great article by entertainment lawyer Bob Lefsetz:
The recorded music business must switch to subscription, it’s its only hope of economic survival.
The iTunes Store is killing the music business. Sure, it provides a legal alternative to theft/copyright infringement, but the economics make no sense. Because instead of spending $10-$20 for an album, people are now purchasing $1.29 tracks. And it takes many $1.29 tracks to reach the equivalent of an album. Essentially ten. So, you’re asking the public to make ten purchases instead of one. Get it? Can you imagine someone saying yes ten times in a row? Imagine buying the White Album a la carte. How many people do you think would have purchased "Revolution 9"? But we did, as part of an album, there were no singles from the White Album, and therefore we know "Revolution 9", because oftentimes we were just too lazy to jump up and lift the needle past it, and we ended up hearing it, it’s in our DNA, like the rest of those album tracks.
But it makes no sense to complain that people should buy albums instead of singles, you’re pissing in the wind, the Internet has unbundled the album. That doesn’t mean you can’t try to get people to buy as many of your tracks as possible, it just means that the concept of paying once for ten tracks is something that no one has to do, and almost no one wants to do.
So, inherently, we’re selling less music, and making less money.
Who do we want to blame? Apple, the customer? That makes no sense, as stated previously Apple is providing an alternative, and without customers you’ve got no business. The key is to get more cash from each individual consumer, so in the aggregate, we end up with a lot of money.
The classic example is cable bundling. You cannot buy your cable channels a la carte. You must buy them in tiers. Which drives you nuts. Why am I paying for something I’m never going to watch? But economically, it makes sense. For if the channels were unbundled, the cable system wouldn’t be able to make enough money, so it would have to raise the price of each individual channel substantially, to the point where you’d be paying just as much. According to this article in the "New Yorker", at most you’d be saving thirty five cents. And you’d give up the ability to surf all those extra channels, and possibly find something interesting.
That’s what we want people to do. Surf the music and find something interesting. That was the old album paradigm. Since you paid four or six or ten bucks for the LP (the price went up with inflation), you listened to it, and found out you liked cuts other than the hits, to the point you wanted to see the act live, to hear it perform all these songs, and bought the next album not worrying about a hit, because you were a fan of the band.
I hope these days can return. But we’ve got to switch the game in the interim. We’ve got to make people fans of music!
Yes, instead of paying ten bucks for an album, you pay ten bucks for music. And technology allows everybody access, so instead of charging our good customers more, we charge everybody one low flat fee, kind of like cable television, the provider doesn’t care if you watch all day long or not at all, it’s the same price.
And speaking of price, we can argue whether ten bucks is appropriate, we can argue price all day long, but we can’t argue paradigm. The key to survival is charging everybody something. Not breaking it down by track, but providing the whole smorgasbord for a single price.
Now the Spotify trick is to get you hooked for free, then upsell you. That’s a good concept, works in sampling across all wares. Don’t think it’s about giving music away for free, it’s ultimately about getting a chance to convert many people. It’s just like a retail store. The first key is getting traffic, then, once people are in the store, you do your best to close them. Hell, sometimes you do giveaways just to get them in!
Not that Spotify is the only solution. But the labels must see they need to drive subscriptions, or lose the bundling war. That site allowing you to get tracks for experiencing ads? That’s economic death. As is Apple’s concept of letting you stream the tracks you own via the cloud. If either of these take hold, the odds of subscription winning go down, and you want them to go up, because the pool is so much larger.
Don’t see this as a music problem. Don’t see this as a value problem. See this as an economic problem. How do we get the most money? Certainly not by selling tracks. Definitely by selling low-priced subscriptions.
http://lefsetz.com/wordpress/index.php/archives/2010/01/26/bundling/
The recorded music business must switch to subscription, it’s its only hope of economic survival.
The iTunes Store is killing the music business. Sure, it provides a legal alternative to theft/copyright infringement, but the economics make no sense. Because instead of spending $10-$20 for an album, people are now purchasing $1.29 tracks. And it takes many $1.29 tracks to reach the equivalent of an album. Essentially ten. So, you’re asking the public to make ten purchases instead of one. Get it? Can you imagine someone saying yes ten times in a row? Imagine buying the White Album a la carte. How many people do you think would have purchased "Revolution 9"? But we did, as part of an album, there were no singles from the White Album, and therefore we know "Revolution 9", because oftentimes we were just too lazy to jump up and lift the needle past it, and we ended up hearing it, it’s in our DNA, like the rest of those album tracks.
But it makes no sense to complain that people should buy albums instead of singles, you’re pissing in the wind, the Internet has unbundled the album. That doesn’t mean you can’t try to get people to buy as many of your tracks as possible, it just means that the concept of paying once for ten tracks is something that no one has to do, and almost no one wants to do.
So, inherently, we’re selling less music, and making less money.
Who do we want to blame? Apple, the customer? That makes no sense, as stated previously Apple is providing an alternative, and without customers you’ve got no business. The key is to get more cash from each individual consumer, so in the aggregate, we end up with a lot of money.
The classic example is cable bundling. You cannot buy your cable channels a la carte. You must buy them in tiers. Which drives you nuts. Why am I paying for something I’m never going to watch? But economically, it makes sense. For if the channels were unbundled, the cable system wouldn’t be able to make enough money, so it would have to raise the price of each individual channel substantially, to the point where you’d be paying just as much. According to this article in the "New Yorker", at most you’d be saving thirty five cents. And you’d give up the ability to surf all those extra channels, and possibly find something interesting.
That’s what we want people to do. Surf the music and find something interesting. That was the old album paradigm. Since you paid four or six or ten bucks for the LP (the price went up with inflation), you listened to it, and found out you liked cuts other than the hits, to the point you wanted to see the act live, to hear it perform all these songs, and bought the next album not worrying about a hit, because you were a fan of the band.
I hope these days can return. But we’ve got to switch the game in the interim. We’ve got to make people fans of music!
Yes, instead of paying ten bucks for an album, you pay ten bucks for music. And technology allows everybody access, so instead of charging our good customers more, we charge everybody one low flat fee, kind of like cable television, the provider doesn’t care if you watch all day long or not at all, it’s the same price.
And speaking of price, we can argue whether ten bucks is appropriate, we can argue price all day long, but we can’t argue paradigm. The key to survival is charging everybody something. Not breaking it down by track, but providing the whole smorgasbord for a single price.
Now the Spotify trick is to get you hooked for free, then upsell you. That’s a good concept, works in sampling across all wares. Don’t think it’s about giving music away for free, it’s ultimately about getting a chance to convert many people. It’s just like a retail store. The first key is getting traffic, then, once people are in the store, you do your best to close them. Hell, sometimes you do giveaways just to get them in!
Not that Spotify is the only solution. But the labels must see they need to drive subscriptions, or lose the bundling war. That site allowing you to get tracks for experiencing ads? That’s economic death. As is Apple’s concept of letting you stream the tracks you own via the cloud. If either of these take hold, the odds of subscription winning go down, and you want them to go up, because the pool is so much larger.
Don’t see this as a music problem. Don’t see this as a value problem. See this as an economic problem. How do we get the most money? Certainly not by selling tracks. Definitely by selling low-priced subscriptions.
http://lefsetz.com/wordpress/index.php/archives/2010/01/26/bundling/
, I bet 50% of Nickis x-factor salary is sitting safe in the bushes 
