Beyoncé - RENAISSANCE (Discussion Thread)

Ezkh

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I know the genre’s they’re supposed to be in, but the fact this the both got that same basic dun dun dun dun dun dance beat. One sounds weak as hell, the other goes hard. The fact that one is a rap artist and the other is an rnb singer makes it look like roles are being reversed.

I'm pretty sure Bey can actually spit some rap verses with as much technique, and harder than Drake, so i'm not reallly surprised here.
 

CrimsonTider

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I thought people may been off base with your mental state after Drake disappointment. But after this question posed and many other wild things u said since they might be right lol
Other than Drunk in love and get me bodied has there ever been a Beyoncé song played in clubs?

Do y’all go outside? Nothing on here will be played at clubs.

It’s a good album full of high production values and no one can do what Beyoncé does but thinking this was curated to be played in clubs is laughable.

It is weird getting a Beyoncé project with no visuals atp
 

CrimsonTider

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Some of the lyrics and reference are just super cringe

Production values are high as expected and no one can do what Beyoncé does
 

Cladyclad

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Other than Drunk in love and get me bodied has there ever been a Beyoncé song played in clubs?

Do y’all go outside? Nothing on here will be played at clubs.

It’s a good album full of high production values and no one can do what Beyoncé does but thinking this was curated to be played in clubs is laughable.

It is weird getting a Beyoncé project with no visuals atp
I worked at mad clubs in Detroit. tons of her records get played. It’s too many records on here that is gonna get played breh. That church girl record for sure

:dead: at Bey only having 2 club records is 20 years. U willing breh
 

aceboon

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Solid-ish album at this point in her career but the production is the star on this one by a light year and thensome. She’s barely singing on half the songs but some of these joints will make it to the clubs and I guess that’s the goal.

I legit hope Azealia Banks is ghostwriting on this shyt because this “grown up” version of the tracks she would sing/rap over is what you’d expect her to be making if she didn’t derail her career.

Meanwhile, this album isn’t breaking any new ground and legit feels like a slightly better female version of whatever Drake just dropped. Except the Beyoncé Stans will ride this one no matter what. It’s like they saw what The Weeknd has been doing on his last two albums and said “fukk it”
what makes these tracks "grown up" compared to "Broke With Expensive Taste"/"1991" + the loosies Banks has been dropping?
 
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JA_Carter

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Why she had to send shots to my second GOAT Jay with that ‘it must be the cash cause it ain’t your face’ line :mjcry: :mjlol:

Anyway, this is pretty good off the first listen :ehh: I love some of the transitions especially. Doubt I’ll revisit it much but I can see it doing crazy numbers (probably 350-400k first week)
 
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This is just my theory
Beyonce's ultimate professional goal is to win the Grammy for Album of the Year. The thing is she keeps putting herself in a corner by having a lot of producers and writers on the album


This kinda makes no sense then…


If her ULTIMATE goal was to win Album Of The Year, and the thing KEEPING her from winning Album Of The Year is having multiple production and writing collaborators, then why would she CONTINUE on the path thats keeping her from that goal?


Beyonce is an artist thats “above” the Grammys at this point. She’s already the most awarded female entertainer in Grammy history. Album Of The Year will add to her legacy for sure, but its certainly not going to take AWAY from it. I honestly doubt she cares that much
 

Hathaway

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Somebody rate this shyt for me out of 10. What we giving it? I'ma listen when I get off work.
 
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