Was there something you wanted to do with the character that hadn't been done before? Was there a departure that kind of surprised you?
I mean, I don't know. I don't want to say that hadn't been done before, right? Because I don't want to skip over some seminal work that I just might not be aware of. But I had felt that for a long time, the character in comics had been kind of mired in a little bit of a small, a little too much allegory to what we're dealing with in society right now. And I wanted to deliver the character from just direct social commentary.
I wanted to deal with the idea of legacy, the idea of royalty, the idea of a king's responsibility to their kingdom, and to bring in even some near cosmic ideas. Really just to kind of, again, expand the possibility of what could be done narratively, because within this universe, you're sort of meeting all of these characters and these dynamics for the first time in a way. And so, you've got the opportunity then to redefine the nature of the experience. That's really where my head went, but plenty of great [work has] been done on the character before. I can't say that I'm doing something no one's ever done, but I'm doing it in a way that feels exciting for me, and hopefully, it's exciting for readers.