Only like 2 or 3 of those Timbaland productions you listed, actually fit that description.
All of those were game changers or moments:
Pony- this was the world's introduction to Ginuwine and nothing else sounded like this
One In A Million- another one that didn't sound like anything else
The Rain- again, another one that was left field in terms of the flip of Ann Pebbles "I Can't Stand The Rain" with the added effects and programming
Are You That Somebody- the bounce on this one and the giggling baby
Big Pimpin- another left field hit that this time employs an Egyptian sample
Get Ur Freak On- where the aforementioned track to it to Egypt, this one is more Bhangra and would become a wave for other producers to mine that sound
Work It- chorus is flipped backwards and it's possibly the most left field of the Missy/Timbaland tandem. Never liked this song, but it is what is.
Dirt Off Your Shoulder- this was already out of here before the album officially dropped. Again nothing like it out there and it became a source for sampled lines for future hooks.
^^^ Every one of these songs was a moment where people went
trying to figure out how the crickets, frogs, gigling babies, backward choruses, stuttering triplet drums, shuffled drums, and beatboxing all worked together to form whatever it was not only coming out of their stereos, but other cars.