aRoMaN21
over 14 years in the shade...
don't nobody care about that bullshyt you typin, get some money hoe
i got money, son of a hoe.
trust
don't nobody care about that bullshyt you typin, get some money hoe
let's see your artwork
You're scum.
You're scum.
No he's a c00n for working with a woman who exploits black people and calls it art.
No he's a c00n for working with a woman who exploits black people and calls it art.
What is this woman doing that the creator of Scandal isn't doing?
You tell me how it's the same?The documentary explores Beecroft’s experiment in Sudan, in which she attempts to adopt two Sudanese orphans and use them as subjects in her work. Wise to theory, Beecroft says her adoption will be “not just fetishization of the blacks. It will be a beginning of a relationship with that country.” The film documents the significant gap between Beecroft's theory and her actions.
Upon her arrival in the Sudan, Beecroft hurries to set up a photo shoot, hiding the cameras from the orphanage's sisters, calling the babies “these poor creatures.” Which baby should she photograph? “Either one or the other,” she says, “it doesn’t matter.”
Repeatedly, Beecroft claims that she “loves this culture” — but, in the film’s most disturbing scene, sisters from the orphanage try to stop her from stripping the children nude inside their abbey for an elaborate photo shoot. Beecroft refuses, complains, starts shooting again, and eventually loses a physical confrontation with one of the sisters, who takes the children away from her, furious that Beecroft is stripping children naked inside a church. “Christ, these people,” Beecroft moans, as she barricades herself inside, pushing a pew up against the door to keep the sisters out of their own abbey.
No he's a c00n for working with a woman who exploits black people and calls it art.