this lil George record should or could actually be the call sign record to any kid who is black and is supported by a parent.
it actually is a record that is needed in the marketplace content wise.
plus, should/could be a generational genre record.
it makes you wonder,...
just why/how, kids of past rap greats could not make the same record in inferior skilled times and still make this type of I am entitled and your not from my home base style record.
it may drive a wedge inbetween, the mis-marketed rap ideal of single parent environments as king erroneously and it needed to be done.
this could/should elevate past the high school performer market.
the meek mill record is just a stale ripoff.
that has no point content wise and just satisfies the biter-esque aesthetics in the market place.
which this time by-passed even the lemme give you a feature from a bigger artist perspective.
that used to exist, in this drawing realm.
till, guys like Kanye just jiggified stole publishing and mismarketed remixes like the instance with chop and I don't like.
retroacting the little good faith features disguised as biting once had in the marketplace.
if no little George with meek mill feature does not appear.
we can look at this another marker in the timeline.
illustrate the lack of anything resembling good faith in the industry exists.
regardless of how many pump and headfakes they give.
Art Barr
music and only a complete weirdo would ever listen to icp. But esham used to be dropping 2 and 3 albums at a time back in the day didnt he. Nicca stayed getting beat up though
yeah he was master P before master P with the albums. Esham was aiight when he wasn't on that demonic shyt. I was never a big fan, but dude had a mythology/aura going for himself late 80's early 90's. He caught a few fades messing with D12 and co 
but esham started that horrorcore shyt didnt he. I know ghetto boys was on that shyt at first but I dont remember who came first.
Blatant
