Grimy NY hip hop was being made before Wu, by Mobb Deep among many others.Breh, by the time Mobb Deep dropped Infamous, Wu was already huge. They were a group in 1993 that defied mainstream standards and shifted the sound towards the grimier style that artists that came after would adopt and everybody else had to adapt.
Yes it was.Illmatic was not an underground album.
Agreed.Commercial and mainstream are not the same thing.
They are absolutely negative terms for hip hop artists with artistic integrity. You can throw “sell out” as another related term with a negative connotation.Neither is a negative term nor a stigma. It is only viewed that way because purists have this view of anything that is commercial or mainstream is soft or not Hop Hop, which is not only wrong, but conpletely ignorant.
What are the mainstream elements of Illmatic? What is the song for the radio? The song for the girls? The song meant for an audience outside of fans of underground NY rap?Illmatic is for all intents and purposes a mainstream album that was slept on by the masses.
I agree with you that having a hook, catchy or not, was more mainstream than not having one, but by 93, hooks in underground grimy NY rap were commonplace and there was no stigma associated with them.It’s less mainstream than Infamous because nothing on it has the catchiness of the hook of "Shook Ones Pt. 2". And this is where your understanding of what's mainstream is skewed. Hooks/choruses are a huge part of having mass appeal. Even the most casual Hip Hop fan knows the hook to "Shook Ones Pt. 2" if they know nothing else. That is a huge part of the song's appeal outside of the beat.
I agree with you that Shook One’s has one of the most iconic hooks in hip hop history, but there is nothing mainstream about it.
The mainstream came to Mobb Deep, Mobb Deep didn’t come to the mainstream.