interview with the creator
http://www.thedailybeast.com/articl...-mind-of-true-detective-s-nic-pizzolatto.html
What can you reveal about episode four, which is airing on Sunday?
Episode four is the beginning of Act Two. Suddenly, the rhythm of the entire show changes. The slow part is over now. The first three episodes move at a very deliberate, almost funereal cadence, like you’re marching toward something. And what you’re marching toward is that final image in episode three.
What’s an example of that?
Episode Five. I’ve just read a couple pieces where the critic tries to dismiss Cohle’s monologues as “the sort of half-baked loopiness you’d get in freshman year philosophy,” and that’s not true at all. If you pay attention to Cohle’s philosophies they’re actually much deeper and more nuanced and grounded in legitimate scientific and philosophical thought than some a$$hole getting stoned and talking about the meaning of life.
So in episode five—not to spoil anything—Cohle gives one of his metaphysical addresses. And you can see it as Job crying out to an uncaring God—or you could see it as a character trapped in a TV show yelling at the audience. I think that much, at least, is safe to print.
http://www.thedailybeast.com/articl...-mind-of-true-detective-s-nic-pizzolatto.html
What can you reveal about episode four, which is airing on Sunday?
Episode four is the beginning of Act Two. Suddenly, the rhythm of the entire show changes. The slow part is over now. The first three episodes move at a very deliberate, almost funereal cadence, like you’re marching toward something. And what you’re marching toward is that final image in episode three.

What’s an example of that?
Episode Five. I’ve just read a couple pieces where the critic tries to dismiss Cohle’s monologues as “the sort of half-baked loopiness you’d get in freshman year philosophy,” and that’s not true at all. If you pay attention to Cohle’s philosophies they’re actually much deeper and more nuanced and grounded in legitimate scientific and philosophical thought than some a$$hole getting stoned and talking about the meaning of life.
So in episode five—not to spoil anything—Cohle gives one of his metaphysical addresses. And you can see it as Job crying out to an uncaring God—or you could see it as a character trapped in a TV show yelling at the audience. I think that much, at least, is safe to print.