Why did Blunted on Reality flop?

Street Knowledge

Superstar
Supporter
Joined
May 2, 2012
Messages
25,102
Reputation
2,013
Daps
60,352
Reppin
NYC

The Fugees first album famously bombed, the Question is why? A lot of people say it was bad but plenty of bad albums did numbers. What’s the most fascinating thing about this thought is even after the score dropped and became a worldwide phenomenon it still didn’t push numbers. Like we’ve seen debut albums not do great, artist becomes superstars and people go back and cop the debut. That didn’t happen here, people bought the score in droves(it’s diamond for Christ sakes) and said nah we are good on the debut :wow:
 

get these nets

Veteran
Joined
Jul 8, 2017
Messages
53,975
Reputation
14,715
Daps
202,784
Reppin
Above the fray.
Trash

Were signed when Onyx was big, as were many other acts and you can hear the record company suggested "yelling" and Fredro Starr imitations.

No famous guest appearances, rappers that NOBODY had ever heard of, not cosigned by any name artist , trash songs, weird logo

There was no hook for people to buy it.
 
Joined
May 2, 2012
Messages
65,973
Reputation
28,818
Daps
393,104
Reppin
Ft. Stewart, Ga
Similar to Juvenile Hell. They needed time to find their identity and “sound”


I think we forget that most of these rappers were both young and breaking lots of new ground as artists. They were 18-19 when Blunted On Reality came out. For every Nas, who was a wunderkind coming into the game knowing EXACTLY who he was and represented there were other artists who needed time to find what made them special.

Hell Reasonable Doubt didn’t set the world on fire when it dropped and Jay-Z was 26 with years and years of harnessing his skills beforehand.

Thats why proper A&Ring was extremely important back then.


I’m just glad artists like Fugees, Mobb Deep, etc were able to get second chances. The Score proved they had what it took they just needed to find themselves and when they did not only did we get The Score, but The Carnival and Miseducation. Hell even Pras gave us Ghetto Superstar which is a classic single.
 

WIA20XX

Superstar
Joined
May 24, 2022
Messages
6,904
Reputation
3,285
Daps
21,872
They didn't have anything nearly as strong as Killing Me Softly on the first lp. The Nappy Heads RMX is the only thing even decent from that era. Additionally, Clef and Praz could not really compete lyrically with 93-95 NYC.

Also, unbeknownst to them, hip hop was transitioning away from that classic sound as well. That album dropped at the beginning of 94, about 4 months after DoggyStyle dropped. NYC was not changing their sound up that much because the Chronic/Doggystyle - but the rest of the country was gravitating away from boom bap/jazzy raps.

But low key - those NYC A&Rs and influential Dj's will never admit this

1) Being from Jersey
2) Proudly Haitian
3) Lauryn being in Sister Act as a singer

NYC industry support can't necessarily make an artist, but it can definitely break one.
 

FreshAIG

Moderator
Staff member
Poster of the Year
Supporter
Joined
May 1, 2012
Messages
70,061
Reputation
15,593
Daps
308,082
Reppin
Californ-i-a by way of BK


This would've been the only thing close to decent on it but the version that's on the album is worse. Is the "Nappy Roots" remix part of the tracklist?

This version of Vocab was the first joint I fukked with from them. Lauryn had a dope verse. But I always turned it off after she rapped.
 

get these nets

Veteran
Joined
Jul 8, 2017
Messages
53,975
Reputation
14,715
Daps
202,784
Reppin
Above the fray.




tumblr pm86tpfGoN1t1yehoo1 1280

Today in Hip Hop History: The Fugees Released Their Debut ‘Blunted On Reality’ LP 29 Years Ago​



February 1, 2023

On this date in 1994, crew members Wyclef Jean, Pras, and a young, talented Lauryn Hill otherwise known as The Fugees formulated their first album entitled Blunted On Reality on Hip Hop indie imprint Ruffhouse Records.
Not as familiar to Hip Hop heads as their follow-up smash sophomore album The Score, Blunted On Reality did not receive the commercial success their first go around, yielding only 12,000 copies sold in the first two years. After the release of The Score, that number jumped to 125K.
With Clef’s hands in every aspect of production, there were very few times when the Haitian national wasn’t behind the boards during the production of this album. Other producers include Salaam Remi, Brand X, Khallis Bayyan and even Pras.
 
Top