Lupe_Fiasco-Food_And_Liquor_II-The_Great_American_Rap_Album_Part_1-2012-

Jesus

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ok so Im gonna man up and admit I was wrong the album is kinda dope I was just hating for the sake of hating... :yeshrug:







edit: I still think all the hooks are garbage and lupe has no fukking energy whatsoever compared to his first 2 albums

bytch :pacspit:
 

Hammer

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what happened to lupe though

he is so different now then his first 2 albums

he needs to get off this political bullshyt and go back to storytelling raps
 
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Good Album with a growers potential to be verygood..great.

I guess the Dark tone of the cool spoiled me. Great bounceback album though.
 

Red

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you mean the bonus track thats been out since 2010? :rudy: google it mahfukka

Relative to the original post, and more pertinently to the link provided by Big Biz, I was enquiring as to where the bonus track was in the scheme of the provided archive file, otherwise known as 'the release'.

'The release', as you will notice, is sans the aforementioned bonus track that you sagely noted has been widely available for a number of years.

The consequence for the end user-- selfishly manifested and represented in this argument by yours truly-- is that any attempt to imitate the full and correct tracklist for the digital version by just placing a copy of the bonus track (sourced alternatively, naturally) into the album folder would render the provided checksum file almost obsolete, at least. More saliently, personally, that course of action would inhibit the ability to add the album to any music database management software or HTPC database without first having to alter ID3 tags and ensuring they correspond to the format employed by the original files provided by Big Biz. Extra steps I'm not particularly keen on taking (read: can't be bothered to take). The main reason I download 'scene releases' that conform to 'scene' rules.

This is before we move onto the possibility that said bonus track may have undergone changes in the interim from it's first appearance publicly to its point of sale. Mastering, lyrics, music, etcetera.

As you can see, there are a number of reasons that make my enquiry as to where the bonus track is perfectly valid and reasonable, mahfukka.

:pacspit:
 

WOAHMYGOODNESS

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Relative to the original post, and more pertinently to the link provided by Big Biz, I was enquiring as to where the bonus track was in the scheme of the provided archive file, otherwise known as 'the release'.

'The release', as you will notice, is sans the aforementioned bonus track that you sagely noted has been widely available for a number of years.

The consequence for the end user-- selfishly manifested and represented in this argument by yours truly-- is that any attempt to imitate the full and correct tracklist for the digital version by just placing a copy of the bonus track (sourced alternatively, naturally) into the album folder would render the provided checksum file almost obsolete, at least. More saliently, personally, that course of action would inhibit the ability to add the album to any music database management software or HTPC database without first having to alter ID3 tags and ensuring they correspond to the format employed by the original files provided by Big Biz. Extra steps I'm not particularly keen on taking (read: can't be bothered to take). The main reason I download 'scene releases' that conform to 'scene' rules.

This is before we move onto the possibility that said bonus track may have undergone changes in the interim from it's first appearance publicly to its point of sale. Mastering, lyrics, music, etcetera.

As you can see, there are a number of reasons that make my enquiry as to where the bonus track is perfectly valid and reasonable, mahfukka.

:pacspit:

IcWzr.gif
 

Hammer

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what happened to him after the cool though, his style changed 100 percent

i just miss the old lupe :to:

this album he's spitting no doubt but id rather hear him rap about anti-government/political shyt...he already did that on lasers

his next album is gonna :eat: though if he doesn't do this political shyt
 

zoo

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Wasalu come a long way from F&L.. remember hearing his ass wheezing in between every bar
 

THE 101

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This shyt is a snoozefest.

Not the abominable garbage that Lasers was but this is just bland, lifeless J Cole music.

His music has just lost the life that the early mixtapes, F&L and The Cool had.
 

Hammer

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This shyt is a snoozefest.

Not the abominable garbage that Lasers was but this is just bland, lifeless J Cole music.

His music has just lost the life that the early mixtapes, F&L and The Cool had.

pretty much

hes rapping good, but the songs overall are just boring with no replay value
 
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