:tellmemore:
Please, enlighten me on what you know about this film, a priori, made without seeing one bit of it, by a director known for masking the true nature of his films in his trailers.
The ignorance that is being spewed about a film on slavery just because it's not dreary "historical" drama and not done by a Black man is vile and hypocritical. If it is a poor rendition, let that decision be made after one has seen and examined it, not based on illusions of what art of this type should be and false arguments made from false problems. Nobody would be saying this if a Black man were making a film about stereotypically "white" history
(Note: There are reasons why there should be concerns about a white man making a film about stereotypically "Black" history, but none of them have been mentioned anywhere on this forum or by Spike Lee. And even then they have the right to do so: It's their history as much as it is ours, as much as we don't like to admit it).
And if you MUST be reassured about Django and Schultz's cinematic relationship, watch the trailer very, VERY closely for what seems to be a split-second incongruence. It might be nothing, but it's worth noting. You'll know what I mean when you see it.