This is fire. Virgos groove
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I'm pretty sure Bey can actually spit some rap verses with as much technique, and harder than Drake, so i'm not reallly surprised here.I know the genre’s they’re supposed to be in, but the fact this the both got that same basic dun dun dun dun dun dance beat. One sounds weak as hell, the other goes hard. The fact that one is a rap artist and the other is an rnb singer makes it look like roles are being reversed.
Other than Drunk in love and get me bodied has there ever been a Beyoncé song played in clubs?I thought people may been off base with your mental state after Drake disappointment. But after this question posed and many other wild things u said since they might be right lol
I worked at mad clubs in Detroit. tons of her records get played. It’s too many records on here that is gonna get played breh. That church girl record for sureOther than Drunk in love and get me bodied has there ever been a Beyoncé song played in clubs?
Do y’all go outside? Nothing on here will be played at clubs.
It’s a good album full of high production values and no one can do what Beyoncé does but thinking this was curated to be played in clubs is laughable.
It is weird getting a Beyoncé project with no visuals atp
I wish you were right but nahI worked at mad clubs in Detroit. tons of her records get played. It’s too many records on here that is gonna get played breh. That church girl record for sure
at Bey only having 2 club records is 20 years. U willing breh
what makes these tracks "grown up" compared to "Broke With Expensive Taste"/"1991" + the loosies Banks has been dropping?Solid-ish album at this point in her career but the production is the star on this one by a light year and thensome. She’s barely singing on half the songs but some of these joints will make it to the clubs and I guess that’s the goal.
I legit hope Azealia Banks is ghostwriting on this shyt because this “grown up” version of the tracks she would sing/rap over is what you’d expect her to be making if she didn’t derail her career.
Meanwhile, this album isn’t breaking any new ground and legit feels like a slightly better female version of whatever Drake just dropped. Except the Beyoncé Stans will ride this one no matter what. It’s like they saw what The Weeknd has been doing on his last two albums and said “fukk it”
I worked at mad clubs in Detroit. tons of her records get played. It’s too many records on here that is gonna get played breh. That church girl record for sure
at Bey only having 2 club records is 20 years. U willing breh
This is just my theory
Beyonce's ultimate professional goal is to win the Grammy for Album of the Year. The thing is she keeps putting herself in a corner by having a lot of producers and writers on the album