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read the whole article here: What’s Attracting Gay Men to the Fascist, White Nationalist Alt-Right?
How the Alt-Right Is Using Sex and Camp to Attract Gay Men to Fascism
Queer people are not immune from fascist impulses.
At the National Policy Institute’s 2015 conference, alt-right star Richard Spencer’s annual Nazi-fest, a speakernamed Jack Donovan exhorted the crowd "to leave the world the way you entered it, kicking and screaming and covered in somebody else’s blood." The same year, in the pages of the The Occidental Observer, one of the most prominent white nationalist webzines, another alt-righter, James J. O’Meara, held forth about how "behind the Negro, hidden away, as always, is the darker, more sinister figure of the Judeo. The Negro is the shock troop. The Jew is the ultimate beneficiary.” Aside from being open fascists and “white racialists,” Donovan and O’Meara have another thing in common: They’re both out gay men.
In his book The Homo and the Negro, O’Meara says that gay white men represent the best of what Western culture has to offer because of their "intelligence" and "beauty," and that "Negroes" represent the worst, being incapable of "achievement." Donovan calls women "whores" and "bytches," and, when a questioner on Reddit asked him his views of the Holocaust, responded, "What is this Holocaust thing? I’m drawing a blank."
Both have become influential figures in the alt-right; horribly, they are not the only gay men to respond to an olive branch lately offered by white nationalism. The opening of this movement to cisgender gay men is a radical change, "one of the biggest changes I’ve seen on the right in 40 years," says Chip Berlet, co-author of Right-Wing Populism in America. In the United States, unlike in Europe, out gay men have never been welcome in white supremacist groups. The Klan and neo-Nazi groups, the main previous incarnations of white hate in this country, were and still are violently anti-queer. And while a subset of openly gay men has always been conservative (or, as in all populations, casually racist), they never sought to join the racist right.
That was before groups like NPI, Counter-Currents Publishing, and American Renaissance started putting out the welcome mat. Since around 2010, some (though by no means all) groups in the leadership of the white nationalist movement have been inviting out cis gay men to speak at their conferences, write for their magazines, and be interviewed in their journals. Donovan and O'Meara, far to the right of disgraced provocateur Milo Yiannopoulos, are the white nationalist movement's actual queer stars. But there are others in the ranks, like Douglas Pearce of the popular neofolk band Death in June. And there are many more gay men (and some trans women) who have been profoundly influenced by two white nationalist ideas: the "threat" posed by Islam and the "danger" posed by immigrants.
Donovan tries to sugarcoat his own racist beliefs when speaking to his main fan base, gay men who like his macho looks and straight men from the "pickup artist" culture and the manosphere who are desperately trying to learn from him how to be manly. Instead, reverting to the other half of the Nazi playbook, he prefers to highlight his hatred for "effeminacy," feminism, and "weakness." A beautifully muscular man of 42 who has perfected a masculine scowl in the many photographs of himself he releases on his website and Facebook page, he functions as beefcake for the neofascist cause. He’s parlayed his butch allure into a brand, earning money from a line of T-shirts and wrist guards that say things like BARBARIAN and a series of books that seek to instruct both straight and gay men in how to become more masculine and in particular, more "violent."
One of my Facebook friends, a politically liberal gay man I'll call Frank, is a fan of Donovan's Facebook page "because of the visuals. I like his looks—I mean, he's bald with tattoos. He really exudes a lot of sex." Frank also likes that Donovan "trashes that whole gay club scene," which Frank finds conformist and alienating.
The saga continues
How the Alt-Right Is Using Sex and Camp to Attract Gay Men to Fascism
Queer people are not immune from fascist impulses.
At the National Policy Institute’s 2015 conference, alt-right star Richard Spencer’s annual Nazi-fest, a speakernamed Jack Donovan exhorted the crowd "to leave the world the way you entered it, kicking and screaming and covered in somebody else’s blood." The same year, in the pages of the The Occidental Observer, one of the most prominent white nationalist webzines, another alt-righter, James J. O’Meara, held forth about how "behind the Negro, hidden away, as always, is the darker, more sinister figure of the Judeo. The Negro is the shock troop. The Jew is the ultimate beneficiary.” Aside from being open fascists and “white racialists,” Donovan and O’Meara have another thing in common: They’re both out gay men.
In his book The Homo and the Negro, O’Meara says that gay white men represent the best of what Western culture has to offer because of their "intelligence" and "beauty," and that "Negroes" represent the worst, being incapable of "achievement." Donovan calls women "whores" and "bytches," and, when a questioner on Reddit asked him his views of the Holocaust, responded, "What is this Holocaust thing? I’m drawing a blank."
Both have become influential figures in the alt-right; horribly, they are not the only gay men to respond to an olive branch lately offered by white nationalism. The opening of this movement to cisgender gay men is a radical change, "one of the biggest changes I’ve seen on the right in 40 years," says Chip Berlet, co-author of Right-Wing Populism in America. In the United States, unlike in Europe, out gay men have never been welcome in white supremacist groups. The Klan and neo-Nazi groups, the main previous incarnations of white hate in this country, were and still are violently anti-queer. And while a subset of openly gay men has always been conservative (or, as in all populations, casually racist), they never sought to join the racist right.
That was before groups like NPI, Counter-Currents Publishing, and American Renaissance started putting out the welcome mat. Since around 2010, some (though by no means all) groups in the leadership of the white nationalist movement have been inviting out cis gay men to speak at their conferences, write for their magazines, and be interviewed in their journals. Donovan and O'Meara, far to the right of disgraced provocateur Milo Yiannopoulos, are the white nationalist movement's actual queer stars. But there are others in the ranks, like Douglas Pearce of the popular neofolk band Death in June. And there are many more gay men (and some trans women) who have been profoundly influenced by two white nationalist ideas: the "threat" posed by Islam and the "danger" posed by immigrants.
Donovan tries to sugarcoat his own racist beliefs when speaking to his main fan base, gay men who like his macho looks and straight men from the "pickup artist" culture and the manosphere who are desperately trying to learn from him how to be manly. Instead, reverting to the other half of the Nazi playbook, he prefers to highlight his hatred for "effeminacy," feminism, and "weakness." A beautifully muscular man of 42 who has perfected a masculine scowl in the many photographs of himself he releases on his website and Facebook page, he functions as beefcake for the neofascist cause. He’s parlayed his butch allure into a brand, earning money from a line of T-shirts and wrist guards that say things like BARBARIAN and a series of books that seek to instruct both straight and gay men in how to become more masculine and in particular, more "violent."
One of my Facebook friends, a politically liberal gay man I'll call Frank, is a fan of Donovan's Facebook page "because of the visuals. I like his looks—I mean, he's bald with tattoos. He really exudes a lot of sex." Frank also likes that Donovan "trashes that whole gay club scene," which Frank finds conformist and alienating.
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