And just like that..........Lex Luger fell off

L&HH

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that's like a $4000-$10000 only.. and maybe even less depending where you stay..

land price + cement and two bball kit..

:childplease: well he said basketball court in the crib, not some shyt that you just put up in your driveway
 

mortuus est

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media



media



media



https://twitter.com/PurpleCocainee
 

Pool_Shark

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Was on the Schoolboy Q mixtape/album, also gonna be on the Jetlife album dropping later this year, he's got beats out that people might not recognize are his because he's moved away from that sound that everyone done ran with.

:ohhh:

Would of never thought of this track as a Luger track. Had too look up the tracklisting. He definitely has a long career ahead of him if he can make shyt like this.

 
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head shots101

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not his fault he fell off....these sheep ass rapppers want the same sounding beat...I never followed homies work but i'm pretty sure he can make other beats that don't sound like bmf
 

Lord Beasley

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i think hes just in a transition, its kind of hard to sell tracks when you have literally 15+ different producers rippin you off that will do it for less
basically.

as soon as your hot, the rap game gains a bunch of 19 yr olds that want to copy your style (ironically that's how Lex got started in the first place.) Luger has nice beats that dont sound anything like his until you hear his signature drop, the problem is if 10 nikkas wanna pay you $$$$ for "BMF" clones, you gonna tell them u can't do it, or take the dough while you can get it.

the upside is you can surprise the public with something different (i.e. H.A.M.) and get your name back hot, while them clones are still mimicking that old ishyt for chump change
 
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He addressed this issue a year ago.

On the criticism that all his beats sound the same

“It is [true], in a way. But every interview I do, I try to tell them that it’s a lot more than that [‘B.M.F.’ sound]. When I’m sending out 40 beats a day to one artist, out of those 40 he might pick two just because they sound like ‘B.M.F.’ or ‘Hard In The Paint,’ and he feels like that’s his hit. I think that’s a big problem in music right now. Everybody is like, ‘Oh, he’s hot right now. I’m going to try and get something that sounds like him.’ And that’s what I feel like a lot of artists did to me because Waka was really the biggest thing at one time. So they wanted that ‘Hard In The Paint’ sound. And I was just the man behind that, so they reached out to me. So when I sent them other types of music, they were like ‘What is this?’ I want ‘B.M.F.’ or ‘Hard In The Paint. Don’t send me this.’ So what I try to do now is, I try and hold the ‘B.M.F.’ and ‘Hard In The Paint’ sound to myself. I won’t send that out. I’ll send the pop music or the R&B out to the major artists so they have to do it.”


“But certain artists just want ‘Hard In The Paint’ and ‘B.M.F.’ The thing that kills me is it’s the big artists that have five and six albums already out, asking me for what I made a year ago. I was at the airport, someone was calling me, and I didn’t know who it was, so I picked it up like, ‘Yeah, what’s up? This is Lex Luger.’ And they was like, ‘Yeah, this is Chingy.’ I was like, ‘Who? Chingy?’ I couldn’t believe that man. [Laughs.] He called me like, ‘I need some beats man. I want to go back in.’ And I wasn’t like, ‘Nah. Chingy, I don’t want to work with you.’ I was like, ‘Alright, cool.’ He was like, ‘I want that ‘Hard In The Paint.’ Give me something just like ‘Hard In The Paint.’’ I was like, ‘Bruh, I can’t do it.’ A lot of people like that call me though. I get that all the time. Busta Rhymes called me the other day. Sean Garrett said he wanted a hit for the club. They’ll call me and be like, ‘I need that hit to bring me back.’”

Interview: Lex Luger Talk "Taylor Gang," His Beats Sounding The Same, & Being Scared of Kanye West | Complex
 
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