Happy 70th Birthday to the legendary King Bob Marley
- Thread starter Abdi
- Start date
Bob Marley is 1 of the greatest artists of all time. Have much respect and admiration for him, am a huge fan of his music. And was a very interesting character too.
Krazy
Rifle weh taller dan palm tree
I think this article is very appropriate:
http://www.msn.com/en-us/music/news...t-songs-that-still-ring-true-today/ar-AA94EAV
Bob Marley's 10 Greatest Protest Songs That Still Ring True Today
February 6, 2015 marks what would been the 70th birthday of Bob Marley. And nearly 34 years after his cancer-related death in 1981, the reggae pioneer's songs of love, dissatisfaction, peace, and protest are still as powerful and timely as they were when they originally moved the people of Jamaica and beyond in his heyday. With the countless uprisings, confrontations, and soul revolutions in the decades since his passing, it's incredible how many of the Tuff Gong's politically charged tracks could have been written only a few weeks ago. In honor of Marley's memory, here are his 10 greatest songs of protest, social justice, and fighting the power.
"Simmer Down," 1962
Marley's first hit came when he was part of the ska vocal group the Wailers, alongside his future featured bandmates, and later solo stars, Bunny Wailer and Peter Tosh. Backed by the legendary Skatalites, the band took aim, peacefully, at the rude boys of Kingston, telling them to cut the crap when it came to the capital city's prevalent violent crime, singing bubblegum pop with a Jamaican twist. Then and now, it takes guts to call out your peers, especially when they're the ones most likely to pull a pistol.
"Concrete Jungle," 1973
This concrete jungle isn't one where dreams are made up. Here, Marley sings about life in a Jamaican ghetto with little to no hope for escape: "No chains around my feet/But I'm not free/I know I am bounded in captivity." He yearns for upward mobility, but knows there's little chance it'll ever become his reality.
"Get Up, Stand Up," 1973
One of the all-time great, universal protest songs, it's worth noting that probably the best line belongs to the Wailers' most aggressive member, Peter Tosh: "You can fool some people sometimes but you can't fool all the people all the time."
"I Shot the Sheriff," 1973
After witnessing police oppression in Jamaica, which was violently divided along political lines, Marley fantasized about the justifiable killing of a corrupt cop on this single while swearing he spared the life of the innocent deputy. Given today's tensions between law enforcement and citizens, especially the #BlackLivesMatter movement, it's easy to see why people would identify with the sentiment. And given the causes for the anger and some of the violence that it's led to, against citizens and police alike, it's a reminder that there's been too much tragedy, with little progress to show for it.
"Burnin' and Lootin'," 1973
Like "Sheriff," this song reflected the frustration and anger of the people who felt suffocated by the curfews and corrupt police force in Kingston. Marley looks at the different angles of a citizen uprising, simultaneously reveling in the destruction, understanding the motivations, expressing disgust at the violence, and weeping for how far things had to fall to get to this point: "We gonna be burning and a-looting tonight (To survive, yeah)/Burning and a-looting tonight (Save your baby lives)." You might as well be reading the accounts of those who saw the shameful rioting and looting during the Ferguson, Missouri protests.
"Them Belly Full (But We Hungry)," 1974
If the people beholden to soup kitchens, food stamps, etc., ever get fed up, anyone in power would be wise to remember that, as Marley sang, "A hungry mob is a angry mob."
"Revolution," 1974
Marley is only getting started with the line "It takes a revolution to make a solution." His call to arms invokes fire, blood, lightning, thunder, and brimstone, predicting that the Rastas will end up "'pon top." It makes the Beatles' song of the same name seem almost apologetic in comparison.
"War," 1976
Rastafarians regarded Ethiopian Emperor Haile Selassie I as a living god, and this song takes its lyrics from a speech he gave before the United Nations. The first lines stay true to the speech - "Until the philosophy which holds one race superior and another inferior is finally and permanently discredited and abandoned" – with Marley adding, "Everywhere is war/Me say war." While Selassie's words and Marley's altered, more rhythmic interpretation are focused on Africans, the message is applicable to any oppressed country, race, ethnicity, sexuality, etc.
"Crazy Baldhead," 1976
To the dreadlocked Rastas, a "baldhead" is an outsider who, easily spotted by his lack of long coiled hair, obviously isn't part of their spiritual movement. In this song, Marley takes aim at those who exploited their poor community: "Build your penitentiary, we build your schools" sure sounds a lot like the United States' prevalence of for-profit prisons.
"Redemption Song," 1980
Written after his cancer diagnosis, Marley reflects upon his impending death, spirituality, and slavery, borrowing the lines "Emancipate yourselves from mental slavery/None but ourselves can free our minds" from activist Marcus Garvey. With his still-powerful voice and a gently strummed acoustic guitar, Marley put his legacy as an artist and message as an activist into just 108 words, telling all the believers to learn from their pasts, know their presents, and fight for their futures.
http://www.msn.com/en-us/music/news...t-songs-that-still-ring-true-today/ar-AA94EAV
Bob Marley's 10 Greatest Protest Songs That Still Ring True Today
February 6, 2015 marks what would been the 70th birthday of Bob Marley. And nearly 34 years after his cancer-related death in 1981, the reggae pioneer's songs of love, dissatisfaction, peace, and protest are still as powerful and timely as they were when they originally moved the people of Jamaica and beyond in his heyday. With the countless uprisings, confrontations, and soul revolutions in the decades since his passing, it's incredible how many of the Tuff Gong's politically charged tracks could have been written only a few weeks ago. In honor of Marley's memory, here are his 10 greatest songs of protest, social justice, and fighting the power.
"Simmer Down," 1962
Marley's first hit came when he was part of the ska vocal group the Wailers, alongside his future featured bandmates, and later solo stars, Bunny Wailer and Peter Tosh. Backed by the legendary Skatalites, the band took aim, peacefully, at the rude boys of Kingston, telling them to cut the crap when it came to the capital city's prevalent violent crime, singing bubblegum pop with a Jamaican twist. Then and now, it takes guts to call out your peers, especially when they're the ones most likely to pull a pistol.
"Concrete Jungle," 1973
This concrete jungle isn't one where dreams are made up. Here, Marley sings about life in a Jamaican ghetto with little to no hope for escape: "No chains around my feet/But I'm not free/I know I am bounded in captivity." He yearns for upward mobility, but knows there's little chance it'll ever become his reality.
"Get Up, Stand Up," 1973
One of the all-time great, universal protest songs, it's worth noting that probably the best line belongs to the Wailers' most aggressive member, Peter Tosh: "You can fool some people sometimes but you can't fool all the people all the time."
"I Shot the Sheriff," 1973
After witnessing police oppression in Jamaica, which was violently divided along political lines, Marley fantasized about the justifiable killing of a corrupt cop on this single while swearing he spared the life of the innocent deputy. Given today's tensions between law enforcement and citizens, especially the #BlackLivesMatter movement, it's easy to see why people would identify with the sentiment. And given the causes for the anger and some of the violence that it's led to, against citizens and police alike, it's a reminder that there's been too much tragedy, with little progress to show for it.
"Burnin' and Lootin'," 1973
Like "Sheriff," this song reflected the frustration and anger of the people who felt suffocated by the curfews and corrupt police force in Kingston. Marley looks at the different angles of a citizen uprising, simultaneously reveling in the destruction, understanding the motivations, expressing disgust at the violence, and weeping for how far things had to fall to get to this point: "We gonna be burning and a-looting tonight (To survive, yeah)/Burning and a-looting tonight (Save your baby lives)." You might as well be reading the accounts of those who saw the shameful rioting and looting during the Ferguson, Missouri protests.
"Them Belly Full (But We Hungry)," 1974
If the people beholden to soup kitchens, food stamps, etc., ever get fed up, anyone in power would be wise to remember that, as Marley sang, "A hungry mob is a angry mob."
"Revolution," 1974
Marley is only getting started with the line "It takes a revolution to make a solution." His call to arms invokes fire, blood, lightning, thunder, and brimstone, predicting that the Rastas will end up "'pon top." It makes the Beatles' song of the same name seem almost apologetic in comparison.
"War," 1976
Rastafarians regarded Ethiopian Emperor Haile Selassie I as a living god, and this song takes its lyrics from a speech he gave before the United Nations. The first lines stay true to the speech - "Until the philosophy which holds one race superior and another inferior is finally and permanently discredited and abandoned" – with Marley adding, "Everywhere is war/Me say war." While Selassie's words and Marley's altered, more rhythmic interpretation are focused on Africans, the message is applicable to any oppressed country, race, ethnicity, sexuality, etc.
"Crazy Baldhead," 1976
To the dreadlocked Rastas, a "baldhead" is an outsider who, easily spotted by his lack of long coiled hair, obviously isn't part of their spiritual movement. In this song, Marley takes aim at those who exploited their poor community: "Build your penitentiary, we build your schools" sure sounds a lot like the United States' prevalence of for-profit prisons.
"Redemption Song," 1980
Written after his cancer diagnosis, Marley reflects upon his impending death, spirituality, and slavery, borrowing the lines "Emancipate yourselves from mental slavery/None but ourselves can free our minds" from activist Marcus Garvey. With his still-powerful voice and a gently strummed acoustic guitar, Marley put his legacy as an artist and message as an activist into just 108 words, telling all the believers to learn from their pasts, know their presents, and fight for their futures.
Abdi
All Star
'watered down Bob marley' man GTFOH
ziggy all up in Israel's p*ssy.
Hope bob wasn't kissing their ass.
Hope bob wasn't kissing their ass.
Fela Kuti is a God!!
Compared to Fela Kuti, he was watered down 100%
And Bob is my top 5 musicians of all time, but its just the truth.
Can't forget Peter Tosh, Burning Spear, Jimmy Cliff, Toots & The Maytals
Your just saying something that is NOT TRUE...
And this is coming from myself being the son of a Carribean mother and Black American father...
It was a CULTURAL CONFLICT between black americans and Carribean folk i.e (jamaicans...trinidadians. ..and all west indians) during the 70s
I remember as an,old head Black Americans calling yardies Derogotory names like BANANA BOAT N1GGAS..COCONUT HEAD
and black women didnt like dudes with dreads cause they thought they were NASTY DIRTY
THIS IS REAL TALK...IVE WITNESSED AND EXPERIENCED THIS SHYT!
back to the subject...
Bob Marley and Island Records constantly tried to make inroads into the black media and to no avail was unsuccesful at every front Audio...Print...and Visual....
BOB MARLEY WAS NEVER ON SOUL TRAIN!!!!
Thats because at that the time BLACK AMERICANS didnt quite grasp west indian culture moreso the militant rasta themes that BOB MARLEY and PETER TOSH were bringing. .
While Bob and Peter and the rastas was talking Get up stand up and fiyah pon babylon (the establishment)
Most black americans was assimilating into middle class life following the civil rights era of the 60s
This politicaly charged music DIDNT appeal to the black audience of America who felt in the words of the Jeffersons "MOVING ON UP" So to speak
Thats why Bob Marley anti materalsim themes appealled more to the rebellious hippie like college kids who were into antiestablishment music like Rock.
And Bob had a problem with that as displayed in that autobio CATCH A FIRE where he was inviteted to perform in Madison Garden NYC by a group of investors which included the owners of urban megastation WBLS fm the first home of hip hop on Commercial Radio
Bob was receptive to performing but couldnt help but Ask the station owner why WASNT HIS MUSIC BEING PLAYED ON WBLS format???
The owner whom was an african american business by the name of Percy Sutton couldnt Answer the question....
And its still is perplexing WHY HAVENT BLACK AMERICANS EMBRACED CARRIBEAN MUSIC MORE if we all SUFFER THE,SAME,ISSUES AS BLACK FOLKS???
I really can't
Your just saying something that is NOT TRUE...
And this is coming from myself being the son of a Carribean mother and Black American father...
It was a CULTURAL CONFLICT between black americans and Carribean folk i.e (jamaicans...trinidadians. ..and all west indians) during the 70s
I remember as an,old head Black Americans calling yardies Derogotory names like BANANA BOAT N1GGAS..COCONUT HEAD
and black women didnt like dudes with dreads cause they thought they were NASTY DIRTY
THIS IS REAL TALK...IVE WITNESSED AND EXPERIENCED THIS SHYT!
back to the subject...
Bob Marley and Island Records constantly tried to make inroads into the black media and to no avail was unsuccesful at every front Audio...Print...and Visual....
BOB MARLEY WAS NEVER ON SOUL TRAIN!!!!
Thats because at that the time BLACK AMERICANS didnt quite grasp west indian culture moreso the militant rasta themes that BOB MARLEY and PETER TOSH were bringing. .
While Bob and Peter and the rastas was talking Get up stand up and fiyah pon babylon (the establishment)
Most black americans was assimilating into middlle class life following the civil rights era of the 60s
This politicaly charged music DIDNT appeal to the black audience of America who felt in the words of the Jeffersons "MOVING ON UP" So to speak
Thats why Bob Marley anti materalsim themes appealled more to the rebellious hippie like college kids who were into antiestablishment music like Rock.
And Bob had a problem with that as displayed in that autobio CATCH A FIRE where he was inviteted to perform in Madison Garden NYC by a group of investors which included the owners of urban megastation WBLS fm the first home of hip hop on Commercial Radio
Bob was receptive to performing but couldnt help but Ask the station owner why WASNT HIS MUSIC BEING PLAYED ON WBLS format???
The owner whom was an african american business by the name of Percy Sutton couldnt Answer the question....
And its still is perplexing WHY HAVENT BLACK AMERICANS EMBRACED CARRIBEAN MUSIC MORE if we all SUFFER THE,SAME,ISSUES AS BLACK FOLKS???
I stand corrected, I guess growing in the DC area has given me the wrong impression. Cause it's never been like that over here.
But my guess is, its not about Black America not embracing Reggae culture out of some hate thing or some malicious feeling. It's just foreign, that's it. Shiit take Go-Go, literally drive 45 minutes outside of the DC area, and folks either don't like it or never heard of it.
Krazy
Rifle weh taller dan palm tree
Abdi
All Star
it's that time of the year brehs 
BobbyBooshay
Arnold Jackson
The GOAT, tend to go the museum every other year when I go back to Jamaica - went last summer. Never been Trenchtown though.
