Put me on the different genres of music...

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When it comes to rap, my tastes, I feel personally, are too ensconced in the main stream where the cats I listen to, should already be known. like Wu Tang, as a unit and individually. Nas. Public Enemy. Outkast, Redman. Early to Mid Busta Rhymes. shyt like that. And the shyt I don'ts fukk with, The J coles, the Drakes, The Latter half of Kendrick's work (How many times you gonna tell me that I used to be conflicted, nikka? Just rap. Gotdamn!) that I find myself sorta drifting out and giving these new cats a try and cherry picking the few shyt out of it that I can vibe with. Examples below.


Dude does not dissapoint on the mic and off of it. He's sardonic and funny without trying to be either. Huge fan of his works.


Another cat that has been slept on but been getting his flowers with the last few albums he had. If you ain't caught up on the whole New York Vs the South bullshyt, then check his works out. His Mixtapes are damn near legendary and the double album he had a few years back elevated his status a bit. Plus if you ride around with your music loud, this your man (pause).



Honestly, I'm surprised (And a little disgusted) with myself for finding this cat's mumble rap style of flowing catchy, but the beats he be on, are catchy and I like his general vibe. Check him out. Might find something to fukk with (pause).


Not a fan of this dude's general shyt, but this album came out of left field for me. I listened to this shyt one weekend and nearly made two kids, high off rum and weed. Sometimes you just need some catchy bullshyt to get you going while not focusing on the lyrics. Like favourable noise, type shyt.


Speaking of noise. Here's more of this shyt. It's a bit more abstract in terms of weird/repetitive beats that I like...and I like this shyt both high and sober..but when I'm high, it just speaks to me.


Yeah. I'll stop here. I'm just tossing shyt out of my 'smoke and listen' stack.


Yeah....I can't stop. Here you go.


Another ambitious young cat, on the level of the first dude I posted. Whole album is awesome. check it out.


'nother ambitious cat. Check this mixtape out. You might like it if you're appreciative of his ability to emulate a sound and style of rap that he didn't grow up in but mimicked near perfectly.


I can't recommend no rap shyt and NOT mention Ghost. fukk was you thinking? That's Ghost and Doom. Doom's....a bit heavy. Crawl before you walk if you look to get into anything of his. his work is extensive...and abstract a bit...but catchy. Quality, esoteric bars. Hard to explain. Just listen to it.
 
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Address_Unknown

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My views on country are like my views on Reggae. All the good shyt DONE been said/sung and anyone doing it now can't recapture the magic it once used to had, when morals and attitudes were different to the industries they have to be filtered out to the public, today. Flabby'n'sick, speech? Sorta, but the beauty about it, is that this is where the bedrock of the shyt comes from, so if you anywhere NEAR interested in country but can't STAND That "Twangy Geetar ole OPRY shyt." Here's where you should start.


Outlaw Country. That was the genre. Outlaw country. Think old white men doing Gangster rap shyt, but they was cowboys, the shyt was sanctioned in a sense. Johnny Cash is one of the most famous Country musicians and I thank him for never being anything other than himself when it came to making the shyt.
This whole album (American recordings) by him is a nice interlude in what you can get with the man in black. That and his recordings at Fulsom.


Alright, I'm kind of going out of the mold I was trying to set, because this ain't nothing but a old broken down man, who survived the hell he gave which gave way to the hell he found himself in, but this is one of the few genuine instances in music where a motherfukker was able to eulogize himself in a song and it's a heartfelt gesture to behold.


Posted three kings of Outlaw Country music. ain't got much to say on it. enjoy or don't.


If you ain't fukk with none of what I posted above there, that's quite alright. 'cause don't NONE OF THAT shyt matter without the origins of where they came from..and that was from the Blackman's blues, which all them folks above appropriated and made a somewhat commendable facsimile of. But that's aw hole 'nother topic I'd flood the servers with. Not today. Enjoy.
 
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Alright. First off. You ain't getting not ONE mention of Bob Marley here or any of the cherry picked, over produced, in and in my opinon, quite frankly, Saccharine bullshyt they took of his works and put on that LEGENDS album. That album is HORRIBLE. Absolutely NOTHING in it represents the struggle he had and sang of, even after the British took him and made him the penultimate Reggae artist and he drowned in White powder and White p*ssy. No.


Bunny Wailer. The man who's namesake is DIRECTLY in the band that Bob and the record label usurped (The Wailers turned into Bob Marley and the Wailers when the whites decided Bob was the most marketable star out of the group and should be leader) the trio into one star and a backing band. Out of the three singers, Bunny had the best voice. The most versatile lyrics (He made the song Electric slide, for fukk's sake. lol) and was arguably the most honest, non pretentious one out of the group.
If you're trying to get into Reggae, CONSCIOUS reggae of the 60's/70's. The album/Film (Rockers) is a PERFECT introduction to that shyt. I could post the whole album and you'd be set.


Bob Marley and Peter Tosh were like Lennon and Mcartney. Both stars, both excellent song writers. Differing views that couldn't be contained in one group. Bob Marley wanted to sing commercial shyt, about 3 birds singing on his door step while everyone come together and sit at the beach. Peter Tosh stayed singing about the Ghetto and the "shytuation" as he called, that he lived in regardless of how famous he got. Unfortunately, that's what killed him, but prophets don't grow old after their story is told.

Ever heard Bob marley this mournful? This realistic? It surprises me how many non jamaicans/Caribbean folk NEVER heard Bob moan about the issues he once felt was his duty to highlight due to the situation he lived and experienced. There's a reason tracks like this NEVER made The Legend's album. The same reason Martin Luther's more militant speeches NEVER made it to the fore front of the Caucasian curated narrative of him. It created thought and inspired outrage at the situation they want us (black folk...you black? To all christ, I hope you fukking are...) to forget we live in...I've cried many tears (Inside my cheek, real men don't shed tears) listening to bob Wail the troubles of the sufferers he once lived amongst before he became a celestial being.


And here's as group, that I'd stand infront of God, Jesus, Peter, and every motherfukker that ever lived on God's Green earth in the line of judgement and proclaim as the BEST REGGAE ARTIST/OUTFIT EVER CREATED, And it's name was Culture, fronted by the Maestro Joseph Culture hill. The song in particular, similar to Bob's Burning and looting.


Same Group as before, but in a more jaunty setting. Reggae Session musicians were a solid sought after group of individuals in this time where everything wasnt relegated to beats,computers and samples. My Boss just reminded me that it's not Friday and I know he can't smell any weed on me. But the fire has been lit. fukk who don't like it.


Moving away from the trinity of Reggae superstars in Bob, Bunny, Peter and the God Joseph Culture Hill, you've got a variety of 'singers' that weren't full on Rastafarian but occupied the same jamaican culture of poverty, uplifment and socioeconomic issues that the Rastafarians dominated. Sugar Minott was another.


Another singer, that most non jamaicans might only know as the dude singing the hook for Shyne's popular song, I'm more leaning towards music you'd hear tied to soundsystems of the 70's and 80's that you'd hear in yards and bashments when people got together and threw parties/listened to music.


Going a bit further into the music one would often hear ringing out in the streets in parties and such, Dub Reggae is the legendary movement that came about when Jamaican engineers found themselves trying to fix old electronic audio equipment and realized that the dying products created a distorted sound that they found popular to the point they brought about the same changes within new equipment and started on a whole journey of editing/recreating popular records to the point it became it's own thing. Dub.


If you've been fukking with the music I've been posting in this reggae section to any extent, I'll cap it off with one of the most famous jamaican sound system/producers (Jack Ruby) and a legendary recording of one of his bashments. Enjoy.

Had to split the shyt up. This place has become so fukking flabby'n'sick, it's not funny.Heck,
Everytime I backspace to erase a word, the fukking thing destroys my paragraphs by hiking all the words upwards!
:flabbynsick:
 

Hov

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Alright. First off. You ain't getting not ONE mention of Bob Marley here or any of the cherry picked, over produced, in and in my opinon, quite frankly, Saccharine bullshyt they took of his works and put on that LEGENDS album. That album is HORRIBLE. Absolutely NOTHING in it represents the struggle he had and sang of, even after the British took him and made him the penultimate Reggae artist and he drowned in White powder and White p*ssy. No.


Bunny Wailer. The man who's namesake is DIRECTLY in the band that Bob and the record label usurped (The Wailers turned into Bob Marley and the Wailers when the whites decided Bob was the most marketable star out of the group and should be leader) the trio into one star and a backing band. Out of the three singers, Bunny had the best voice. The most versatile lyrics (He made the song Electric slide, for fukk's sake. lol) and was arguably the most honest, non pretentious one out of the group.
If you're trying to get into Reggae, CONSCIOUS reggae of the 60's/70's. The album/Film (Rockers) is a PERFECT introduction to that shyt. I could post the whole album and you'd be set.


Bob Marley and Peter Tosh were like Lennon and Mcartney. Both stars, both excellent song writers. Differing views that couldn't be contained in one group. Bob Marley wanted to sing commercial shyt, about 3 birds singing on his door step while everyone come together and sit at the beach. Peter Tosh stayed singing about the Ghetto and the "shytuation" as he called, that he lived in regardless of how famous he got. Unfortunately, that's what killed him, but prophets don't grow old after their story is told.

Ever heard Bob marley this mournful? This realistic? It surprises me how many non jamaicans/Caribbean folk NEVER heard Bob moan about the issues he once felt was his duty to highlight due to the situation he lived and experienced. There's a reason tracks like this NEVER made The Legend's album. The same reason Martin Luther's more militant speeches NEVER made it to the fore front of the Caucasian curated narrative of him. It created thought and inspired outrage at the situation they want us (black folk...you black? To all christ, I hope you fukking are...) to forget we live in...I've cried many tears (Inside my cheek, real men don't shed tears) listening to bob Wail the troubles of the sufferers he once lived amongst before he became a celestial being.


And here's as group, that I'd stand infront of God, Jesus, Peter, and every motherfukker that ever lived on God's Green earth in the line of judgement and proclaim as the BEST REGGAE ARTIST/OUTFIT EVER CREATED, And it's name was Culture, fronted by the Maestro Joseph Culture hill. The song in particular, similar to Bob's Burning and looting.


Same Group as before, but in a more jaunty setting. Reggae Session musicians were a solid sought after group of individuals in this time where everything wasnt relegated to beats,computers and samples. My Boss just reminded me that it's not Friday and I know he can't smell any weed on me. But the fire has been lit. fukk who don't like it.


Moving away from the trinity of Reggae superstars in Bob, Bunny, Peter and the God Joseph Culture Hill, you've got a variety of 'singers' that weren't full on Rastafarian but occupied the same jamaican culture of poverty, uplifment and socioeconomic issues that the Rastafarians dominated. Sugar Minott was another.


Another singer, that most non jamaicans might only know as the dude singing the hook for Shyne's popular song, I'm more leaning towards music you'd hear tied to soundsystems of the 70's and 80's that you'd hear in yards and bashments when people got together and threw parties/listened to music.


Going a bit further into the music one would often hear ringing out in the streets in parties and such, Dub Reggae is the legendary movement that came about when Jamaican engineers found themselves trying to fix old electronic audio equipment and realized that the dying products created a distorted sound that they found popular to the point they brought about the same changes within new equipment and started on a whole journey of editing/recreating popular records to the point it became it's own thing. Dub.


If you've been fukking with the music I've been posting in this reggae section to any extent, I'll cap it off with one of the most famous jamaican sound system/producers (Jack Ruby) and a legendary recording of one of his bashments. Enjoy.

Had to split the shyt up. This place has become so fukking flabby'n'sick, it's not funny.Heck,
Everytime I backspace to erase a word, the fukking thing destroys my paragraphs by hiking all the words upwards!
:flabbynsick:

I appreciate you fam!!!
 

Address_Unknown

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I appreciate you fam!!!​

cheers-raise-your-glass.gif

Ain't no thang, Breh.
Plus alot of other folk in here gonna put you on to alot of real piff that's outside of my wheelhouse as well.
You gonna be set for new music for a bit, if you the expansive type.
I'll post more later on, since that ONE post was too big for this flabby place to handle so I had to break it up.
 
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