Desiigner may signify the lowest point in NYC rap history (UPDATE: No.1 SONG on Billboard)

[dora_da_destroyer]

I guess other NY rappers are gonna dikk ride this as well

kim sounds dope on this

 

[The_King_of_Everything]

Just waiting for son, KRS-TWO to come out. Hopefully he signs to Jadakiss' son I saw on some random video online the other day.

 

[Art Barr]

Explain. You're posts are usually informative.

Originally in 2000-2oo1, when weedy was on his first escape from baby situation but not going nowhere situation.
Plus, trying to lie and say he cared about hip hop culture situation.
Which was all a relaunch he has made over and over again.

I was the only person who bigged up, two weezy songs that at the time.

you did not know if he had new ghostwriters and was making sqad up mixtapes. He apologized to hiphop and gave this rededication episode speech.
The same way the ep of rap city disappeared off the net when he kissed baby. Along with the original wack solo feature vid with Manny fresh before fireman was relaunched as the single for the Carter I. Anyway, before all the inception level disappearance of questionable weezy appearance on rap city was a thing on the net.
Weezy had two records:

I'm gangsta
Oohh I make say ooh

Which for his standards and cash money standards were an immediate improvement and actually just flat out fukk'n good.
I made a post to praise the records like wow, little nikka maybe serious about dedicating himself to the actual culture of hiphop.
Which at the time for a sellout on cash money.
Especially given their culture thief history to still have never oaod Wendy day at this time the first time was actually a great two high quality submissions if weezy actually wrote the shyt.
He also had a little crew of unpolished rap nikkaz who weren't great but okay amateurs on features. Which as we would learn was actually another lie in the long list of lies from cash money.
So, I would take the weezy squd up mixtapes and see if it was more and it never was after that. So, I thought well okay got these two songs out of the waste of a time listening but these two records were really damn good.
so, I wondered can it be more that was made. This was in YouTube infancy and weezy, aj styles, Bryan Danielson, Christopher Daniels, Sabin were pretty much the people driving my internet YouTube traffic before YouTube was a thing and had a cosmetic relaunch of its template and format cosmetically.
Now as time would go weezy would start to make more kixtapes as just little Wayne ad eventually we started getting the prefix, suffix, etc. In that situation I reviewed those mixtapes.
ALL because they were actually good and showed improvement by someone SUPPOSEDLY dedicated to emcee'n.
So, I was reviewing the records with the disclaimer of of you apply yourself to the pillar of emcee'n maybe you could actually get good culturally as a real skilled emcee. Of course we know now it is a lie wayne actually got good and was transposed onto the jayz lie of oh he writes in his head. So, over the course of the new Wayne mixtapes j actually reviewed them as an alternative listen for people in other regions. As back then it really was only like six serious mix tape quality artist after the fiddy mix tape boom.

Diplomats
D block
Raekwon
Busta
Papoose
Ras kass

So, in that weezy was actually making mistapes competing with real heavyweights. Albeit some who were in commercial sellout limbo like the while list I mentioned except pap and raw.
As at the time busta had made a really wack j records submission. D block and diplomats were still trying to distance themselves. From their sellout jiggy fascination with the dough or puff legacy based history.
Yet, in the case of d block, and the diplomats they definitely had to make mixtapes because the lox were the unsigned hype infamous warlox and cam'ron was the protege to big l like made who jumped the shark and sold out as well.
So, given the fact people gave a pass to big in death and the rap ceiling was shattered after the loss of big and Pac. Plus subsequently big l afterward. I used to ask and challenge the pass system nikkaz tried to erect in rap to ask. Why rappers like the lox, cam, busta and now weezy were not gaining props and it used to fall in deaf ears.
That people had descended so far away from the culture of hiphop.
That sooner or later there may be no more real cultural emcees and nuffin but sellout rappers using a sellout rapper model in mixtapes to get on. Which would hurt the rap world but in that we would actually get all the infamous b sides. That were made by the rappers who were skilled and for whatever reason would not see the light of day that exposed their skill level and the reason why they were signed in the first place.
Especially as the infamous bside was going to eventually get phased out on actual vinyl and bh then vinyl had become a waste of time and money to purchase and we were in the original fall of the internet. I also was just starting to be on the run. So, I would cryptically make Wu tang rap reference style content based posts so I would not be caught for being to discreet over the net and incriminate myself even further and wind up in jail like project pat. Which is another artist in 2001 i grew a guilty pleasure, in my hunt to find dope but culturally questionable rappers. As i knew and could tell the industry had succeeded in pretty much segregating rap from hiphop.
The same way it did all the other previous pillars away from its industry based wings of business.
Thus making it so hiphop could die as a mainstream culture.
While Being stripped of everything and made to look cliche but the mainstream ideal and look of everyone like disco, jazz, and blues had done to it as well.
The change in direction just added onto the mythos of who i was as the so called best poster anyway. As i was the guy who pretty much was reviewing rap records in depth since 97, and the slim shady ep and gave the entire synopsis of we were probably looking at one of the highest potential selling and dually skilled rappers of a time. People said i was crazy for that, on one end.
While others in the know agreed that it was possible and eventually the pr of em being found by dre after every legendary wakeup show stealing freestyle continue to cosign what was said.
Plus, no one knew who i was at this time except for the guy who would mail people i am the man, juice ep's i purchased with my own money for free. Which was even before me and juice were even inseparable as actual friends and he was just the best rapper in any capacity i had ever seen. So, all this is going on at the time and culiminating into the storm of what would bcome this cult following out of control that is what it is now.
Sohb had a server fail and everyone had to relaunch around 2003 with new stats and a few more crashes that eventually would wipe away reviews and history as well. From all this time and sohh lost hordes of ita original members who were culturally minded and completely knowledgeable. Plus, industry insiders and also sohh was invested in by certain parties and i know who you are you culture thief. So, when sohh returned and i could finally get some breathing room in my own in, my i'm orbit catch me if you can life.
Till 2004, and the then the infamous year of i got a baby coming and the year one release changed rap silently which was the ramped up skill jump of cam'ron on purple haze. The one rapper and his crew and cult followed possibly paid for stans.
who actually ruined sohh from spam in the usual suspect golden era of rap content on sohh. Which originally drove away all the great posters in complete droves. As cam was not defendable culturally when diplomats first were in the roc. Plus, cam was originally blamed for the break of rocafella. Which i found out and posted was a lie and jay was really the person who pulled a coup of rocafella and it was the other way around. Which lead to pretty much the infamous art Barr vs and kills the jayz stans on sohh and my owning of some dude named doeboy. Who was my whipping boi and it soon became more than obvious i definitely knew the culture jn that dark age and never wavered culturally.
Plus, i knew and still knew to post the facts.
Couple it with the fact i talked in cyptic wutang influenced code and it soon started to be oh you the ghostfsce of sohh.
So now here comes ph and cam ramps to some super saiyan level of emcee'n as a rule. Not just as a mixtaoe artist but as an actual real classic lp making artist.
Which at the time was crazy because cma was this community's whipping boi and the spam of the dipset 2001 era ruined the original sohh servers. Where all the original Content from the sohh golden era of culturally aware posters was lost.
At that point rap as a while was going in the shytter and mixtapes were in oversaturation. Moving rap from what i coined the original sales spike era had closed. To a new mixtaoe extensive oversaturation era. That was a play on me also terming jay's single release schedule on 98's hard knock life , the oversaturation method. This verbiage and other verbiage like culture thief, deflection, narcissism were rarely heard terms and in rakim flair i made then daily words across the whole fukk'n internet, and now the damn world, too.
As i wrote about what the words were and how to expose people for doing this bullshyt in our narcissistic racist country.
Plus, how it occurred in rap and destroyed hiphop.
Head to 2005, and the debut of the gucci and jeezy. Who earlier i also said, rap is going to get so bad. That sooner or later the worst sounding rapper on the surface would become the biggest rappers on the planet. Cue up trap or die, which i had before most on the web knew of and how i reviewed and said it was the coming of that era and everything in rap would change. People doubted because this was arguably the worst parody rapper in bet uncut history with gucci mayne on so icey. That people again said i was fukk'n crazy but i could see this is where rap was headed and would not return.
Plus, the model of going to jail and being a superstar was over.
As i knew it to be true because here i was in orbit and living what would be real certified reality in being a criminal does not mean you will be a rap superstar.
Then, the tupac federal transcripts were released and every tupac clone war Stan overnight on sohh, stfu.
[i know y'all read that shyt, and know the truth but won't say what it is, tho]

Cue up the whole gucci vs jeezy fiasco.
Leaving the actual more skilled wordsmith gucci to look and be called the parody rapper when in reality he was just poorly mixed s d a much better emcee. Of which i offered the early review to say he was the better emcee from a technical standpoint. Yet because that era, became highly dependent on mixing. jeezy becomes a superstar and releases the change of sonic landscape thug motivation 1o1, and real life is now reality from my speculative reviews.
Of the worst rapper will be the highest selling and most influential rapper given the time. Cue up jeezy mania!!! As now white kids at school are in trouble for snowman shirts on CNN at school. Plus, we were going from the fall of the internet, and no affirmative action.
So, life is becoming fukked up for everyone, and i had already been living this life.
Plus, was now really on the run for real.
as i had got released from an excellent lawyer after being apprehended in a man hunt.
At the same time weezy has his young money frees web site cd and i have to slag currency and tyga for being horrible rappers.
To a relaunch of weezy to the Carter series and i actually rate the first one a high 4.5, and the second one i rated a classic and now, all hell breaks lose. As i basically write the ways lil Wayne had duped me into being a culturally credible artist in this fraudulent time and now he can arguably considering the time go for being the actual real time best emcee. Not just rapper but actual culturally commendable emcee, in all of hiphop.
Which sounds crazy but given the fact he had made this culture based apology.
plus in tupac lost makaveki oversaturation method of the mixtaoe era had the actual material to back it up.
Rap descends into its typical biter fest and the horrible ten year anniversary of every ten years in rap it changes sonic landscape and commercial fan permeation ruins the overall quality to degrade the quality of rap records every year in rap from 85, 95, and now 05. So now the term the prophecy is coined from people commenting on my post, my verbiage and was of attack are becoming like standard internet rule for clowning nikkaz along with my verbiage and now here we are to somewhere around after weezy makes eat you alive and the whole it is obvious this dude can not be writing this shyt.
Plus, his still culturally disengenuine during weezy mania and after the Carter III is officially released.
IN THAT TIME,...this community has changed to a troll based era and i aone of only a few culturally as a poster. Yet receiving praise from hordes of posters for writing positively about rappers they are connected to weezy fan in bulk included. When previously any sellout style rap fan would have been run off this board and never heard from again.
Time passes and the weezy rhymes start to show he could not possibly have written any of his material as his technical rubrick never gets better it erodes like ti on his i am booming cd and i also slag ti for having a gw as well.

Soon after that i write the thread;

ART BARR SNATCHES ALL OF WEEZY'S CRED

Then the paper matchstick weezy career fake fool the public credibility comes crashing down as it burns and boy does it fukk'n burn cause this nikka has a trump tower of respect and fan base.

Eventually over time, we come to where we are now,...where weezy suffers in perception what old sellout rappers used to have happen immediately in rap. Be disrespected and ushered into being a point of no return non-draw.



Art Barr

 

[H@LLOW]

Disgusting. Brooklyn lost for copying the southern swag.

 

[H@LLOW]

Originally in 2000-2oo1, when weedy was on his first escape from baby situation but not going nowhere situation.
Plus, trying to lie and say he cared about hip hop culture situation.
Which was all a relaunch he has made over and over again.

I was the only person who bigged up, two weezy songs that at the time.

you did not know if he had new ghostwriters and was making sqad up mixtapes. He apologized to hiphop and gave this rededication episode speech.
The same way the ep of rap city disappeared off the net when he kissed baby. Along with the original wack solo feature vid with Manny fresh before fireman was relaunched as the single for the Carter I. Anyway, before all the inception level disappearance of questionable weezy appearance on rap city was a thing on the net.
Weezy had two records:

I'm gangsta
Oohh I make say ooh

Which for his standards and cash money standards were an immediate improvement and actually just flat out fukk'n good.
I made a post to praise the records like wow, little nikka maybe serious about dedicating himself to the actual culture of hiphop.
Which at the time for a sellout on cash money.
Especially given their culture thief history to still have never oaod Wendy day at this time the first time was actually a great two high quality submissions if weezy actually wrote the shyt.
He also had a little crew of unpolished rap nikkaz who weren't great but okay amateurs on features. Which as we would learn was actually another lie in the long list of lies from cash money.
So, I would take the weezy squd up mixtapes and see if it was more and it never was after that. So, I thought well okay got these two songs out of the waste of a time listening but these two records were really damn good.
so, I wondered can it be more that was made. This was in YouTube infancy and weezy, aj styles, Bryan Danielson, Christopher Daniels, Sabin were pretty much the people driving my internet YouTube traffic before YouTube was a thing and had a cosmetic relaunch of its template and format cosmetically.
Now as time would go weezy would start to make more kixtapes as just little Wayne ad eventually we started getting the prefix, suffix, etc. In that situation I reviewed those mixtapes.
ALL because they were actually good and showed improvement by someone SUPPOSEDLY dedicated to emcee'n.
So, I was reviewing the records with the disclaimer of of you apply yourself to the pillar of emcee'n maybe you could actually get good culturally as a real skilled emcee. Of course we know now it is a lie wayne actually got good and was transposed onto the jayz lie of oh he writes in his head. So, over the course of the new Wayne mixtapes j actually reviewed them as an alternative listen for people in other regions. As back then it really was only like six serious mix tape quality artist after the fiddy mix tape boom.

Diplomats
D block
Raekwon
Busta
Papoose
Ras kass

So, in that weezy was actually making mistapes competing with real heavyweights. Albeit some who were in commercial sellout limbo like the while list I mentioned except pap and raw.
As at the time busta had made a really wack j records submission. D block and diplomats were still trying to distance themselves. From their sellout jiggy fascination with the dough or puff legacy based history.
Yet, in the case of d block, and the diplomats they definitely had to make mixtapes because the lox were the unsigned hype infamous warlox and cam'ron was the protege to big l like made who jumped the shark and sold out as well.
So, given the fact people gave a pass to big in death and the rap ceiling was shattered after the loss of big and Pac. Plus subsequently big l afterward. I used to ask and challenge the pass system nikkaz tried to erect in rap to ask. Why rappers like the lox, cam, busta and now weezy were not gaining props and it used to fall in deaf ears.
That people had descended so far away from the culture of hiphop.
That sooner or later there may be no more real cultural emcees and nuffin but sellout rappers using a sellout rapper model in mixtapes to get on. Which would hurt the rap world but in that we would actually get all the infamous b sides. That were made by the rappers who were skilled and for whatever reason would not see the light of day that exposed their skill level and the reason why they were signed in the first place.
Especially as the infamous bside was going to eventually get phased out on actual vinyl and bh then vinyl had become a waste of time and money to purchase and we were in the original fall of the internet. I also was just starting to be on the run. So, I would cryptically make Wu tang rap reference style content based posts so I would not be caught for being to discreet over the net and incriminate myself even further and wind up in jail like project pat. Which is another artist in 2001 i grew a guilty pleasure, in my hunt to find dope but culturally questionable rappers. As i knew and could tell the industry had succeeded in pretty much segregating rap from hiphop.
The same way it did all the other previous pillars away from its industry based wings of business.
Thus making it so hiphop could die as a mainstream culture.
While Being stripped of everything and made to look cliche but the mainstream ideal and look of everyone like disco, jazz, and blues had done to it as well.
The change in direction just added onto the mythos of who i was as the so called best poster anyway. As i was the guy who pretty much was reviewing rap records in depth since 97, and the slim shady ep and gave the entire synopsis of we were probably looking at one of the highest potential selling and dually skilled rappers of a time. People said i was crazy for that, on one end.
While others in the know agreed that it was possible and eventually the pr of em being found by dre after every legendary wakeup show stealing freestyle continue to cosign what was said.
Plus, no one knew who i was at this time except for the guy who would mail people i am the man, juice ep's i purchased with my own money for free. Which was even before me and juice were even inseparable as actual friends and he was just the best rapper in any capacity i had ever seen. So, all this is going on at the time and culiminating into the storm of what would bcome this cult following out of control that is what it is now.
Sohb had a server fail and everyone had to relaunch around 2003 with new stats and a few more crashes that eventually would wipe away reviews and history as well. From all this time and sohh lost hordes of ita original members who were culturally minded and completely knowledgeable. Plus, industry insiders and also sohh was invested in by certain parties and i know who you are you culture thief. So, when sohh returned and i could finally get some breathing room in my own in, my i'm orbit catch me if you can life.
Till 2004, and the then the infamous year of i got a baby coming and the year one release changed rap silently which was the ramped up skill jump of cam'ron on purple haze. The one rapper and his crew and cult followed possibly paid for stans.
who actually ruined sohh from spam in the usual suspect golden era of rap content on sohh. Which originally drove away all the great posters in complete droves. As cam was not defendable culturally when diplomats first were in the roc. Plus, cam was originally blamed for the break of rocafella. Which i found out and posted was a lie and jay was really the person who pulled a coup of rocafella and it was the other way around. Which lead to pretty much the infamous art Barr vs and kills the jayz stans on sohh and my owning of some dude named doeboy. Who was my whipping boi and it soon became more than obvious i definitely knew the culture jn that dark age and never wavered culturally.
Plus, i knew and still knew to post the facts.
Couple it with the fact i talked in cyptic wutang influenced code and it soon started to be oh you the ghostfsce of sohh.
So now here comes ph and cam ramps to some super saiyan level of emcee'n as a rule. Not just as a mixtaoe artist but as an actual real classic lp making artist.
Which at the time was crazy because cma was this community's whipping boi and the spam of the dipset 2001 era ruined the original sohh servers. Where all the original Content from the sohh golden era of culturally aware posters was lost.
At that point rap as a while was going in the shytter and mixtapes were in oversaturation. Moving rap from what i coined the original sales spike era had closed. To a new mixtaoe extensive oversaturation era. That was a play on me also terming jay's single release schedule on 98's hard knock life , the oversaturation method. This verbiage and other verbiage like culture thief, deflection, narcissism were rarely heard terms and in rakim flair i made then daily words across the whole fukk'n internet, and now the damn world, too.
As i wrote about what the words were and how to expose people for doing this bullshyt in our narcissistic racist country.
Plus, how it occurred in rap and destroyed hiphop.
Head to 2005, and the debut of the gucci and jeezy. Who earlier i also said, rap is going to get so bad. That sooner or later the worst sounding rapper on the surface would become the biggest rappers on the planet. Cue up trap or die, which i had before most on the web knew of and how i reviewed and said it was the coming of that era and everything in rap would change. People doubted because this was arguably the worst parody rapper in bet uncut history with gucci mayne on so icey. That people again said i was fukk'n crazy but i could see this is where rap was headed and would not return.
Plus, the model of going to jail and being a superstar was over.
As i knew it to be true because here i was in orbit and living what would be real certified reality in being a criminal does not mean you will be a rap superstar.
Then, the tupac federal transcripts were released and every tupac clone war Stan overnight on sohh, stfu.
[i know y'all read that shyt, and know the truth but won't say what it is, tho]

Cue up the whole gucci vs jeezy fiasco.
Leaving the actual more skilled wordsmith gucci to look and be called the parody rapper when in reality he was just poorly mixed s d a much better emcee. Of which i offered the early review to say he was the better emcee from a technical standpoint. Yet because that era, became highly dependent on mixing. jeezy becomes a superstar and releases the change of sonic landscape thug motivation 1o1, and real life is now reality from my speculative reviews.
Of the worst rapper will be the highest selling and most influential rapper given the time. Cue up jeezy mania!!! As now white kids at school are in trouble for snowman shirts on CNN at school. Plus, we were going from the fall of the internet, and no affirmative action.
So, life is becoming fukked up for everyone, and i had already been living this life.
Plus, was now really on the run for real.
as i had got released from an excellent lawyer after being apprehended in a man hunt.
At the same time weezy has his young money frees web site cd and i have to slag currency and tyga for being horrible rappers.
To a relaunch of weezy to the Carter series and i actually rate the first one a high 4.5, and the second one i rated a classic and now, all hell breaks lose. As i basically write the ways lil Wayne had duped me into being a culturally credible artist in this fraudulent time and now he can arguably considering the time go for being the actual real time best emcee. Not just rapper but actual culturally commendable emcee, in all of hiphop.
Which sounds crazy but given the fact he had made this culture based apology.
plus in tupac lost makaveki oversaturation method of the mixtaoe era had the actual material to back it up.
Rap descends into its typical biter fest and the horrible ten year anniversary of every ten years in rap it changes sonic landscape and commercial fan permeation ruins the overall quality to degrade the quality of rap records every year in rap from 85, 95, and now 05. So now the term the prophecy is coined from people commenting on my post, my verbiage and was of attack are becoming like standard internet rule for clowning nikkaz along with my verbiage and now here we are to somewhere around after weezy makes eat you alive and the whole it is obvious this dude can not be writing this shyt.
Plus, his still culturally disengenuine during weezy mania and after the Carter III is officially released.
IN THAT TIME,...this community has changed to a troll based era and i aone of only a few culturally as a poster. Yet receiving praise from hordes of posters for writing positively about rappers they are connected to weezy fan in bulk included. When previously any sellout style rap fan would have been run off this board and never heard from again.
Time passes and the weezy rhymes start to show he could not possibly have written any of his material as his technical rubrick never gets better it erodes like ti on his i am booming cd and i also slag ti for having a gw as well.

Soon after that i write the thread;

ART BARR SNATCHES ALL OF WEEZY'S CRED

Then the paper matchstick weezy career fake fool the public credibility comes crashing down as it burns and boy does it fukk'n burn cause this nikka has a trump tower of respect and fan base.

Eventually over time, we come to where we are now,...where weezy suffers in perception what old sellout rappers used to have happen immediately in rap. Be disrespected and ushered into being a point of no return non-draw.



Art Barr

I can't trust you though. You still rocking baggy jeans in 2016. But I respect your opinion.

 

[Chip Skylark]

@Art Barr I honestly believe no man could release as good as material as he was for so long on a consistent basis. Wasn't there rumor that gilly wrote for him. It a good to hear someone other than myself thinks Tha Carter is a 4.5. I honestly think it's his best overrated cd. I listen to the Carter 2 the other and it didn't age well with me. There aren't as many quotables or memorable verses. What was said in those tupac fed transcripts?

I'm curious to know who your top 5 MCS not rap artists are.

 

[Henri Christophe]

Originally in 2000-2oo1, when weedy was on his first escape from baby situation but not going nowhere situation.
Plus, trying to lie and say he cared about hip hop culture situation.
Which was all a relaunch he has made over and over again.

I was the only person who bigged up, two weezy songs that at the time.

you did not know if he had new ghostwriters and was making sqad up mixtapes. He apologized to hiphop and gave this rededication episode speech.
The same way the ep of rap city disappeared off the net when he kissed baby. Along with the original wack solo feature vid with Manny fresh before fireman was relaunched as the single for the Carter I. Anyway, before all the inception level disappearance of questionable weezy appearance on rap city was a thing on the net.
Weezy had two records:

I'm gangsta
Oohh I make say ooh

Which for his standards and cash money standards were an immediate improvement and actually just flat out fukk'n good.
I made a post to praise the records like wow, little nikka maybe serious about dedicating himself to the actual culture of hiphop.
Which at the time for a sellout on cash money.
Especially given their culture thief history to still have never oaod Wendy day at this time the first time was actually a great two high quality submissions if weezy actually wrote the shyt.
He also had a little crew of unpolished rap nikkaz who weren't great but okay amateurs on features. Which as we would learn was actually another lie in the long list of lies from cash money.
So, I would take the weezy squd up mixtapes and see if it was more and it never was after that. So, I thought well okay got these two songs out of the waste of a time listening but these two records were really damn good.
so, I wondered can it be more that was made. This was in YouTube infancy and weezy, aj styles, Bryan Danielson, Christopher Daniels, Sabin were pretty much the people driving my internet YouTube traffic before YouTube was a thing and had a cosmetic relaunch of its template and format cosmetically.
Now as time would go weezy would start to make more kixtapes as just little Wayne ad eventually we started getting the prefix, suffix, etc. In that situation I reviewed those mixtapes.
ALL because they were actually good and showed improvement by someone SUPPOSEDLY dedicated to emcee'n.
So, I was reviewing the records with the disclaimer of of you apply yourself to the pillar of emcee'n maybe you could actually get good culturally as a real skilled emcee. Of course we know now it is a lie wayne actually got good and was transposed onto the jayz lie of oh he writes in his head. So, over the course of the new Wayne mixtapes j actually reviewed them as an alternative listen for people in other regions. As back then it really was only like six serious mix tape quality artist after the fiddy mix tape boom.

Diplomats
D block
Raekwon
Busta
Papoose
Ras kass

So, in that weezy was actually making mistapes competing with real heavyweights. Albeit some who were in commercial sellout limbo like the while list I mentioned except pap and raw.
As at the time busta had made a really wack j records submission. D block and diplomats were still trying to distance themselves. From their sellout jiggy fascination with the dough or puff legacy based history.
Yet, in the case of d block, and the diplomats they definitely had to make mixtapes because the lox were the unsigned hype infamous warlox and cam'ron was the protege to big l like made who jumped the shark and sold out as well.
So, given the fact people gave a pass to big in death and the rap ceiling was shattered after the loss of big and Pac. Plus subsequently big l afterward. I used to ask and challenge the pass system nikkaz tried to erect in rap to ask. Why rappers like the lox, cam, busta and now weezy were not gaining props and it used to fall in deaf ears.
That people had descended so far away from the culture of hiphop.
That sooner or later there may be no more real cultural emcees and nuffin but sellout rappers using a sellout rapper model in mixtapes to get on. Which would hurt the rap world but in that we would actually get all the infamous b sides. That were made by the rappers who were skilled and for whatever reason would not see the light of day that exposed their skill level and the reason why they were signed in the first place.
Especially as the infamous bside was going to eventually get phased out on actual vinyl and bh then vinyl had become a waste of time and money to purchase and we were in the original fall of the internet. I also was just starting to be on the run. So, I would cryptically make Wu tang rap reference style content based posts so I would not be caught for being to discreet over the net and incriminate myself even further and wind up in jail like project pat. Which is another artist in 2001 i grew a guilty pleasure, in my hunt to find dope but culturally questionable rappers. As i knew and could tell the industry had succeeded in pretty much segregating rap from hiphop.
The same way it did all the other previous pillars away from its industry based wings of business.
Thus making it so hiphop could die as a mainstream culture.
While Being stripped of everything and made to look cliche but the mainstream ideal and look of everyone like disco, jazz, and blues had done to it as well.
The change in direction just added onto the mythos of who i was as the so called best poster anyway. As i was the guy who pretty much was reviewing rap records in depth since 97, and the slim shady ep and gave the entire synopsis of we were probably looking at one of the highest potential selling and dually skilled rappers of a time. People said i was crazy for that, on one end.
While others in the know agreed that it was possible and eventually the pr of em being found by dre after every legendary wakeup show stealing freestyle continue to cosign what was said.
Plus, no one knew who i was at this time except for the guy who would mail people i am the man, juice ep's i purchased with my own money for free. Which was even before me and juice were even inseparable as actual friends and he was just the best rapper in any capacity i had ever seen. So, all this is going on at the time and culiminating into the storm of what would bcome this cult following out of control that is what it is now.
Sohb had a server fail and everyone had to relaunch around 2003 with new stats and a few more crashes that eventually would wipe away reviews and history as well. From all this time and sohh lost hordes of ita original members who were culturally minded and completely knowledgeable. Plus, industry insiders and also sohh was invested in by certain parties and i know who you are you culture thief. So, when sohh returned and i could finally get some breathing room in my own in, my i'm orbit catch me if you can life.
Till 2004, and the then the infamous year of i got a baby coming and the year one release changed rap silently which was the ramped up skill jump of cam'ron on purple haze. The one rapper and his crew and cult followed possibly paid for stans.
who actually ruined sohh from spam in the usual suspect golden era of rap content on sohh. Which originally drove away all the great posters in complete droves. As cam was not defendable culturally when diplomats first were in the roc. Plus, cam was originally blamed for the break of rocafella. Which i found out and posted was a lie and jay was really the person who pulled a coup of rocafella and it was the other way around. Which lead to pretty much the infamous art Barr vs and kills the jayz stans on sohh and my owning of some dude named doeboy. Who was my whipping boi and it soon became more than obvious i definitely knew the culture jn that dark age and never wavered culturally.
Plus, i knew and still knew to post the facts.
Couple it with the fact i talked in cyptic wutang influenced code and it soon started to be oh you the ghostfsce of sohh.
So now here comes ph and cam ramps to some super saiyan level of emcee'n as a rule. Not just as a mixtaoe artist but as an actual real classic lp making artist.
Which at the time was crazy because cma was this community's whipping boi and the spam of the dipset 2001 era ruined the original sohh servers. Where all the original Content from the sohh golden era of culturally aware posters was lost.
At that point rap as a while was going in the shytter and mixtapes were in oversaturation. Moving rap from what i coined the original sales spike era had closed. To a new mixtaoe extensive oversaturation era. That was a play on me also terming jay's single release schedule on 98's hard knock life , the oversaturation method. This verbiage and other verbiage like culture thief, deflection, narcissism were rarely heard terms and in rakim flair i made then daily words across the whole fukk'n internet, and now the damn world, too.
As i wrote about what the words were and how to expose people for doing this bullshyt in our narcissistic racist country.
Plus, how it occurred in rap and destroyed hiphop.
Head to 2005, and the debut of the gucci and jeezy. Who earlier i also said, rap is going to get so bad. That sooner or later the worst sounding rapper on the surface would become the biggest rappers on the planet. Cue up trap or die, which i had before most on the web knew of and how i reviewed and said it was the coming of that era and everything in rap would change. People doubted because this was arguably the worst parody rapper in bet uncut history with gucci mayne on so icey. That people again said i was fukk'n crazy but i could see this is where rap was headed and would not return.
Plus, the model of going to jail and being a superstar was over.
As i knew it to be true because here i was in orbit and living what would be real certified reality in being a criminal does not mean you will be a rap superstar.
Then, the tupac federal transcripts were released and every tupac clone war Stan overnight on sohh, stfu.
[i know y'all read that shyt, and know the truth but won't say what it is, tho]

Cue up the whole gucci vs jeezy fiasco.
Leaving the actual more skilled wordsmith gucci to look and be called the parody rapper when in reality he was just poorly mixed s d a much better emcee. Of which i offered the early review to say he was the better emcee from a technical standpoint. Yet because that era, became highly dependent on mixing. jeezy becomes a superstar and releases the change of sonic landscape thug motivation 1o1, and real life is now reality from my speculative reviews.
Of the worst rapper will be the highest selling and most influential rapper given the time. Cue up jeezy mania!!! As now white kids at school are in trouble for snowman shirts on CNN at school. Plus, we were going from the fall of the internet, and no affirmative action.
So, life is becoming fukked up for everyone, and i had already been living this life.
Plus, was now really on the run for real.
as i had got released from an excellent lawyer after being apprehended in a man hunt.
At the same time weezy has his young money frees web site cd and i have to slag currency and tyga for being horrible rappers.
To a relaunch of weezy to the Carter series and i actually rate the first one a high 4.5, and the second one i rated a classic and now, all hell breaks lose. As i basically write the ways lil Wayne had duped me into being a culturally credible artist in this fraudulent time and now he can arguably considering the time go for being the actual real time best emcee. Not just rapper but actual culturally commendable emcee, in all of hiphop.
Which sounds crazy but given the fact he had made this culture based apology.
plus in tupac lost makaveki oversaturation method of the mixtaoe era had the actual material to back it up.
Rap descends into its typical biter fest and the horrible ten year anniversary of every ten years in rap it changes sonic landscape and commercial fan permeation ruins the overall quality to degrade the quality of rap records every year in rap from 85, 95, and now 05. So now the term the prophecy is coined from people commenting on my post, my verbiage and was of attack are becoming like standard internet rule for clowning nikkaz along with my verbiage and now here we are to somewhere around after weezy makes eat you alive and the whole it is obvious this dude can not be writing this shyt.
Plus, his still culturally disengenuine during weezy mania and after the Carter III is officially released.
IN THAT TIME,...this community has changed to a troll based era and i aone of only a few culturally as a poster. Yet receiving praise from hordes of posters for writing positively about rappers they are connected to weezy fan in bulk included. When previously any sellout style rap fan would have been run off this board and never heard from again.
Time passes and the weezy rhymes start to show he could not possibly have written any of his material as his technical rubrick never gets better it erodes like ti on his i am booming cd and i also slag ti for having a gw as well.

Soon after that i write the thread;

ART BARR SNATCHES ALL OF WEEZY'S CRED

Then the paper matchstick weezy career fake fool the public credibility comes crashing down as it burns and boy does it fukk'n burn cause this nikka has a trump tower of respect and fan base.

Eventually over time, we come to where we are now,...where weezy suffers in perception what old sellout rappers used to have happen immediately in rap. Be disrespected and ushered into being a point of no return non-draw.



Art Barr

Who's reading this grammatically deficient research paper?

This is a thread about Desiigner

 

[Firefly]

I was wrong

 

[Pop123]

the original Panda,


if this don't make your head nod you're in denial

 

[Art Barr]

I can't fix or edit this weezy history post so, excuse the typos.


Art barr

 

[RebelX]

I guess other NY rappers are gonna dikk ride this as well

 

[Artificial Intelligence]

.......................

 

[IllmaticDelta]

 

[beenz]

 

[Mr swag]

Future needs to call kayne. This isn't cool