I think P and BBTP/K-Lou/Darryl perfected the Bay Area/Dirty South mashup on Tru 2 Da Game, ICM was a good start tho. Ghetto D sounds more crisp, melodic and smooth, ICM is grittier, edgier and funkier
Naw. Strictly music
I always thought TSO was GC and Skull Duggery. I think Skull bought GC to No Limit
The Commission hands down. Never understood why P didn't push them more. Never understood why Mac didn't get that Silkk push
I think P and BBTP/K-Lou/Darryl perfected the Bay Area/Dirty South mashup on Tru 2 Da Game, ICM was a good start tho. Ghetto D sounds more crisp, melodic and smooth, ICM is grittier, edgier and funkier
90% of the label dropped albums, and if BBTP didn't leave im sure everyone would have dropped. Now if it doesn't meet sales expectations that falls on the consumerthey barely pushed anybody tho.
Just a thing, personal preferrencein your opinion is that a good thing or bad thing or just a thing? I personally like Life After Death compared to Ready To Die bc it's more polished, both classics though
90% of the label dropped albums, and if BBTP didn't leave im sure everyone would have dropped. Now if it doesn't meet sales expectations that falls on the consumer
By putting out so many albums in such short periods in 98/99,they not only oversaturated, but the video/radio stations couldn't play only NL cuts, not even in the South/Louisiana...the big names (Millers, Snoop, Mystikal) obviously got a bigger push, deservedly so, in those times. But the smaller acts didn't really have a chance to get really big, they basically had the tank on the back cover, the booklet commercials, magazine ads, that's it90% of the label dropped albums, and if BBTP didn't leave im sure everyone would have dropped. Now if it doesn't meet sales expectations that falls on the consumer
Like someone else said, Mac did get that push in 2000 just after being locked up, via Wobble Wobble, He Did Thatthey barely pushed anybody tho.