During the contract stand-off, the
Call Her Daddy podcast feed goes offline for 5 weeks in the Spring of 2020. This was early-COVID and Portnoy said that Barstool Sports was losing out on $100k of advertising per episode. It wasn’t a huge impact on the company but it was the start of the pandemic and he felt it was important to keep every revenue line going.
To get the show back on the air, Portnoy offers the girls:
- $500k base salary
- 7.5% of merchandise
- A 6-month reduction in the contract length
- Barstool gets 80% of any alcohol sales (if Call Her Daddy releases a drink)
Most importantly, the girls will get the
Call Her Daddy IP back after the end of the contract.
Portnoy made this offer to the girls in person on the rooftop of his apartment. Cooper wants to jump on the deal (in her YouTube video I mentioned at the top, she recalled thinking that the only other major media talent to get their IP back after similar media legal battles was David Letterman and Howard Stern).
Sofia doesn’t like the deal and this is when the two split. There is obviously an element of “she-said-she-said” (you can
listen to Sofia reflecting on the break-up here) but it is clear that Alex is the only one that wanted to take that rooftop offer.
Alex returns to the show and continues growing the podcast into a hit. Fast forward to June 2021, Spotify is amidst a major podcast investment phase and inks Cooper to an exclusive $60m deal over 3 years.
For its part, Barstool Sports was able to keep a percentage of the
Call Her Daddy merchandise for a few years.
Portnoy talked about Cooper’s time at Barstool and
explained why the math didn’t make sense once her 3-year contract expired:
I know how much Call Her Daddy made before and we would have had to play it perfectly to warrant [the amount of money that Spotify paid].
If we do a contract like [$60m over three years], we’re going to be in your ass about it. It’s so much money. It’s like “Hey, you got to do this ad”. I don’t want to be in that position [of always pushing you to make money]. And it’s like, she didn’t really [want that] either.
Once you have a star, it almost gets to the point in a weird way that there’s such little margin to make anything on it because the agents are driving [prices] up. These are big-time agents, like those repping athletes. She’s on that level.
Portnoy also shared thoughts on why the deal made sense for Spotify at the time:
It always helps the company that you’re going to because you’re bringing the audience. We already had the audience.
It’s a huge difference when the company that’s acquiring — who didn’t have the talent — is always going to benefit more than the company that already had it in terms of building audience.
Was Alex going to bring us tons of audience in the next 3 years? Probably not. She’s already brought the majority of her audience. Spotify is throwing money around. And I don’t think they necessarily want to look at her to turn a profit. They’re just building audience and competing versus Apple. That type of thing.
Podcasts follow power laws just like every other media format (by one measure
“the top 25 podcasts reach ~ 50% of U.S. weekly listeners”). At the end of the day, superstar creators (e.g., Rogan, Cooper, Stern) are like top-tier athletes and they get to dictate their own destiny:
We wanted to keep her. Clearly, she’s a monster. And for that reason — that she’s a monster — she got big offers.
This is the nature of the beast. You signed somebody who is unknown, she explodes. It’s not different than an athlete contract. She was always going to make millions. She was that big. She has [Joe] Rogan-esque numbers.
Losing Cooper was no doubt a hit. It was a situation Barstool Sports was built for, though.
And Portnoy ended up doing one of the craziest media deals ever a few years later: Over a series of transactions from 2020 to 2023, he sold Barstool Sports to Penn Gaming for ~$500m with the goal to build a media-gambling juggernaught. The combination didn’t work out as planned and
Penn sold Barstool Sports back to Portnoy for $1 with certain non-compete agreements and the rights to 50% of any future Barstool sale or liquidity event.
Portnoy says he will never sell again. So, he effectively sold Barstool Sports for $500m and got it back for a $1 (and the company makes $100m+ a year). Wild.
Anyway, let’s get back to Cooper.
Why Cooper is Leaving Spotify for SiriusXM?
The rationale that Portnoy laid out for why Barstool didn’t keep Cooper has echoes with her decision to leave Spotify and sign with SiriusXM.
Who needs the audience?
Spotify has grown its podcast platform significantly in the past few years. Per
WSJ, it now has 100 million podcast listeners (a 10x increase from 2019) and has topped Apple, the former go-to app for the industry. Apple — which is literally the source for the word “podcast” (a combination of “iPod” and “broadcast”) — was the leader in the space by default. But the entire podcast industry ($10B+) is a drop in the bucket for Apple ($383B revenue in 2023), so the Apple Podcast app has always been an afterthought. Legit, the app has been basically unchanged for the past two decades. They don’t give AF and Apple is now
3rd behind Spotify and YouTube for podcasts (the Google-owned site is now #1 based on strength of discovery and the industry's pivot to video-first content).
The reason that Spotify made the $1B+ push into podcasting was to pivot its business away from just music. Why? Because Spotify has to pay record labels 60-70% of its revenue for rights to stream the songs.
Podcasting offers a way for Spotify to keep listeners on the app and sell ads against that usage (thus diversifying from mostly subscriptions and providing a revenue stream that actually improves its margins with scale).
Cooper’s $60m contract was part of Spotify’s spending spree to become the world’s leading podcast platform including deals for:
- Content: Joe Rogan in 2020 ($200m); The Ringer in 2020 (~$200m); Gimlet Media in 2019 ($230m)
- Technology: Anchor in 2019 (~$100m for podcasting creation software); Megaphone in 2020 ($235m for a podcast hosting service); Podsights and Chartable in 2022 (<$50m for advertising measurement tools)
To be sure, Spotify's podcasting unit has seen a lot of turmoil and there have been huge flops (like Prince Harry and Meghan Markle receiving $20m to produce…ugh, basically nothing).
Over the past year, Spotify has really tightened its podcast spend following a round of layoffs and new (less splashy) offers for talent. Trevor Noah’s deal is emblematic of the changing approach: it’s a $4m contract and Spotify gets to “collect revenue” from the podcast until it re-coups the investment (and then the split is 50/50 on future ad sales).
While Joe Rogan recently re-upped with Spotify for $250m, the structure is set up so that Spotify can re-coup the investment by selling ads across Rogan’s various distribution channels (it’s no longer exclusive to Spotify).
With Cooper’s contract about to expire, it was clear that she wanted more than Spotify was willing to offer.
Enter SiriusXM. The satellite radio service knows about the economics of paying a single voice huge dollars. Since 2005, Sirius has given Howard Stern bigger and bigger contracts. He is now making $100m a year. Is he worth that much? One analyst estimated that if Stern left Sirius, the platform would lose
15% of its subscriber base.
But Stern’s contract is up in 2025 and SiriusXM may be trying to create some leverage or have a plan B.
Call Her Daddy — and Cooper’s network of new talent — isn’t the only $100m investment by Sirius this year. In January, the ~$13B media company spent
$100m on a 3-year deal for exclusive rights to the
SmartLess podcast hosted by Will Arnett, Jason Bateman and Sean Hayes.
It’s worthwhile to do a quick sanity check on these reported figures. Understandably, talent and companies float out large headline numbers. I’m going to say that Cooper’s $60m deal with Spotify was fully paid out. She was royalty on the platform and Spotify was spending big.
As for Cooper’s $100m+ SiriusXM deal: I haven’t confirmed yet but think it is over 3 years (same as
Smartless). That’s ~$33m a year. If Cooper does 10 million listens an episode and publishes 2x a week, that’s 100 core pieces of ad inventory. Let’s assume she does the ad reads and give her a high cost per mille (CPM) — aka cost per thousand listens — of $30. That’s ~$30m a year in ads. It’s a wash and even if the CPM is lower, SiriusXM definitely modelled in the value of her attracting new subscribers and preventing churn. Finally, the market will reward the stock for having a younger talent (Stern is 66 years old) to anchor the product moving forward if the integration works out well.
It makes sense and whatever happens with Stern’s next contract, it’s clear that Cooper is grabbing the torch and is well on her way to being her generation’s Oprah (after Cooper's deal was announced, Travis and Jason Kelce were able to parlay their popular
New Heights podcast — which has been around for only 2 years — into a $100m deal with Wondery, and the pair will help anchor that podcast network with their audience).
I’ll wrap this up with a conversation from
Call Her Daddy in May. Portnoy went on the podcast for the first time since Cooper left Barstool Sports. Both of them were at the Kentucky Derby and
chopped it up for 40 minutes.
At the end of the episode, Cooper asked Portnoy, “do you still owe me money?”
He shot back, “what were you doing before [
Call Her Daddy]?”
She laughed and said, “I was unemployed. I was on unemployment checks blogging it up.”
From unemployed to $60m in 3 years then to $100m in another 3 years.
Of course, there’s always timing and luck with this type of outsized success. Cooper was able to combine her media instincts with hard work along with the right partner (Barstool) during a digital craze (lockdown COVID) and built the right following (Gen Z/millennial females) at the exact moment a major tech platform (Spotify) was willing to back up the Brinks truck to acquire a podcast audience…and that contract expires as another major audio player (SiriusXM) is looking for a young foundational talent.
Add it all up and Cooper is playing the media mogul game at 3.5x speed.