Essential The Official Photography Thread

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:manny:Black Friday/cyber Monday caught me.

Copped 2 more Godox AD400 flashes.
Been taking headshots with 2 lights for a while. Made it work just fine but have always felt my setup was lacking without a proper 3 light set up and 1 light for a pop on the background.

Copped 2 bright tangerine baseplates for my Komodos.
Expensive but incredibly well built and intuitive.


Can we get a full gear collection shot :lupe:
 

richtree

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At the top.
Some lol?

But ummmmmm... Can you link me to that please
Deal is done now, was a western digital 18tb external
At this point you should really look into a NAS and have data redundancy. Having that much storage is nice but if it’s only one drive, one incident and all that data is GONE.
ive been meaning to look into that but always feel lost regarding it
 

The Devil's Advocate

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Better to reign in Hell than serve in Heaven
At this point you should really look into a NAS and have data redundancy. Having that much storage is nice but if it’s only one drive, one incident and all that data is GONE.
I keep hearing about NAS but it sounds expensive and intensive... Can you give me the photography, every man breakdown.
 

Allen Poe

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Bought a fisheye lens recently, shyt is so much fun to shoot with. Here's a few I took the other day:

KCrR13J.jpg

Z6sbksi.jpg

v5DRDD3.jpg

1KepWIh.jpg
 

JD2019

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I keep hearing about NAS but it sounds expensive and intensive... Can you give me the photography, every man breakdown.
It’s not necessarily expensive but it’s not cheap either. I think it’s more of a “cost of doing business” thing just like you’d invest in lenses, lighting, etc. Not only do you backup your photos there but you also backup your computer just in case that crashes. Plus if you start off right you just add additional drives as you go.

It’s mounted to our network so I can access it from any of our computers or phones wether I’m home or on the road. With most big external drives if you don’t have it with you the data can’t be accessed as you have to plug it up directly into your computer. It might not be for you ultimately but just not having to keep track of what hard drive has what has been a big quality of life improvement.

I posted a couple of links below that are some good watches. I know some folks don’t like Tony Northrup but he presents the info in a pretty easy way to digest it for folks new to the idea.





 

Kamikaze Revy

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I keep hearing about NAS but it sounds expensive and intensive... Can you give me the photography, every man breakdown.
It's generally expensive and is not something I would recommend to everyone.

First I would ask about your use cases: Are you creating content professionally? Is this a full time job or something you want to become a full time job? How long do you intend to keep raw files and why? How important is it for you to work from more than one computer?

I'm real big on making practical moves, especially given this field of work leans heavily into the constant feeling of missing out if you don't have the latest and greatest lens, gimbal, camera body, light, etc.

I'll tell you why I made the move to a NAS solution and hopefully that helps you make the right decision for yourself.

I own my own marketing agency/production company.
When I started out about 4 years ago, the only camera I owned was a Panasonic GH5.
Shooting in 4k/60p the file sizes of my projects averaged around 300 GB.
I started out with a 4TB external and I would also use the 1TB internal on my iMac.
As my client base grew and projects became more frequent I needed more space. I always bought "just enough" which resulted in my having 5 4TB externals. Not the end of the world, but locating projects became a mild hassle as I would be plugging and unplugging hard drives to find footage frequently.

The big turning point for me was the purchase of my RED Komodos.
My average project size now is 750 GB and the work keeps coming in.
That coupled with the new dilemma of me only being one person I began to sub-contract friends to help with edits.
This put me in a situation where if I was going to have people come in and work, I needed to have a proper workstation for them; but there was no way in the world we would be able to be productive if we were passing external hard drives back and forth; and what if we both needed access to footage that was on one particular drive?

This is where I went down the rabbit hole of researching a solution where 2 computers would be able to access 6K resolution files, and both computers would be able to actively pull that footage and edit off of a single drive. The biggest challenge you run into aside from cost is bandwidth. A NAS was the perfect solution for me. I didn't approach the decision based on any need to archive footage. I honestly extremely rarely archive raw footage and when I do it's only for very specific clients and very specific projects. I'm in the business of shooting NEW content, not going back into year old content for x,y,z, reasons. If I need to do some kind of "year in review" for a client, I typically pull from the finished videos, which those, I do keep every single one.

I use a QNAP TS-H973AX with 5 drives totaling 90TB of space.
I believe the total cost was around $2K if I'm not mistaken.

This was the video that sold it for me:


There's a lot more technical info I could share if you have any specific questions or concerns.

I would say long story short:
A NAS gives you the storage space of multiple drives using only one of your computer's ports.
It can be quite expensive however, you can start with one drive and add drives to the NAS as your needs increase to mitigate the up front costs.
If you are using multiple computers make sure you have a 10g ethernet port, the proper cables, and switches to support it, otherwise, you are very likely going to have serious performance issues.
You do have the option of maintaining data redundancy automatically if you need it. It may shock people to hear I use a NAS and don't implement any redundancy but like I said, I shoot for the project, and if I need old footage I'll take it from a finished video and not from the raw footage since it just isn't practically at all to archive RED RAW 6K footage.
 

MikelArteta

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I'm glad I got rid of most of my gear. I only really use two lenses now my sigma 28mm 1.4 and my rf canon 85mm f2.0 . I use the 16mm for travel or I'll throw it in for a wedding if the room is tight.

With my r7 and my rp all those lenses give me diff focals as well since one is a crop sensor and the other is not.
 
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I'm glad I got rid of most of my gear. I only really use two lenses now my sigma 28mm 1.4 and my rf canon 85mm f2.0 . I use the 16mm for travel or I'll throw it in for a wedding if the room is tight.

With my r7 and my rp all those lenses give me diff focals as well since one is a crop sensor and the other is not.

No zooms in the aresenal?
 

MikelArteta

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No zooms in the aresenal?

Nope having two bodies helps

So I have a 16mm, 28mm, 50mm and 85mm

on my r7 which is a crop
16mm = 25.2mm
28mm = 44.8mm
50mm = 80mm
85mm = 136mm

for years in teh past i got by with a 24-105mm
 
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