No joint attached with my boy and them past lead the service
That's what it sounds like but I could be mistaken on the end
He says when his boy and them passed, he led the service.
No joint attached with my boy and them past lead the service
That's what it sounds like but I could be mistaken on the end
He says when his boy and them passed, he led the service.
He says when his boy and them passed, he led the service.
Full line: "no joy in the task, when my boy and 'em passed, led the service"
No joint attached with my boy and them past lead the service
That's what it sounds like but I could be mistaken on the end
Full line: "no joy in the task, when my boy and 'em passed, led the service"
i feel bad when i listen to homies music high cuz i miss mad gems
breh is wild vivid with it
These last two albums could have been very ponderous or cheesy, with their themes (honor/Samurai and Greek mythology) but they work because he weaves them into his own personal story perfectly. Especially on this one. Viewing Brownsville/the streets as a Greek tragedy, the various gods and mythic figures...it just works man.
I can't dap the production enough. Many great rappers have a certain production sound they sound best over. For Ka, it's those atmospheric, haunting, dark yet epic beats where his voice cuts through the hardest. I'm thinking of tracks like this:
Those beats almost sound mournful and nostalgic. This album is FULL of this vibe. It even hits you with it right out the gate with Sirens.
"That's what mold me. That Cold and Lonely,
Where they ring your bell if they know you're phoney. (two types of bells constantly ring throughout the track)
I'm live. This what it look like.
....this what it look like. "
"I'm addressing the order about the times I pestled and mortared/ bunch of men jumping in no testing the water /to raise a quarter played the corner/ no better rook/ yes fella was best seller before I read a book"