Interesting that you mentioned Country music. Country music kind of ties into what Miles Davis was talking about. The slaves invented the music form. The Appalachian Whites added their folk songs. Now people think that White people created Country music.
Here are excerpts from a 1998 Chicago Tribune article about the history of Country:
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The relationship between blacks and country music, however, began centuries ago. In fact, blacks in the rural South helped create country music and remain avid fans today, according to Pamela Foster, author of a new book, "My Country: The African Diaspora's Country Music Heritage."
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In the antebellum South, banjos, fiddles and harmonicas were the dominant instruments played in black culture. Unfortunately,
history has distorted these facts to make people believe jazz, blues and spirituals were the staples of black culture at that time when, in fact, it was country," said Foster, who documented the contributions of more than 450 African-Americans involved in country music since the 1920s.
Historians acknowledge that country music is derived from a melting pot of cultures. Mountain or hillbilly music, in particular, combines the ballads and folksongs brought to the South by immigrants from the British Isles in the 18th and 19th Centuries
and the rhythmic influences of African immigrants. The banjo, which mimics the banjar played in Africa, was invented by Southern blacks in the late 1690s. Slaves also played the fiddle, which was introduced to them by their white masters.
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The fiddle was the primary instrument for dance music among a lot of classes of people in the 18th and 19th Centuries," said Paul Wells, director of the Center for Popular Music at Middle Tennessee State University.
"If you had a bunch of guys getting rowdy in a tavern,
they could have been dancing to a fiddle played by a black person.
If there was a fancy dance on the plantation, the musicians likely were slaves.
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Blacks have contributed to the development of a lot of American popular music. It didn't start with Pat Boone copying Little Richard songs in the '50s. It's been going on much longer than that."
For years, country superstars have made No. 1 hits from songs created or first performed by African-Americans. Though some old-timers, including Chet Atkins, Hank Williams and Bill Monroe, acknowledge they learned their craft from black street-corner musicians, most African-American contributors have been ignored. Except for Charley Pride, no African-American has ever made it big in Nashville, a town with more than 25 record labels.
"Black artists feel like they have been left out of a whole industry for no reason other than color," said Cleve Francis, who had a brief country-music career during the early 1990s. "Country music has mirrored the racial divide in this country. Other forms, such as pop and opera, have integrated but, blacks have never been welcome in Nashville."
The Roots Of Country Music