i think a lot of pet peeves stem from the desperation of rappers held as commodities within their fukked up contracts and label issues/industry practices
it's unfortunate with 360 deals that rappers have to understand how to market themselves/go on tour as independents to not get screwed and not let ego get in the way of proper accounting and ways to turn profitable without the excessive overhead costs or get stuck in the hamster wheel
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rappers who can drop dope freestyles that could be directly converted into a song but then when it comes to dropping an album, they invite some left field singer to feature, use autotune or can't construct a worthy chorus for shyt and do these lame ducky corny bars/beats aspiring for radio friendly hits and forget what they did on mixtapes and freestyles to let that raw talent show
rappers who don't reach out to youtube for up-and-coming fire beatmakers who have sample-less beats but still stick with the same industry names or rap on uninspired beats with the same rehashed samples and having to pay residuals indefinitely to whom they sampled
rappers who willingly let some overrated producers/directors/features blow thru their whole album budget, on top of having to pay extortion money as well as management overcharging/stealing money, and then they can't recoup the money so they get stuck on that label unable to change contracts or drop more music because of label control or initially signing bad contracts in general
it's unfortunate with 360 deals that rappers have to understand how to market themselves/go on tour as independents to not get screwed and not let ego get in the way of proper accounting and ways to turn profitable without the excessive overhead costs or get stuck in the hamster wheel
---
rappers who can drop dope freestyles that could be directly converted into a song but then when it comes to dropping an album, they invite some left field singer to feature, use autotune or can't construct a worthy chorus for shyt and do these lame ducky corny bars/beats aspiring for radio friendly hits and forget what they did on mixtapes and freestyles to let that raw talent show
rappers who don't reach out to youtube for up-and-coming fire beatmakers who have sample-less beats but still stick with the same industry names or rap on uninspired beats with the same rehashed samples and having to pay residuals indefinitely to whom they sampled
rappers who willingly let some overrated producers/directors/features blow thru their whole album budget, on top of having to pay extortion money as well as management overcharging/stealing money, and then they can't recoup the money so they get stuck on that label unable to change contracts or drop more music because of label control or initially signing bad contracts in general