sam grows up to be a crazy serial killer? dresses up as the babadook..
I kind of like how they're open and ambiguous with the ending.The problem is the movie tries to tell two stories without committing to either one.
For a decent chunk of the movie it could possibly be a nervous breakdown/insomnia and trauma from losing her husband. But then they introduce the actual monster, and obviously supernatural things happen....but then she over comes the monster by asserting herself, and it cowers in the basement where her dead husband's belongings are kept. Maybe the monster thrives off of loss and grief but it doesn't change the fact that they still have a monster living in their basement, who is summoned by a child's book.
It's just....
I'm like....what are you trying to accomplish with the movie? It's all over the place. Maybe if I read an interview with Kent it'll make more sense.
As is stands I still like the movie, but it's an 8 when it could've been an easy 10.
Fred.
Just watched it and I enjoyed it. I didn't think it was particularly scary, outside of two or three moments, but the atmosphere was well-done and the build-up great. Where the movie faltered was that the build-up didn't lead to a strong enough pay-off. The thing is the Babadook isn't just a 'monster' (to spoil as little as possible), and because of this the movie's tone shifts in a direction where the titular monster plays a completely different role than the build-up makes him out to be.
The Babadook very clearly represents mental illness/grief in both Samuel and Amelia, but I thought the first half hour built up the Babadook so strongly as an actual monster that the point where it becomes clear he's just an allegory, the movie loses a legitimate threat. The resulting movie starts to move towards Sam Raimi-esque fukkery with the whole super-possessed mom and the kid getting his Home Alone on, but because it tries to tell a serious story it doesn't quite commit to the craziness as much as it should either. It does work for what it tries to be, but what that is, is no longer a horror movie.
Regardless of that, it is a well-made picture with very strong performances (both the mom and the kid are great at convincing you they're driving each other crazy) and it's inspired enough that even if the movie can't keep the tone consistent (or precisely because of that) it never becomes dull. So yeah, it's not really scary, but it's entertaining and certainly leaves a more lasting impression than Interchangeable Jump Scare Ghost 4.
Also...
I liked how the (female) writer/director put in that implication that she just needed to get dikked down real good. It is the most underrated cure to feeling sad after all.