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Superstar
This tent poles have so many tie in and merchandising connections they have to put it out.And they still put it out.
There’s probably a crap ton of Black Widow toys sitting on a in a warehouse waiting for that movie
This tent poles have so many tie in and merchandising connections they have to put it out.And they still put it out.
And they still put it out.
After their private screening of the Whedon cut, Nolan and Deborah Snyder emerged into the light with a shared mission. “They came and they just said, ‘You can never see that movie,’” Zack Snyder says during lunch at his Pasadena office.
In 2016, as principal photography got under way on Justice League in the United Kingdom, rumors percolated that Snyder had been fired from the film. That didn’t happen, but Warner Bros.’ then chairman and CEO, Kevin Tsujihara, did assign watchdogs in the form of DC Entertainment creative chief Geoff Johns and Warner Bros. co-production head Jon Berg. The edict was clear: At least one of them had to be on the set every day.
Among the issues was the length of the film. “There was a mandate from Tsujihara that the movie be two hours long,” says Snyder. That order had a paradoxical impact, because it meant eliminating much of the heart and humor the studio also wanted, like a comical romantic subplot between Ezra Miller’s Flash and Kiersey Clemons’s Iris, the latter of whom was absent entirely from the Whedon film. (On the day Vanity Fair visited his office, Snyder was working on finalizing the music for the restored scene in which The Flash rescues her from a car crash.)
Snyder also saw a bigger structural problem with the “make it shorter” order: “How am I supposed to introduce six characters and an alien with potential for world domination in two hours? I mean, I can do it, it can be done. Clearly it was done,” he says, referring to Whedon’s version. “But I didn’t see it.”
a comical romantic subplot between Ezra Miller’s Flash and Kiersey Clemons’s Iris
In 2016, as principal photography got under way on Justice League in the United Kingdom, rumors percolated that Snyder had been fired from the film. That didn’t happen, but Warner Bros.’ then chairman and CEO, Kevin Tsujihara, did assign watchdogs in the form of DC Entertainment creative chief Geoff Johns and Warner Bros. co-production head Jon Berg. The edict was clear: At least one of them had to be on the set every day.