Barack Dracobama
Banned
kendrick lamar is a fukking clown
I fux with Kendrick but it's time to admit that quotables from him are scarce
I guess you have really high standards.desperately reaching with a side of deflection
This is one of the few songs where he got a couple possible quotables but even then he got corny/mediocre lines sprinkled in it...The thread title is categorically wrong and it can be challenged with one song - HiiiPower
Sums up most of how I feelI subscribe to this. Only has a few moments of vivid clarity with his lyrics.
Art of peer pressure has a few moments, best among which is: "We made a right, then made a left, then made a right, then made a left, we was just circling life".
The only other time he caught me was with: "My titties bounce on the cadence of his tinkling keys" (and then the next verse is one of the WOAT overblown crock of shyt verses I've ever heard, typical of k).
He's passable as a lyricist though most of the time (as I can, for the most part, ignore his tendency for convoluted rhetoric wannabe middle school loser 'poetry') and stylistically excellent (a good flow and friendship with flylo, boiled down, too far?) so I don't wanna bytch too much.
Has superior contemporaries in this regard: Vince Stapes, Chano, Earl, Krit etcdare I say Fewtch (is he rly a contemporary?), Thugger, Kevin Gates etc too?--to me they transmit better and have more showstopper lines--I guess how you judge is a personal thing
Chano and Earl potentially have other off putting traits (for some), Vince tho I like-think he's the real deal-very unshowy-no technical acrobatics but taut like prime clipse-total clarity in the way he transmits his thoughts too-often novel as well.Sums up most of how I feel
I don't listen to much Vinve, or Earl or Chano.
But Krit lyrically>> kendrick
That's the main thing that puts me off on him. I like his flow and, on paper, his lyrics, but the tone of his voice reminds me more of a guidance counselor than a rapper.I don't like his voice.
I subscribe to this. Only has a few moments of vivid clarity with his lyrics.
Art of peer pressure has a few moments, best among which is: "We made a right, then made a left, then made a right, then made a left, we was just circling life".
The only other time he caught me was with: "My titties bounce on the cadence of his tinkling keys" (and then the next verse is one of the WOAT overblown crock of shyt verses I've ever heard, typical of k).
He's passable as a lyricist though most of the time (as I can, for the most part, ignore his tendency for convoluted rhetoric wannabe middle school loser 'poetry') and stylistically excellent (a good flow and friendship with flylo, boiled down, too far?) so I don't wanna bytch too much.
Has superior contemporaries in this regard: Vince Stapes, Chano, Earl, Krit etcdare I say Fewtch (is he rly a contemporary?), Thugger, Kevin Gates etc too?--to me they transmit better and have more showstopper lines--I guess how you judge is a personal thing