Again, so glad I saw this in theaters, and took the whole day to see it in Westwood, and not watch on Netflix
The first 20 minutes or so was mesmerizing, even if I had read enough, maybe too much, to know what was going to happen. The narration, the music, the tension, the way Fincher saw and directed Paris in the morning, reminded me of being there and wandering the streets to get coffee. The color scheme, of the way the light looked, the way he shot that apartment at night. When How Soon Is Now comes on, that was the best 3 minutes sequence I have seen all year, no question. That was sit up in your seat and stare good. I only even know The Smiths from TV show montages and a Saint Laurent T Shirt, but that was some of the best use of music I have seen in years.
The tension between that song playing, and him trying to find his shot, find his right heart rate, and the cuts to his headphones playing was excellent. The fall out maybe even more masterful, the procedure of ditching the phones, the gun, and flying right out, after changing in some dingy bathroom, the shooting of that scene was classic Fincher, with the hues of yellow and black. Grimy and visceral. The disconnected walk away scenes, the paranoia of eyeing the guy, and switching flights, hiding in the airport hotel.
Just a masterfully done exercise in style. The way he shot the Dominican Republic. The way the palm trees sway in the wind. There's some flaws in plot and direction, and the genre movie thing probably goes a little too far. Fight scene is 60% too long. But, what a movie. The Tilda Swinton scenes. The conclusion. I'll take Fincher's word that there's not a whole lot of message or deeper themes, it's just a pure genre exercise, like Panic Room, or The Game.
was there anything I missed with the girlfriend at the end?
The girlfriend plot point is a bit of a head scratcher. I mean she's the catalyst for The Killer's whole revenge tour but she seems like such an afterthought in the film and she's only in like two scenes tops. But I guess they were really trying to kill him and just roughed her up because she was a ride or die who wouldn't give him up. But really he knew he had to kill them before they got him.
I definitely think the movie is Fincher's commentary on capitalism and his own career in becoming a hired gun for Netflix. I read a good comment on another site that I'll copy and paste here:
"Fincher seems to set his aim at the gig economy. The increasing impersonal nature of our society in a world in which most jobs are farmed off to third party companies who could care less about the quality of the work. It's no coincidence that the place where The Killer goes to orchestrate the first murder is a We-Work. It's why Q-Tip and Florida Man, despite being woefully mismatched, are sent to do a job. No wonder it goes to complete shyt. No one cares about the quality of the work. A running theme is that whenever The Killer encounters the people who tried to kill him, they all deflect responsibility. It's not their faults. They're just doing a job. It's nothing personal. Even murder is just another thing you farm out to."
I also thinks that why The Killer spares the rich man who ordered the first hit at the end. He threatens him but still wants the option of getting future jobs. It's like in the end the money always wins. A 180 from Fight Club where Fincher fantasized about killing capitalism off - in The Killer, nothing can kill capitalism - not even a ruthless killing machine.
I definitely think the movie is Fincher's commentary on capitalism and his own career in becoming a hired gun for Netflix. I read a good comment on another site that I'll copy and paste here:
"Fincher seems to set his aim at the gig economy. The increasing impersonal nature of our society in a world in which most jobs are farmed off to third party companies who could care less about the quality of the work. It's no coincidence that the place where The Killer goes to orchestrate the first murder is a We-Work. It's why Q-Tip and Florida Man, despite being woefully mismatched, are sent to do a job. No wonder it goes to complete shyt. No one cares about the quality of the work. A running theme is that whenever The Killer encounters the people who tried to kill him, they all deflect responsibility. It's not their faults. They're just doing a job. It's nothing personal. Even murder is just another thing you farm out to."
I also thinks that why The Killer spares the rich man who ordered the first hit at the end. He threatens him but still wants the option of getting future jobs. It's like in the end the money always wins. A 180 from Fight Club where Fincher fantasized about killing capitalism off - in The Killer, nothing can kill capitalism - not even a ruthless killing machine.