David Benioff & D.B. Weiss (GOT Creators) Doing Alt. History Drama - Confederate @ HBO

Mic-Nificent

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The fact that they seem surprised that a bunch of black folks aren't trying to see this is proof they're the wrong people to be handling this kind of material.

For the past decade a LOT of black folks have been saying they're tired of Black struggle/slave movies. We see enough of that shyt on the news and social media, we don't want to see it constantly in our entertainment.

It's possible to do historical fiction with Black people and it not be about us being tortured, raped, and exploited.

That Black America show that Amazon is working on is sounds more like something black audiences want.
 

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:ufdup: HBO

‘Black America’: Amazon Alt-History Drama From Will Packer & Aaron McGruder Envisions Post-Reparations America

‘Black America’: Amazon Alt-History Drama From Will Packer & Aaron McGruder Envisions Post-Reparations America
nandreeva.png

by Nellie Andreeva tip

August 1, 2017 9:06am
will-packer-aaron-mcgruder.jpg


Rex/Shutterstock/Associated Press

EXCLUSIVE: A century and a half after slavery was abolished in the U.S., the wounds left by one of the darkest periods in American history are far from healed, as evidenced by the controversy surrounding the recent announcement of HBO’s upcoming drama series Confederate, from Game Of Thrones creators David Benioff and D.B. Weiss, which explores an alternate timeline of seceded southern states where slavery is legal and has evolved into a modern institution.


Another alternate history drama series, which has been in the works at Amazonfor over a year, also paints a reality where southern states have left the Union but takes a very different approach. Titled Black America, the drama hails from top feature producer Will Packer (Ride Along, Think Like A Man franchises, Straight Outta Compton) and Peabody-winning The Boondocks creator and Black Jesus co-creator Aaron McGruder. It envisions an alternate history where newly freed African Americans have secured the Southern states of Louisiana, Mississippi and Alabama post-Reconstruction as reparations for slavery, and with that land, the freedom to shape their own destiny. The sovereign nation they formed, New Colonia, has had a tumultuous and sometimes violent relationship with its looming “Big Neighbor,” both ally and foe, the United States. The past 150 years have been witness to military incursions, assassinations, regime change, coups, etc. Today, after two decades of peace with the U.S. and unprecedented growth, an ascendant New Colonia joins the ranks of major industrialized nations on the world stage as America slides into rapid decline. Inexorably tied together, the fate of two nations, indivisible, hangs in the balance.

Deadline announced the Packer/McGruder project back in early February. At the time, it was untitled, and the producers would not divulge any details about the storyline beyond it revolving around an alternate universe in the vein of Amazon’s flagship The Man in the High Castle.

It was HBO’s announcement of Confederate this month that prompted the Black America team to reveal the project’s premise. “It felt this was the appropriate time to make sure that audiences and the creative community knew that there was a project that preexisted and we are pretty far down the road with it,” Packer told Deadline.

Black America, which Packer said is in “very, very active development” with McGruder “off and writing,” originated at Amazon Studios. The service’s head of content Roy Price called Packer more than a year ago while the producer was on the set of his latest box office hit Girls Trip. “Literally, Roy said to me, ‘you’re either going to think that I’m crazy or brilliant’,” Packer recalled of how Price opened the conversation. “I said ‘Well, first of all you’re both, second of all, what’s the idea?’ And after I heard it, I said, ‘Yes, that underscores the idea that you’re both crazy and brilliant’.”

While it may have sounded crazy at first, “I was immediately enthralled by the idea; I couldn’t stop thinking about it and what a provocative and bold piece of content it could be,” Packer said. Price soon reached out to McGruder with whom Packer had briefly worked in the past on Think Like A Man and had been looking to team up again. “Being a fan of Aaron, I thought he definitely had the right tone, the right voice, the right wit to handle a project like this,” Packer said. “Aaron and I sat together and talked about what a huge opportunity and responsibility it would be to do this project and do it right.”

As for the tone of the hourlong series, it’s “a drama, but it wouldn’t be Aaron McGruder without traces of his trademark sardonic wit,” Packer said.

Black America creates the kind of utopia that has been on the minds of generations of black Americans for whom the series may have a sense of wish-fulfillment.

“It was something that was personally intriguing for me as a black American,” Packer said. “You would be hard pressed to find many black Americans who have not thought about the concept of reparation, what would happen if reparations were actually given. As a content creator, the fact that that is something that has been discussed thoroughly throughout various demographics of people in this country but yet never been explored to my knowledge in any real way in long-form content, I thought it was a tremendous opportunity to delve into the story, to do it right.”

That involves “bringing on the appropriate historians to make sure we are telling the story in an accurate and responsible way,” Packer said, noting that historians have been brought in as consultants on the project, working with the producers.

Why is working with scholars on a fictional series set in present time so important? “Even though the story is set in contemporary society, not post-slavery, it relies on us being factually correct in telling the story of how we got to a contemporary society where you’ve got a sovereign country that is run by black Americans,” Packer said.

He declined to comment directly on HBO’s Confederate, which Benioff and Weiss will be writing with Malcolm and Nichelle Tramble Spellman, out of respect to its creators because the series has not been made yet. On a personal level, “the fact that there is the contemplation of contemporary slavery makes it something that I would not be a part of producing nor consuming,” he said. “Slavery is far too real and far too painful, and we still see the manifestations of it today as a country for me to ever view that as a form of entertainment.”

Packer said that it is early to talk about Black America‘s message since the series is still being developed. But by answering the questions “what if reparations were given, what would this country and that alternate country look like today, how would Americans look, our communities, relations, I think that there definitely is a message about how we co-exist today where that didn’t happen, there weren’t reparations, and you still have black Americans who are suffering from the effects of slavery in various ways,” Packer said. “You still have the prison-industrial complex that disproportionally imprisons black and brown people, you can trace that back for many reasons to slavery.”

Ultimately, Black America “will speak to where we are now and the mistakes this country has made and things we should do going forward,” Packer said.

Mike Fleming contributed to this report.

Sounds eerily simillar to the east of west Storyline.
Would have loved it if HBO tried to adapt that story...absolute fire.

East of West - Wikipedia
 

Kilgore Trout

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:ufdup: HBO

‘Black America’: Amazon Alt-History Drama From Will Packer & Aaron McGruder Envisions Post-Reparations America

‘Black America’: Amazon Alt-History Drama From Will Packer & Aaron McGruder Envisions Post-Reparations America
nandreeva.png

by Nellie Andreeva tip

August 1, 2017 9:06am
will-packer-aaron-mcgruder.jpg


Rex/Shutterstock/Associated Press

EXCLUSIVE: A century and a half after slavery was abolished in the U.S., the wounds left by one of the darkest periods in American history are far from healed, as evidenced by the controversy surrounding the recent announcement of HBO’s upcoming drama series Confederate, from Game Of Thrones creators David Benioff and D.B. Weiss, which explores an alternate timeline of seceded southern states where slavery is legal and has evolved into a modern institution.


Another alternate history drama series, which has been in the works at Amazonfor over a year, also paints a reality where southern states have left the Union but takes a very different approach. Titled Black America, the drama hails from top feature producer Will Packer (Ride Along, Think Like A Man franchises, Straight Outta Compton) and Peabody-winning The Boondocks creator and Black Jesus co-creator Aaron McGruder. It envisions an alternate history where newly freed African Americans have secured the Southern states of Louisiana, Mississippi and Alabama post-Reconstruction as reparations for slavery, and with that land, the freedom to shape their own destiny. The sovereign nation they formed, New Colonia, has had a tumultuous and sometimes violent relationship with its looming “Big Neighbor,” both ally and foe, the United States. The past 150 years have been witness to military incursions, assassinations, regime change, coups, etc. Today, after two decades of peace with the U.S. and unprecedented growth, an ascendant New Colonia joins the ranks of major industrialized nations on the world stage as America slides into rapid decline. Inexorably tied together, the fate of two nations, indivisible, hangs in the balance.

Deadline announced the Packer/McGruder project back in early February. At the time, it was untitled, and the producers would not divulge any details about the storyline beyond it revolving around an alternate universe in the vein of Amazon’s flagship The Man in the High Castle.

It was HBO’s announcement of Confederate this month that prompted the Black America team to reveal the project’s premise. “It felt this was the appropriate time to make sure that audiences and the creative community knew that there was a project that preexisted and we are pretty far down the road with it,” Packer told Deadline.

Black America, which Packer said is in “very, very active development” with McGruder “off and writing,” originated at Amazon Studios. The service’s head of content Roy Price called Packer more than a year ago while the producer was on the set of his latest box office hit Girls Trip. “Literally, Roy said to me, ‘you’re either going to think that I’m crazy or brilliant’,” Packer recalled of how Price opened the conversation. “I said ‘Well, first of all you’re both, second of all, what’s the idea?’ And after I heard it, I said, ‘Yes, that underscores the idea that you’re both crazy and brilliant’.”

While it may have sounded crazy at first, “I was immediately enthralled by the idea; I couldn’t stop thinking about it and what a provocative and bold piece of content it could be,” Packer said. Price soon reached out to McGruder with whom Packer had briefly worked in the past on Think Like A Man and had been looking to team up again. “Being a fan of Aaron, I thought he definitely had the right tone, the right voice, the right wit to handle a project like this,” Packer said. “Aaron and I sat together and talked about what a huge opportunity and responsibility it would be to do this project and do it right.”

As for the tone of the hourlong series, it’s “a drama, but it wouldn’t be Aaron McGruder without traces of his trademark sardonic wit,” Packer said.

Black America creates the kind of utopia that has been on the minds of generations of black Americans for whom the series may have a sense of wish-fulfillment.

“It was something that was personally intriguing for me as a black American,” Packer said. “You would be hard pressed to find many black Americans who have not thought about the concept of reparation, what would happen if reparations were actually given. As a content creator, the fact that that is something that has been discussed thoroughly throughout various demographics of people in this country but yet never been explored to my knowledge in any real way in long-form content, I thought it was a tremendous opportunity to delve into the story, to do it right.”

That involves “bringing on the appropriate historians to make sure we are telling the story in an accurate and responsible way,” Packer said, noting that historians have been brought in as consultants on the project, working with the producers.

Why is working with scholars on a fictional series set in present time so important? “Even though the story is set in contemporary society, not post-slavery, it relies on us being factually correct in telling the story of how we got to a contemporary society where you’ve got a sovereign country that is run by black Americans,” Packer said.

He declined to comment directly on HBO’s Confederate, which Benioff and Weiss will be writing with Malcolm and Nichelle Tramble Spellman, out of respect to its creators because the series has not been made yet. On a personal level, “the fact that there is the contemplation of contemporary slavery makes it something that I would not be a part of producing nor consuming,” he said. “Slavery is far too real and far too painful, and we still see the manifestations of it today as a country for me to ever view that as a form of entertainment.”

Packer said that it is early to talk about Black America‘s message since the series is still being developed. But by answering the questions “what if reparations were given, what would this country and that alternate country look like today, how would Americans look, our communities, relations, I think that there definitely is a message about how we co-exist today where that didn’t happen, there weren’t reparations, and you still have black Americans who are suffering from the effects of slavery in various ways,” Packer said. “You still have the prison-industrial complex that disproportionally imprisons black and brown people, you can trace that back for many reasons to slavery.”

Ultimately, Black America “will speak to where we are now and the mistakes this country has made and things we should do going forward,” Packer said.

Mike Fleming contributed to this report.


This show about to wake nikkas up :shaq:
 

NobodyReally

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What if they flip the script on the show by showing us how white folks in real life are the same on the show. :mjlol: Mental gymnastics to justify hurting black folks. :ehh:

This is the ONLY way this is gonna work. I don't have high hopes they're that deep though. But I'd be glad to eat crow if they go in this direction because that would be dope.
 

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Should've made one without colonization or imperialism and then have the show set in different continents in contemporary AU. That was my idea anyway. This sounds lowkey like trash.

Sounds eerily simillar to the east of west Storyline.
Would have loved it if HBO tried to adapt that story...absolute fire.

East of West - Wikipedia

I was reading it breh and I don't know...Hickman tends to go wild when he creates his own stories form scratch.
 

xoxodede

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HBO's Confederate Still Has a Pulse


By Michael Ausiello / July 25 2018, 4:09 PM PDT

benioff-weiss1.jpg


Confederate has not surrendered. At the Television Critics Assoc.’s summer press tour on Wednesday, HBO president Casey Bloys told TVLine that the controversial drama project from Game of Thrones showrunners David Benioff and D.B. Weiss remains in development — despite the duo’s recently-inked deal with Disney and Lucasfilm to create a new Star Wars trilogy.

“There’s no change,” Bloys maintained. “They haven’t written anything. [David and D.B] still have to finish digital effects work on [Game of Thrones‘ final season]… and they obviously now have the Star Wars movie. But at a certain point they’ll tell us when they are ready.”

Confederate, an hour-long, sci-fi drama that envisions an alternate, post-Civil War world wherein “the southern states have successfully seceded from the Union, giving rise to a nation in which slavery remains legal and has evolved into a modern institution,” was plagued by controversy from the moment it was announced last summer. Critics bristled at the idea of two white men — who have already come under fire for their portrayal of race (or lack thereof) on Game of Thrones — heading up a show about slavery.

Bloys conceded back in July that the network essentially botched the announcement. “If I could do it over again, [it was] HBO’s mistake, not the producers’,” he said. “The idea that we would be able to announce an idea that is so sensitive and requires such care in a press release was misguided on our part. We heard why they wanted to do the show, what they were excited about, why it was important to them. We had that context. But someone reading the press release did not. We assumed the response. We assumed it would be controversial. I think we could have done a better job with the press rollout.”

Confederate‘s creative team also includes two prolific African-American writer-producers: Nichelle Tramble Spellman (The Good Wife) and Malcolm Spellman (Empire).
 
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