternative." Now look at how many years it's been. People still tell me, "Priest, that's one of the best albums created in Hip Hop." Talk about evolution, this album is something different. Just look at the beats. Pun used to tell me, "This shyt is crazy!" I couldn't be around them all the time because I had my own clique. I forgot how many Mics I got, but I should have gotten 5 Mics on this album, hands down.

some other unreleased from these sessions:

Day of the Prophets


Wolf In Sheep's Clothing feat. Shanghai The Messenger


Killah Priest - Quiet weapons for Silent Wars feat Hell Razah and 7th Ambassador


Mind As A Weapon feat. Hell Razah

 

[KravenMorehead™]

In

 

[nieman]

I used to CTHU back then when people were saying the W fell off. Their B & C teams were still dropping heat, it as just different than the music that was IT at the time. I still have most of those abums. Matter of fact, I'm gonna pull out Heavy Mental for tomorrow's commute.

 

[BmoreGorilla]

You think you’ve got it allll set up
You think you have the perfect plaaan

 

[tuckgod]

I’m a Wu head, but my fandom ends after the first run of albums and Ghosts whole run.

I never got into any of the affiliates like that.

I’ve never heard any of those albums except the Meth joint and Bobby Digital

In ‘98 I was living in Cali beginning my education on Southern, Midwest, and Westcoast hip hop

 

[Deflatedhoopdreams]

Yes . Amazing run

 

[Deflatedhoopdreams]

Still remember watching Triumph video for the first time on tv.

Hell yeah. That video stayed in heavy rotation on TV

 

[wilburn burchette]

BONG BONG

 

[Morose Polymath]

Not as good as their 95 run but it’s pretty damn good.

True, but this run was within a calendar year and it consisted of mostly affiliates and fam, it's pretty damn impressive. I mean among that list of albums there's arguably 3 classics. Helluva a run.

 

[Morose Polymath]

I never got into any of the affiliates like that.

I’ve never heard any of those albums except the Meth joint and Bobby Digital

You've never gave a listen to "Heist Of The Century"??

You never peeped "Heavy Mental"??

You never even heard "The Pillage"???

Breh it's never too late to get caught up, you missing out one some classic Wu shyt breh...

 

[nieman]

You've never gave a listen to "Heist Of The Century"??

You never peeped "Heavy Mental"??

You never even heard "The Pillage"???

Breh it's never too late to get caught up, you missing out one some classic Wu shyt breh...

Or The Swarm

 

[BuddahMAC]

Little known gem of this 1998 run: 5 Styles of Shaolin EP

A1 Sunz Of Man We Can't Be Touched 4:00
A2 Killah Priest Street Opera 3:47
A3 Cappadonna Run 3:50
A4 Cappadonna U-God Anotha Riddle 3:14
A5 Method Man Raekwon Cappadonna The Crow 4:14
B1 Cappadonna U-God Spy Hunter 3:55
B2 Ghostface Killah Cappadonna Rap Pavillion 4:18
B3 Sunz Of Man Natural High 4:20
B4 Killah Priest Moanin 4:20

Now, this is a weird one for a few reasons.

1) It's labeled as a Razor Sharp Records release, but has tracks from KP (Geffen) & Sunz of Man (Threat/Red Ant)

2) Sunz of Man- "We Can't Be Touched" feat Makeba Mooncycle (Prodigal Sunn's sister BTW) was a promo song specifically made for Tony Touch's promo mixtape for Sunz' debut album which is why they shout Tony Touch in the hook:

but later that song was also an a-side on two separately pressed singles b/w Inmates to the Fire & Natural High respectively which is especially weird for a non-album promo track.

3) The Killah Priest cuts are his 2 b-sides from the One Step single

4) The Cappadonna cuts are nearly all slightly different or extended versions of album tracks:

Run = same as album version

Another Riddle w/ U-God (3:14) = Milk This Cow w/ Method Man (3:45) (U-God does a different version of the hook)


The Crow (4:14) = Dart Throwing (3:09) (extended instrumental)

Spy Hunter (3:55) = Supa Ninjaz (3:24) (extended instrumental and this white label vinyl version goes even longer at 4:33)


Rap Pavilion (4:18) = Oh Donna (3:50) (extended instrumental)

Just a really odd release all around.