"Southern music has that street vibe with that soulful feel," says Dre. "You listen to East Coast music, it's got a kind of rhythm. You listen to West Coast, it's got its own kind of rhythm. You listen to Southern music, it's got kind of like a bouncy feel to it. It's soul. That's what it is. It's soulful music with more instrumentation."
Outkast's hit "Rosa Parks" featured a break that sounded like a country hoedown, all knee-slappin' and whoops and hollers and a blues harmonica player Dre borrowed from his mother's church. "I don't think you can get more South than that song," says Dre. "That's a South song 'cause it got an old-time, country back porch feeling. The breakdown in the middle? You wouldn't catch anybody from New York doing that."
The bounce that animates New Orleans hip-hop is a genre that developed during sound checks at that city's clubs. The first recorded bounce track, "Where Dey At," came out in 1991, and while most bounce follows what XXL magazine describes as "the dirty blues tradition of ribald sexual scenarios, crude humor and casual violence," that archetypal bounce record included the chant "[Expletive] David Duke."
"Bounce is what makes Southern hip-hop have a different attitude from all other hip-hop sounds around the world," says Master P. "It's a lot of energy. It make your shoulders move up and down."