Lukewarm take: I've never gotten why The Infamous vs. Hell On Earth is a debate

Heavy_Handz

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I remember buying Hell On Earth the second day it released. I was 16 and couldn’t get to the store to cop day 1. I bumped that album so hard. I had some homeboys who were feeling like it was a letdown from The Infamous but I was fukking with that album so hard when it released. Looking back, The Infamous is the superior album but Hell On Earth is such a great album probably the darkest album of all-time. Just grimy!
 

hex

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I feel the exact opposite. Infamous is my favorite by far, but it feels like summer/autumn nights rolling into winter. Like a bright outside but you can still see your breath kind of tape. I usually get the urge to run through “Hell on Earth” in the spring/summer time.

I love a lot of “hell on earth” but it got bland to me over the years. I know they weren’t, but at times it felt like they were trying too hard to be dark. Still tied as my second favorite Mobb album though.

This is weird to me because the albums came out in the opposite seasons you feel they should be played. "The Infamous" came out spring 1995 and "Hell On Earth" came out fall 1996

Granted, it depends on where you lived but I'm in the Midwest which is infamous ( :youngsabo: ) for drastic weather changes season-to-season.

I remember it being a bright spring day when I copped "The Infamous". Was with 4-5 of my friends, doing 90's teen shyt at the mall.

It was cold and gloomy when I got "Hell On Earth". Went solo, because my friends were all busy.

I'm sure both of those scenarios informed my perception of the music.

Fred.
 

hex

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I've had the same friends since high-school, this album or "Hell On Earth" is actually debated as the premier winter album, to this day.

Fred.
 

2ATMsYouSteppinOrWhat

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infamous is better to me cause it’s more personal and not as exaggerated as hell on earth although i think hell on earth is at the very least a 9/10 album. my problem with hell on earth is its kinda the start of P just mumbling words that don’t make sense or kinda forcing rhymes. but i do think this is Prodigy at his absolute best. anyway tho both classics but infamous got it
 

987654321

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This is weird to me because the albums came out in the opposite seasons you feel they should be played. "The Infamous" came out spring 1995 and "Hell On Earth" came out fall 1996

Granted, it depends on where you lived but I'm in the Midwest which is infamous ( :youngsabo: ) for drastic weather changes season-to-season.

I remember it being a bright spring day when I copped "The Infamous". Was with 4-5 of my friends, doing 90's teen shyt at the mall.

It was cold and gloomy when I got "Hell On Earth". Went solo, because my friends were all busy.

I'm sure both of those scenarios informed my perception of the music.

Fred.

That association would definitely help shape how we mentally visualize these albums. I can certainly see “HoE” as a gloomy winter thing. I was living in the south when both came out. I was digging through my big cousin’s CD’s when I heard it for the first time. Somebody gave my big sister a cassette tape copy of “the infamous” when it came out. Neither was really appreciated by me until 98 and the boom bap really started to click for me.
 

old boy

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To me, The Infamous is a no-brainer. Don't get me wrong, Hell on Earth is a dope problem, but to me it has the same problem I have with It Was Written compared to Illmatic - on HoE, you lose a lot of the gritty, down-to-earth humanity that made The Infamous so raw and visceral. Like, The Infamous is all tough-guy talk too but it's less exaggerated and has more pathos to it, and then on Hell on Earth they basically turn into cartoon characters Super Thugs. Plus, without Q-Tip's influence the beats, while hard as fukk, were just a little more one-dimensional. Just my two cents.


it's probably your age & i'm making an assumption based on your username that maybe you aren't the usual demographic of hip hop message board internet old heads who are usually born about 1980-1985. being a 70's baby, mind you in the same age range as the icons we talk about most here, i have had to endure this preposterous hell on earth over infamous and even worse that it was written over illmatic nonsense more than i care to LMAO. i try not to pull rank (age) but sometimes it gets to me b


for instance. i'm not a podcast dude at all but a moment comes to mind on math hoffa's my expert opinion. math is a young'n to me, born in 1980, so there are sometimes through no fault of his own where he can't understand certain hip hop things that come up with his older guests. his conversation with havoc comes to mind since we talking mobb deep..


so math didn't know that the original name of the group was poetical prophets to which math was shocked when havoc told him. to math who became "fully awake" with music pop culture probably around 1991 when he was in 6th grade, the name poetical prophets sounded like something he would attribute to a group like arrested development or pm dawn. but you see he wasn't from our era to understand that inferior name to mobb deep or not, it actually was in alignment with their content


using prophet wasn't considered bohemian nerd rap, it was considered cool and street in 1988 such as public enemy prophets of rage. it had a malcolm x flair to it in the pro black '86-'91 era that was widely accepted among the drug dealer type nxggas hav and p based their rap personas on. and "poetical" was a trending rap adjective in the early nineties. we can hear gangster rapper kurupt use the word poetical on snoop's 1993 debut on the song for my n#ggas and my b#itches when he ended his last verse with, "Peep the murderous styles and the poetical techniques." lol ya dig? and in 1991 organized konfusion used poetical tons of times in their rhymes


but if you're not born in the 70's where you grew up on rap that was rapping about rap. constantly flaunting your use of words, techniques, and how you were better with words than another rapper...,, which of course had already fell by the wayside by the time math became of age to be the youth that drove hip hop culture forward, then to him poetical prophets sounds like something a group like mobb deep would never call themselves because they were too street


i've realized that my experience is different than most internet hip hop old heads. i'm old enough to have been in high school dancing to kwame the rhythm and twin hype for those who like to groove. so my outlook is going to be totally different than those who i call "the young old heads" the young old heads not only dominate the coli but internet hip hop discourse in general. most dudes my age use the internet but aren't on the internet like that. at best will use facebook and drop corny quotes no one cares to read lol. damn i'm flabby but i digress... it is hard for me sometimes as much as i love this place and respect the sheer level of intelligent hip hop conversation on the coli...


like, not only am i hearing that hell on earth, a clearly inferior album (but still dope) is better than the holy grail the infamous, nxggas are actually saying prodigy and hav GOT BETTER LYRICALLY on that 3rd album?!? :dead: NO WAY.


but i once caught a youtube short of memphis bleek on drink champs, a 70's baby like myself, who was asked by nore about mobb deep the infamous. and i stood up an applauded when bleek said that was prodigy's lyrical peak and he never reached that level again. i don't say it to denigrate bandana nor do i think bleek said that just because prodigy had problems with jay... no... bleek said it because it is true! the majority of us thought so at the time! little did we know that the dudes behind us, pause, who were still in high school and middle school felt a whole lot different. lol i'm forced to concede and let it rock but it gets on my nerves sometimes b LMAO
 

FunkDoc1112

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it's probably your age & i'm making an assumption based on your username that maybe you aren't the usual demographic of hip hop message board internet old heads who are usually born about 1980-1985. being a 70's baby, mind you in the same age range as the icons we talk about most here, i have had to endure this preposterous hell on earth over infamous and even worse that it was written over illmatic nonsense more than i care to LMAO. i try not to pull rank (age) but sometimes it gets to me b


for instance. i'm not a podcast dude at all but a moment comes to mind on math hoffa's my expert opinion. math is a young'n to me, born in 1980, so there are sometimes through no fault of his own where he can't understand certain hip hop things that come up with his older guests. his conversation with havoc comes to mind since we talking mobb deep..


so math didn't know that the original name of the group was poetical prophets to which math was shocked when havoc told him. to math who became "fully awake" with music pop culture probably around 1991 when he was in 6th grade, the name poetical prophets sounded like something he would attribute to a group like arrested development or pm dawn. but you see he wasn't from our era to understand that inferior name to mobb deep or not, it actually was in alignment with their content


using prophet wasn't considered bohemian nerd rap, it was considered cool and street in 1988 such as public enemy prophets of rage. it had a malcolm x flair to it in the pro black '86-'91 era that was widely accepted among the drug dealer type nxggas hav and p based their rap personas on. and "poetical" was a trending rap adjective in the early nineties. we can hear gangster rapper kurupt use the word poetical on snoop's 1993 debut on the song for my n#ggas and my b#itches when he ended his last verse with, "Peep the murderous styles and the poetical techniques." lol ya dig? and in 1991 organized konfusion used poetical tons of times in their rhymes


but if you're not born in the 70's where you grew up on rap that was rapping about rap. constantly flaunting your use of words, techniques, and how you were better with words than another rapper...,, which of course had already fell by the wayside by the time math became of age to be the youth that drove hip hop culture forward, then to him poetical prophets sounds like something a group like mobb deep would never call themselves because they were too street


i've realized that my experience is different than most internet hip hop old heads. i'm old enough to have been in high school dancing to kwame the rhythm and twin hype for those who like to groove. so my outlook is going to be totally different than those who i call "the young old heads" the young old heads not only dominate the coli but internet hip hop discourse in general. most dudes my age use the internet but aren't on the internet like that. at best will use facebook and drop corny quotes no one cares to read lol. damn i'm flabby but i digress... it is hard for me sometimes as much as i love this place and respect the sheer level of intelligent hip hop conversation on the coli...


like, not only am i hearing that hell on earth, a clearly inferior album (but still dope) is better than the holy grail the infamous, nxggas are actually saying prodigy and hav GOT BETTER LYRICALLY on that 3rd album?!? :dead: NO WAY.


but i once caught a youtube short of memphis bleek on drink champs, a 70's baby like myself, who was asked by nore about mobb deep the infamous. and i stood up an applauded when bleek said that was prodigy's lyrical peak and he never reached that level again. i don't say it to denigrate bandana nor do i think bleek said that just because prodigy had problems with jay... no... bleek said it because it is true! the majority of us thought so at the time! little did we know that the dudes behind us, pause, who were still in high school and middle school felt a whole lot different. lol i'm forced to concede and let it rock but it gets on my nerves sometimes b LMAO
I was actually born in the 90s :russ: My friends joke about me being 20 years older than I actually am :mjlol:
 

hex

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my problem with hell on earth is its kinda the start of P just mumbling words that don’t make sense or kinda forcing rhymes.

Which parts?

He would randomly add letters to the end of words but I thought it was cool. He was at his best on "Hell On Earth". There's multiple songs where he went fukking crazy.

Fred.
 

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Hell on Earth was a natural progression from The Infamous. A lot of people in Mobb Deep's crew and even some family members were dying around them. The energy was darker and more depressing for that reason. It's why Havoc would take these sweet-sounding songs and turn them into sinister samples ("Drop a Gem on 'Em," "Apostle's Warning").

I think The Infamous has more individual songs that stand out, and also because of Q-Tip's influence, it's kept from being too dark. He talked about that, making hard street music that doesn't just appeal to guys. But look at the title of the album, the song titles, the cover. It's called Hell on Earth, not Butterfly Kisses. :mjlol:

I think it comes down to personal preference. The Infamous is more beloved, but Prodigy and Havoc leveled up at their trades on Hell on Earth. Murda Muzik, from what I've heard, is a mixture between both albums sonically. It's lighter than Hell on Earth, but it still has that hard Mobb Deep sound.
 
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((ReFleXioN)) EteRNaL

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Hell on earth is more polished but I think infamous is more well rounded. Hell on Earth's production is very dark and gloomy. And some of the beats start blending in with eachother. Where on the infamous every single beat sounded different. You could definitely hear the Q-tip influence on there. Just think the infamous has more replay value because of that fact. I gotta be in a certain mood to play hell on earth.
 

2ATMsYouSteppinOrWhat

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Which parts?

He would randomly add letters to the end of words but I thought it was cool. He was at his best on "Hell On Earth". There's multiple songs where he went fukking crazy.

Fred.

parts of the 1st verse of Get Dealt With
parts of Bloodsport
there other parts in other songs where he forces the rhyme scheme by stretching or shortening words and it makes it sounds gimmicky but i agree Apostles Warning/Still Shinin are him at his peak
 
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