Rory ask Mal and Mecca what are the bad beats Nas picks and they couldn’t name one

DillaTUDE

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It's an earned reputation, no excuse for an album solely produced by [a still prime] Kanye (Nasir) to be so lacking in quality—especially when just two months prior Push was able to curate an AOTY contender working with that very same man.

And going back to God's Son, you can even make the same argument as the Pusha T one that Lakey da Kid (who was in his camp around the time) chose better Alchemist beats for The 41st Side ("Crush Linen", "Let Em Hang", "We Gon Buck") than what Nas ended up using on his own project. That's inexcusable—"Mastermind" is the last type of beat you would feature from a producer who was shaking up the industry with bangers like "We Gonna Make It", "Definition of a Don", "Black Magic", etc...

Look at the producers Nas worked with in any era beyond Illmatic and It Was Written—you'll find a long list of lesser-known contemporaries, without his cachet or influence, who managed to get classic beats from the very same producers that were giving Nas straight duds.

And I see no one mentioned The Firm album? How does Will Smith manage to pick better Trackmasters beats for his project (Big Willie Style) than you? It's a consistent theme throughout his career outside of his first two albums.
 

Supa

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Can't believe no one mentioned this:scust::


The problem wasn't just with Nas's beat selection it's that other rappers at the time were getting way better production. It was inexcusable when he could've called Alchemist, Hav, Premier, or anyone reputable and got fire.

The dip in quality from the production of Illmatic and It Was Written was noticable. Then you hear the beats on Lost Tapes and it's confusing as to why the songs on his albums were so inconsistent. It didn't make sense how the same guy who chose some of the best beats in history was picking average to below average beats.

Even when the beats weren't bad a lot were just mid or didn't fit him. Those cheap sounding, electronic, tin can beats were too common.
 

Figaro

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I'm not in the group of people thinking Nas picks bad beats but this song definitely made me question when he announced KD 1 with Hit Boy.



I think i can make something better on FL Studio today & I've never attempted to make a beat in my life.
 

Piff Perkins

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Can't believe no one mentioned this:scust::


The problem wasn't just with Nas's beat selection it's that other rappers at the time were getting way better production. It was inexcusable when he could've called Alchemist, Hav, Premier, or anyone reputable and got fire.

The dip in quality from the production of Illmatic and It Was Written was noticable. Then you hear the beats on Lost Tapes and it's confusing as to why the songs on his albums were so inconsistent. It didn't make sense how the same guy who chose some of the best beats in history was picking average to below average beats.

Even when the beats weren't bad a lot were just mid or didn't fit him. Those cheap sounding, electronic, tin can beats were too common.



To me the Nas beat thing is moreso about vision than anything else. In 1998/1999, Jay was building the in-house production crew that would change rap over the next decade. DMX was crafting his own sound, working with Swizz and Dame Grease and Irv. Wayne had Mannie Fresh. Flip side Nas was veering between following what's hot (Dame Grease, whose shyt largely clashed with Nas vocally IMO) and seemingly selecting shyt at random. The end result (I Am) was a pretty standard album for the time production wise.
 

Mike Wins

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I really can go thru any rappers catalogue and pick trash beats.. stupid as thread

Jay rapped on a bunch of weak beats 97-00, barely get mentioned. I guess nobody listened to Vol. 2 or Vol. 3 in 20 years.

DMX Flesh Of My Flesh is basically a combination of the weakest beats on I Am and Nastradamus and it's like that album don't even exist.

Busta Rhymes supposed to be one of the GOAT beat pickers but had a bunch of them Casio duds 98-00, again, never mentioned.

But dudes still cling to The Cross like their life depend on it.
 

ThirdAct

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Some of the amazing beats his contemporaries rhymed over :unimpressed:











WTF is that Busta beat :wtf: :mjlol:

And I still don't get why Jay wasted good rhymes over that flute beat :scusthov:

Swizz was a menace to eardrums everywhere...I fukk with Ain't No Way though :whoa:
 
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