it really shows you IMO how advanced the South is at making MUSIC.
No one else is finding ways to weave through instrumentals like dudes in the south has to this point.
The South created more flows and sonic trends than any other region.
the new south has created no actual new flows, and no new real sonic trends.
all their sonic trends are lifts of early new York based synth compositions.
that were wrapped into the second southern mister magic's and dj jimi mixtapes.
that soon became the 808 backdrop style production of luke/poison clan.
all their artist are amalgamations of past greats from other regions.
excluding scarface, big mike, celo green, project pat, and dro.
of which dro, who is the only next level advanced wordsmith from the region.
barring big mike 's exclusion who is never properly accredited.
with being one of its landmark earliest and greatest emcees in a solo or group perspective with the convicts.
everyone, after that contingent from the south.
lifts Chicago Midwest double time flows from the snypaz.
which were later made by do or die and twista.
or, early fellowship snaked bone flows.
even, outkast were self admitted ripoffs of souls of mischief.
Chicago, and the bay own the south after scarface, and big mike excluding project pat, celo and dro.
even luda is a ripoff of busta rhymes, and early common sense's styles era skillset.
where even common's early skillset is a ripoff of ed og.
so kill the bullshyt...
I know this history, for real.
you are just trying to homer-ize the shyt based on current drawing trends.
which is more about the mecca in new York losing its way culturally in the rap industry.
art barr