Essential The Official Coli Horror Film Thread: Discussion, Recommendations And Murder.

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Shout factory released house on haunted hill 99 on blu ray?
Is that the one that was supposed to have different outcomes like a choose your own adventure book? I remember buying the dvd for that (I think) and it was supposed to have it but didn’t.
 

Nicole0416_718_929_646212

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Wife and I watched Tusk this past weekend, and it's BY FAR one of the most disturbing movies I've ever seen in my life :picard:
Yeah....that's staying with you for a few days....it's graphically disturbing. question, when he was with that abomination in the water....and he got behind it to turn it - that walrus thing. Did he ummm....rape the walrus???? I saw some movement but I was still in shock over that thing he created.
 

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Yeah....that's staying with you for a few days....it's graphically disturbing. question, when he was with that abomination in the water....and he got behind it to turn it - that walrus thing. Did he ummm....rape the walrus???? I saw some movement but I was still in shock over that thing he created.

Good question :jbhmm:

It's really hard to know, anytime that walrus suit is in the scene and dude is screeching it steals it. It's hard to pay attention to anything else.

You can tell me in the background there's a clown on a unicycle juggling DVDs of In Living Color and I would still have missed it :manny:
 

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I posted this in the Halloween thread but upon further reflection I think it could be a good discussion here.

Jason Blum did an interview with Polygon about Halloween and his answers to the lack of women making horror films at Blumhouse has gotten him in a bit of deep water:
Blumhouse Productions has been in the scare business since 2006’s Paranormal Activity, and in that time, despite dozens of movies behind it, the company has not produced a theatrically distributed horror film directed by a woman. With more and more female voices emerging through the festival circuit, from which many of Blumhouse’s directors emerge, the omission struck me as odd and compelling. When I ask Blum about hiring a woman to direct one of the company’s horror films, he too seemed jolted by the idea that it hasn’t.

“We’re always trying to that,” he says. “We’re not trying to do it because of recent events. We’ve always been trying.”

Blumhouse has produced films directed by women, though none could be easily classified as horror in the ilk of your Ouijas or Happy Death Days: In 2013, Blumhouse produced and released Twilight director Catherine Hardwicke’s erotic thriller Plush all but went straight to video; Karen Moncrieff’s supernatural drama The Keeping Hours trickled out on to DVD this past August; Blum notes that the company just wrapped production on The Killing creator Veena Sud’s The Lie, though he also admits the film is “squarely in the thriller genre.” On the TV side, Blumhouse produced Marti Noxon’s adaptation of Sharp Objects, directed by Jean-Marc Vallée for HBO. While terrifying in its own right, Blum wouldn’t call the mini-series “horror” either.

“There are not a lot of female directors period, and even less who are inclined to do horror,” Blum says. “I’m a massive admirer of [The Babadook director] Jennifer Kent. I’ve offered her every movie we’ve had available. She’s turned me down every time.” (Kent was not available for comment at the time of publication.)

During our call, there’s another name Blum struggles to recall — a woman to whom he’s thrown projects left and right — but he’s so driven to figure out the name that, in a true Hollywood move, he summons an assistant, then later a Blumhouse exec, onto the phone to help him remember.


“Who was the woman that we met with a bunch of times on the movie that we have at Sony?!” His associates rattle off names: Karyn Kusama? Mimi Leder? Zoe Lister-Jones? Sarah Gertrude Shapiro? Katie Aselton? Lynne Ramsey? (“No, she wouldn’t touch this with a 10-foot pole,” says Blum’s exec colleague.) The Blumhouse Rolodex runs deep.


Eventually Blum and his team land on the name: Leigh Janiak, who directed the SXSW-dominating Honeymoon in 2014. According to Blum, Blumhouse offered her every project under the sun, but nothing panned out. (Janiak, writing in a follow-up, confirms the meetings, and adds that scheduling prevented her from signing on for a Blumhouse movie, but that she’s confident “we’ll work together on something, someday soon.”)


So what do you guys think? Did Blum put his foot in his mouth?
And who are some women horror directors, or even women who haven't done horror yet but would be good at it, that you can think of?

I honestly think that Blum might have been shooting too high in his search by focusing on Jennifer Kent since she has become a bit of a critical darling after The Babadook and seems to have her sights set on more prestigious fare than a sequel to Annabelle. And in the case of Leigh Janiak, she is likely doing The Craft remake for Sony so she has already "made it" so to speak. But there are some good women directors out there who haven't gotten their big break yet who would be cool additions to Blumhuse's talent roster.

I'm gonna put together a list real quick and post it in a bit.
 

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I think he misspoke and he already apologized for it. Vulture already put the list together too lol. There are plenty of directors he could reach out to, even if they don’t have a history of horror. Look at David Gordon green. No history in horror but is directing possibly the biggest horror flick of the year.

He’s got a large pool he could pick from.
 

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Good question :jbhmm:

It's really hard to know, anytime that walrus suit is in the scene and dude is screeching it steals it. It's hard to pay attention to anything else.

You can tell me in the background there's a clown on a unicycle juggling DVDs of In Living Color and I would still have missed it :manny:
LOL. I had no idea what I was about to get into with that movie. The beginning was fine, started off normal horror movie trope- man ventures out to small town to meet with unknown stranger for an assignment. The convenience store scene was funny... I'm thinking, this must be horror-com. Fast forward to the scene where they're talking in the old man's house. The old man starts talking about how a walrus saved his life. In the back of my head, I'm like this guy must really like walruses (it weird, and mad random but that's his thing.. fine, I guess)..
:ld:

Then the other man drinks the laced coffee and passes out (I knew something was up when he offered him a cup but.. ok, I can deal with that- he's about to get misery'ed... )... Next scene where he's in the wheelchair with only one leg.. after that scene- whole program took an unexpected hard left... I'm like hold up... whyyyyyyy, wait... whuttttttt:damn::damn:. I said to myself, I'm not watching this ish, toooo much, but I couldn't. stop. watching. that was straight up trauma.
:merchant:
 

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LOL. I had no idea what I was about to get into with that movie. The beginning was fine, started off normal horror movie trope- man ventures out to small town to meet with unknown stranger for an assignment. The convenience store scene was funny... I'm thinking, this must be horror-com. Fast forward to the scene where they're talking in the old man's house. The old man starts talking about how a walrus saved his life. In the back of my head, I'm like this guy must really like walruses (it weird, and mad random but that's his thing.. fine, I guess)..
:ld:

Then the other man drinks the laced coffee and passes out (I knew something was up when he offered him a cup but.. ok, I can deal with that- he's about to get misery'ed... )... Next scene where he's in the wheelchair with only one leg.. after that scene- whole program took an unexpected hard left... I'm like hold up... whyyyyyyy, wait... whuttttttt:damn::damn:. I said to myself, I'm not watching this ish, toooo much, but I couldn't. stop. watching. that was straight up trauma.
:merchant:


The most surprising thing we found out was that JOHNNY fukkING DEPP was in that movie :mindblown:
 

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I think he misspoke and he already apologized for it. Vulture already put the list together too lol. There are plenty of directors he could reach out to, even if they don’t have a history of horror. Look at David Gordon green. No history in horror but is directing possibly the biggest horror flick of the year.

He’s got a large pool he could pick from.
I'm gonna check out that Vulture list.
Here is a quick 5 I came up with:

The Soska Sisters
Also known as The Twisted Twins, Jen and Sylvian Soska are Canadian actors and filmmakers who tend to play in the horror realm more than anything else. They are more populist in their brand of horror and make violent bloody style horror movies.
Past Work: AMERICAN MARY; SEE NO EVIL 2; ABC'S OF DEATH 2 ("T is for Torture Porn" segment)

Karen Moncrieff
Not a "horror director" per se but Moncrieff has shown an ability to handle subject matter that is intense and dark, sometimes veering on the edges of the macabre. She also has directed a film for Blumhouse already which means Jason Blum already has her contact info.
Past Work: BLUE CAR; THE DEAD GIRL; THE KEEPING HOURS; THE GIRL IN THE BATHTUB

Lexi Alexander
After doing the criminally underrated Punisher: War Zone feature film, Alexander seems to have been relegated to episodic TV work which is a shame because she has shown an ability to convey visceral action onscreen and I would love to see what she could do with some stright up horror material.
Past Work: GREEN STREET HOOLIGANS; PUNISHER: WAR ZONE; episodes of ARROW/SUPERGIRL/HOW TO GET AWAY WITH MURDER

Roxanne Benjamin
Benjamin doesn't have a lot of credits so far but her two biggest credits are parts of horror anthology films (the all women directed XX and Southbound) and I felt her segments were the most fun segments in both of those films.
Past Work: XX ("Don't Fall" segment); SOUTHBOUND ("Siren" segment)

Axelle Carolyn
Carolyn directed one of the better segments in the horror anthology, Tales of Halloween and then hasn't really done much since. Maybe she's waiting on her "big break"or something but it would be a shame for her directing voice to have ended with the promise of that Tales of Halloween segment.
Past Work: SOULMATE; TALES OF HALLOWEEN ("Grim Grinning Ghost" segment)
 

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So what do you guys think? Did Blum put his foot in his mouth?
And who are some women horror directors, or even women who haven't done horror yet but would be good at it, that you can think of?

I honestly think that Blum might have been shooting too high in his search by focusing on Jennifer Kent since she has become a bit of a critical darling after The Babadook and seems to have her sights set on more prestigious fare than a sequel to Annabelle. And in the case of Leigh Janiak, she is likely doing The Craft remake for Sony so she has already "made it" so to speak. But there are some good women directors out there who haven't gotten their big break yet who would be cool additions to Blumhuse's talent roster.

I'm gonna put together a list real quick and post it in a bit.
I need to read more about this; But I can relate to the fact that the horror is not a "traditional" woman's genre of interest creating certain roadblocks into this particular field. I don't think it's Blum's intent or purposely avoided working with female directors. Lack of numbers as far as woman's representation in that field anyway.

Other than one of my close friends, who only watches horror movies with because she knows that I like them, we don't know of any other females like us that that have a real interest and appreciation for it. I actually used to write short horror/thriller stories when I was younger sort of like the 'creepypastas' that have been around; and show them to my friends. But I started holding back bc people always responded with 'a girl wrote this??' look on their face or always questioning why I like horror movies, or why do I write such morbid stories. Its like feeling defeated before you even start, get tired of that type of feedback. That being said, I don't think it's necessarily Blum's fault for the lack of female horror directors; I think people have preconceived notions, so a lot of the female voices in the industry get silenced before they start, for the same reasons. Other than the 'scream queens' roles - This might be my own ignorance, but I didn't know of that many female-led director horror movies; aside from a few indie films, but I still couldn't state their names or movies they directed right off the top of my head. Blumhouse and Gravitas Ventures seem to be the main distributors and producers of horror films rn. The majority of the public who don't regularly watch horror are only going to know about the mass-marketed movies. In general, I think horror movies are of interest to a small segment of people anyway, even lower if we limit it to female watchers. If I don't like a particular horror movie, then it's not likely that I will seek out info on the director- for example- I didn't like The Babadook- anyone involved in that is a passing thought to me. Honeymoon was barely memorable imo.
 
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