"Busting stoopid dope moves" Fresh 25th anniversary
- Thread starter Ol’Otis
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Ol’Otis
The Picasso of the Ghetto
Fresh is a 1994 American crime film written and directed by Boaz Yakin in his film directorial debut, also produced by Randy Ostrow and Lawrence Bender (seen in a cameo appearance). It was scored by Stewart Copeland, a member of The Police.
Marketed as a hip hop 'hood film, Fresh went relatively unnoticed by the public, but won critical acclaim. An emotional coming of age story, it offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic. "There's shocking resonance to the notion of a grade-school boy who's become a criminal out of sheer pragmatism," wrote Entertainment Weekly's Owen Gleiberman.[1]
Marketed as a hip hop 'hood film, Fresh went relatively unnoticed by the public, but won critical acclaim. An emotional coming of age story, it offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic. "There's shocking resonance to the notion of a grade-school boy who's become a criminal out of sheer pragmatism," wrote Entertainment Weekly's Owen Gleiberman.[1]
Chuckie was so fukking annoying.
Ol’Otis
The Picasso of the Ghetto
Fresh told him to run. He kept trying to prove he was tough. I couldn't stand Chuckie lmaohe was but his death was sad
Ol’Otis
The Picasso of the Ghetto
VertigoKnight
Veteran
Film still holds up amazingly well
Chuck E.
Ol’Otis
The Picasso of the Ghetto
"My name is Chuck E holmes"Chuck E.
Fresh should have never brought his goofy ass into the foldChuck E.
Sbp
Superstar
Chuck E was a kid version of Fat Joe
Ol’Otis
The Picasso of the Ghetto
he was a pawn
Nichole was a junkie hoe
Esteban and James both digging her out
Esteban and James both digging her out
Classic movie.