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It’s not the birthplace of hip hop, but Detroit has certainly created its own unique hip hop style since the genre landed in the city in the 1980s. Hip hop’s first wave in Detroit came from the break-dancing style that became synonymous with the genre, before Detroit’s first emcees started to pop up.
The city’s hip hop roots really started to take shape in the 90s as the Hip Hop Shop hosted open mic nights featuring early Detroit rap stars Eminem and his D12 associate, the late Proof, as well as others. Today, Detroit has found its own sound within hip hop. Driving drumbeats and low, brooding piano chords have become the building blocks for Detroit’s unique style, and its influence can be heard across the city and nation.
In celebration of hip hop’s 50th anniversary this year, One Detroit contributor Bryce Huffman takes a deep dive into the history of Detroit hip hop and how it’s still evolving today. He talks with Detroit hip hop artist and We Found Hip Hop Co-founder Piper Carter about the genre’s early inspiration in Detroit and its confluence with the rise of Detroit techno.
FULL TRANSCRIPT:
Piper Carter, Co-Founder, We Found Hip Hip, Artist & Culture Curator: You look at a Motown, right? Which is where I would say Detroit hip-hop starts.
Bryce Huffman, @BryceHuffman313: This is Piper Carter, a Detroit artist and culture curator. She co-founded We Found Hip Hop, an organization that empowers women in the performing and visual arts. Carter says to understand Detroit hip hop, you’ve got to first understand the impact of Berry Gordy in Motown Records.
Piper Carter: He looked at all these very talented people who came from historic Black Bottom in the historic north end of Detroit and was like, Hey, we can figure out a way to organize this so that we are, you kn’9ow, creating these avenues for people, right? This then becomes a successful formula.
Bryce Huffman: The formula was so successful that Gordy took Motown out West to California in 1972. But by the early 80s, a new culture was emerging, one that Detroiters were more than ready for. Take me back to the beginning of your experience with Detroit rap music. What was the first song or first artist you can remember hearing?
Piper Carter: Well, the thing is, before it was actually a rap artist, the dance actually led in the ’80s. Because hip hop or hip hop culture at that time was actually a mixture of the music of the times, which was, you know, could be classified as R&B, like, or funk and soul. And then, rap kind of like– it came in. You know what I mean? But it was all a part of, it was like an amalgamation, right? I think what hip-hop culture kind of provided folks with is, I would dare say maybe more like a safer space to be an artist, to be creative, to be innovative.
That was something that was very important in hip hop in general, but definitely in Detroit, it was very important. There’s also techno emerging, right, which is a very, I’d say, it’s a close kin in Detroit to Detroit hip hop because the same people who were going to all the hip hop things were also going to techno.
So, you’ll notice in Detroit people are very like techno and hip hop, hip hop, and techno because those things grew both out of the underground, the lack of music and arts education in schools, you know, the whole post-urban renewal, the destruction of neighborhoods and things like that where independent arts culture emerged through the young people, through the youth.
Bryce Huffman: In the ’90s, a Detroit fashion designer named Maurice Malone opened a clothing store that became more famous for the open mic it held at night. This was a space where artists could invent themselves on the mic. The Hip Hop Shop.
Piper Carter: You’ve probably heard a lot of the stories about The Hip Hop Shop, which is where a lot of what we know of as Detroit hip hop culture, you J. Dilla, your Eminem, your Proof, all of that comes out of that.
Bryce Huffman: Through the ’90s in 2000, Detroit established its own signature sound for rap music. Up tempo, drums, dark and simple piano chords, these are the building blocks of producer Helluva and rap groups like the Street Lords and the East Side Chedda Boys. At Capital Studio in Oak Park, just half a mile north of Detroit is Travis Pittman. He’s a Detroit producer who goes by the name 4AM Juno. He’s working on a song with Detroit rapper Lelo. He says the Detroit production style fits perfectly with what the city is all about.
www.onedetroitpbs.org
The city’s hip hop roots really started to take shape in the 90s as the Hip Hop Shop hosted open mic nights featuring early Detroit rap stars Eminem and his D12 associate, the late Proof, as well as others. Today, Detroit has found its own sound within hip hop. Driving drumbeats and low, brooding piano chords have become the building blocks for Detroit’s unique style, and its influence can be heard across the city and nation.
In celebration of hip hop’s 50th anniversary this year, One Detroit contributor Bryce Huffman takes a deep dive into the history of Detroit hip hop and how it’s still evolving today. He talks with Detroit hip hop artist and We Found Hip Hop Co-founder Piper Carter about the genre’s early inspiration in Detroit and its confluence with the rise of Detroit techno.
FULL TRANSCRIPT:
Piper Carter, Co-Founder, We Found Hip Hip, Artist & Culture Curator: You look at a Motown, right? Which is where I would say Detroit hip-hop starts.
Bryce Huffman, @BryceHuffman313: This is Piper Carter, a Detroit artist and culture curator. She co-founded We Found Hip Hop, an organization that empowers women in the performing and visual arts. Carter says to understand Detroit hip hop, you’ve got to first understand the impact of Berry Gordy in Motown Records.
Piper Carter: He looked at all these very talented people who came from historic Black Bottom in the historic north end of Detroit and was like, Hey, we can figure out a way to organize this so that we are, you kn’9ow, creating these avenues for people, right? This then becomes a successful formula.
Bryce Huffman: The formula was so successful that Gordy took Motown out West to California in 1972. But by the early 80s, a new culture was emerging, one that Detroiters were more than ready for. Take me back to the beginning of your experience with Detroit rap music. What was the first song or first artist you can remember hearing?
Piper Carter: Well, the thing is, before it was actually a rap artist, the dance actually led in the ’80s. Because hip hop or hip hop culture at that time was actually a mixture of the music of the times, which was, you know, could be classified as R&B, like, or funk and soul. And then, rap kind of like– it came in. You know what I mean? But it was all a part of, it was like an amalgamation, right? I think what hip-hop culture kind of provided folks with is, I would dare say maybe more like a safer space to be an artist, to be creative, to be innovative.
That was something that was very important in hip hop in general, but definitely in Detroit, it was very important. There’s also techno emerging, right, which is a very, I’d say, it’s a close kin in Detroit to Detroit hip hop because the same people who were going to all the hip hop things were also going to techno.
So, you’ll notice in Detroit people are very like techno and hip hop, hip hop, and techno because those things grew both out of the underground, the lack of music and arts education in schools, you know, the whole post-urban renewal, the destruction of neighborhoods and things like that where independent arts culture emerged through the young people, through the youth.
Bryce Huffman: In the ’90s, a Detroit fashion designer named Maurice Malone opened a clothing store that became more famous for the open mic it held at night. This was a space where artists could invent themselves on the mic. The Hip Hop Shop.
Piper Carter: You’ve probably heard a lot of the stories about The Hip Hop Shop, which is where a lot of what we know of as Detroit hip hop culture, you J. Dilla, your Eminem, your Proof, all of that comes out of that.
Bryce Huffman: Through the ’90s in 2000, Detroit established its own signature sound for rap music. Up tempo, drums, dark and simple piano chords, these are the building blocks of producer Helluva and rap groups like the Street Lords and the East Side Chedda Boys. At Capital Studio in Oak Park, just half a mile north of Detroit is Travis Pittman. He’s a Detroit producer who goes by the name 4AM Juno. He’s working on a song with Detroit rapper Lelo. He says the Detroit production style fits perfectly with what the city is all about.
Detroit’s rap roots: The history of Detroit's unique hip hop style
A look at the history of Detroit hip hop and how it continues to evolve with the next generation of local emcees and producers.
www.onedetroitpbs.org
