African American Architects

IllmaticDelta

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another I didn't see listed




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John A. Lankford




(December 4, 1874 – July 2, 1946) was the first professionally licensed African American architect in Virginia in 1922 and in the District of Columbia in 1924. He has been regarded as the "dean of black architecture".[1]






John A. Lankford (1874–1946) opened one of the first black architectural offices in Washington, D.C., in 1897. A year later he designed and supervised construction of a cotton mill in Concord, North Carolina. He served as an instructor of architecture at several black colleges and as superintendent of the Department of Mechanical Industries at Shaw University in Raleigh, North Carolina. As national supervising architect for the African Methodist Episcopal Church, he designed “Big Bethel,” the landmark located in Atlanta’s historic Auburn Avenue district. His other designs included churches in South and West Africa. Lankford was commissioned to design the national office for the Grand Fountain United Order of the True Reformers, which organized one of the first black-owned banks. In the 1930s, Lankford helped to establish the School of Architecture at Howard University.


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Whogivesafuck

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William Sidney Pittman
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William Sidney Pittman was an American architect who designed several notable buildings, such as the Zion Baptist Church and the nearby Deanwood Chess House in the Deanwood neighborhood of Washington, DC. He was the son-in-law of Booker T. Washington.


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IllmaticDelta

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Plympton Ross Berry (1834 - May 12, 1917)


It seems fitting during Black History month to talk about one of the most distinguished Black residents of Youngstown, Plympton Ross Berry (usually know as P. Ross Berry, having dropped his full first name for the initial). It has been said that at one time, he was involved in building most of the buildings in downtown Youngstown. Berry was born in June 1834 (some accounts list 1835) as a free person of color in Mt. Pleasant, Pennsylvania. His family moved to New Castle where he was trained as a bricklayer, becoming a master bricklayer and stonemason by age 16.

One of the first projects on which he worked, in 1851, was the Lawrence County (PA) courthouse, which is still standing. A letter to the New Castle News documents his role in contributing to the architectural design of the Greek Revival facade. He married in 1858 and he, his wife, and four children came by canal boat to Youngstown in 1861.

The project that brought him to Youngstown was a contract for the brick work at the Rayen School. In short succession he received contracts for work on the second St. Columba’s Church, the Homer Hamilton foundry and machine shop on South Phelps, the new jail on Hazel Street, the First Presyterian Church, the William Hitchcock and Governor Tod homes, the first Tod House on Central Square, the Grand Opera House in what was known as the “Diamond Block,” where the Huntington Bank is now located, and the 1876 Mahoning County Courthouse at Wick and Wood. According to the research of Joseph Napier, Sr., Berry built 65 structures in the area, as well as the brickwork on many Youngstown streets.

His stature in the community was such that a number of white bricklayers worked under his direction, something very uncommon in the day. As black soldiers migrated to the Mahoning Valley after the Civil War, he also trained many of them to work as bricklayers and was responsible for founding the Brick Masons Union, Local 8. Berry own his own brick foundry and made a reddish-orange colored brick, and example of which you can see in the Rayen Building. Because of his success and prominence, he was involved in a number of philanthropic causes and helped with the founding of the St. Augustine’s Episcopal Church.

Berry is described by Howard C. Aley as a handsome man, six foot six inches in height. His wife, Mary Long, eventually bore him eight children, four boys and four girls. Several sons worked in the business and his offspring were successful doctors, attorneys, musicians, and leaders in the community.

Berry worked until age 82 and died on May 12, 1917. He is buried in Oak Hill Cemetery. The P. Ross Berry Middle School was completed in 2006, named in his honor. The school was closed as a middle school in 2012 and now serves as the site of the Mahoning County High School.

P. Ross Berry’s story was one I had not heard until recently and is one that deserves to be much more widely known. He is one of the outstanding citizens, builders, architects, and philanthropists Youngstown has produced.

Growing Up in Working Class Youngstown — P. Ross Berry


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IllmaticDelta

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Born into slavery in 1854 in Abbeville, SC, Richard Lewis Brown may be Jacksonville’s most well known African-American architect and builder. Regarded as the city’s first known African-American architect, Brown was also elected to the Florida House of Representatives in 1881, serving two consecutive terms. Residing in the Eastside at 1727 Milnor Street, Brown was hired by the Duval County School Board to build and repair schools following the Great Fire of 1901. A member of the African Methodist Episcopal church, Brown is also credited with building Centennial Hall on the campus of Edward Waters College. Brown resided in the Eastside on an estate he designed to have a similar layout to the plantation he was born on. Brown died in 1948 at the ripe old age of 94. Following his death, the property was donated to the Duval County School Board, becoming the present day site of R.L. Brown Gifted and Talented Academy.

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Born in 1858 in Augusta, GA, Joseph Haygood Blodgett moved to Jacksonville during the 1890s with one paper dollar and one thin dime. Initially working for the railroad for a dollar a day, Blodgett went on to start a drayage business, a woodyard, a farm and a restaurant before becoming a building contractor around 1898. Like Henry John Klutho, the Great Fire of 1901 changed the fortunes of Blodgett. With the city’s black population exploding in growth, Blodgett built 258 houses, keeping 199 to rent eventually becoming one of Jacksonville’s black millionaires. Blodgett Villa, his own residence in Sugar Hill (upper right image), was said to be one of the finest owned by an African-American anywhere. Famed guests at Blodgett Villa included Booker T. Washington

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Born in 1879 in South Carolina, John Henry Rosemond arrived in Jacksonville around 1915. Rosemond was one of two African America builders before World War II, to refer to himself as an architect. Between 1918 and 1947, Rosemond resided at 1442 Florida Avenue with his wife Ida. There, the Eastside resident built a career that centered around his church designs. A few years after relocating to Moncrief, Rosemond died in 1958 while visiting South Carolina.


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Born in Macon, GA in 1877, Sanford Augustus Brookings relocated to Jacksonville in 1904. Around 1916, Brookings founded his own contracting business specializing in residential construction. By 1925, he had been credited with building over 150 residential structures, including his own in Sugar Hill. Brookings was also responsible for many of the houses in Durkee Gardens.


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James Edward Hutchins was born in Blakely, GA in 1890. After arriving in Jacksonville, Hutchins was a carpenter with the Dawkins Building and Supply Company several years before establishing his own construction company in the 1930s. One of the few local African-American contractors that also designed their buildings, Hutchins is responsible for several African American churches. Today, no where else in Florida can one see the dense concentration of large and architecturally elegant red brick, Gothic-style sanctuaries, designed by and built for a southern segregation era black community.
 

IllmaticDelta

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Tom Eblen: Freed slave left his mark all over Lexington, and you can still see it today

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Business partners Henry Tandy and Albert Byrd, two black bricklayers in Lexington during the
late 1800s and early 1900s, did the brick work on many notable local buildings. One of Tandy &
Byrd's biggest jobs was the Fayette County Courthouse. Herald-Leader
Henry A. Tandy was one of many newly freed slaves who moved to Lexington at the end of the
Civil War. He would leave marks on this city that are still visible, and his son would do the
same in New York.



Tandy was born in Kentucky, but it isn't known exactly when or where. He came to Lexington in
1865 at about age 15 and made a name for himself as a craftsman, business executive and
entrepreneur.
After two years as a photographer's assistant, Tandy went to work in 1867 as a laborer for G.D.
Wilgus, one of Lexington's largest building contractors. Within a few years he was a skilled
bricklayer and a foreman, according to architectural historian Rebecca Lawin McCarley, who
researched his life and wrote about it in 2006 for the journal Kentucky Places & Spaces.
Tandy saved money and, after marrying Emma Brice in 1874, bought his first real estate from
George Kinkead, an anti-slavery lawyer whose mansion is now the Living Arts & Science Center.
Tandy built the only two-story brick house in Kinkeadtown, a black settlement now part of the
East End.

By the time their son, Vertner, was born in 1885, the Tandys had sold their home in Kinkeadtown
for a profit and moved in with her parents at 642 West Main Street. Tandy is thought to have
built the brick house there, and he lived in it for the rest of his life.
In the 1880s, Tandy began buying investment lots around town. He built and rented some of the
best houses in Lexington's "black" neighborhoods at the time.
Among the Wilgus projects that Tandy worked on were the Opera House, St. Paul Catholic Church
and First Presbyterian Church. When Wilgus' health deteriorated in the 1880s, Tandy took over
many of his duties. It was then unheard of for a black man to run a white man's business.
When Wilgus died in 1893, Tandy and another black bricklayer, Albert Byrd, formed their own
company, Tandy & Byrd. It became one of Lexington's largest brick contractors, with as many as
50 workers.
Tandy & Byrd's biggest project was the old Fayette County Court House. Others that remain
standing include the First National Bank building on Short Street, Miller Hall at the
University of Kentucky and the Merrick Lodge Building, where The Jax restaurant is now at Short
and Limestone streets.
Tandy & Byrd also built the annex for the Protestant Infirmary at East Short Street and Elm
Tree Lane. The infirmary was the forerunner of Good Samaritan Hospital. Until recently, the
annex housed Hurst Office Furniture.
Tandy & Byrd constructed the Ades Dry Goods building on East Main Street, which now houses
Thomas & King's offices and Portofino restaurant. The partners did a lot of brick work for
Combs Lumber Co., which built many turn-of-the-century Lexington homes (including mine).
Tandy was one of 49 people profiled in W.D. Johnson's 1897 book, Biographical Sketches of
Prominent Negro Men and Women of Kentucky.
"Opportunity came to him, and he seized it," Johnson wrote of Tandy. "Through his indefatigable
efforts a large force of Negro laborers have found steady employment, and thereby obtained
comfortable homes for their families."
Tandy was prominent in the black community, with leadership roles in the "colored" YMCA, the
A.M.E. Church, black fraternal organizations and the Colored Fair Association, which organized
Kentucky's largest annual exposition for blacks. He was active in the National Negro Business
League and spoke at its national convention in 1902.
Byrd died in 1909, and Tandy retired in 1911 after finishing Roark and Sullivan halls at
Eastern Kentucky University. But he continued dabbling in real estate and got into the livery
and undertaking business. Tandy died in 1918, and he has one of the biggest monuments at Cove
Haven Cemetery.
Although Tandy got little formal education, he made sure his son did.
Vertner Woodson Tandy studied under Booker T. Washington at Tuskegee Institute in Alabama. He
finished his studies at Cornell University in Ithaca, N.Y., where he was one of seven founders
of Alpha Phi Alpha, the first black college fraternity. He was the first black to pass the
military commissioning exam, and he eventually became a major in the New York National Guard.
Tandy would become New York's first black registered architect, and the first black member of
the American Institute of Architects. Among many buildings he designed was St. Philip's
Episcopal Church in Harlem and two mansions for America's first black woman millionaire, the
hair-care products pioneer Madam C.J. Walker.
The Villa Lewaro mansion Tandy designed for Walker in exclusive Irvington-on-Hudson, N.Y., was
restored in the 1990s by Harold Doley, the first black to buy an individual seat on the New
York Stock Exchange.
Tandy designed one building in Lexington that still stands: Webster Hall, which housed teachers
at Chandler Normal School for blacks on Georgetown Street, which he had attended.
Vertner Tandy died in 1949 at age 64. A state historical marker honoring him stands beside the
family home on West Main Street, which is now used for offices.
Read more here:

https://www.kentucky.com/news/local/news-columns-blogs/tom-
eblen/article44471772.html#storylink=cpy



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his more known son


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Vertner Woodson Tandy

(May 17, 1885 – November 7, 1949) was an American architect.[1] He was one of the seven founders (commonly referred to as "The Seven Jewels") of Alpha Phi Alpha fraternity at Cornell University in 1906. He was the first African American registered architect in New York State. Tandy served as the first treasurer of the Alpha chapter and the designer of the fraternity pin.[2] The fraternity became incorporated under his auspices.


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IllmaticDelta

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Everyone knows about Robert Taylor.....

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but he had a partner that has kinda been lost to history

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Louis H. Persley (1888-1932)

You’d have to forgive Louis Persley if he had occasional bouts of identity crisis.

He was born in Macon in 1890 and died in 1932. You’ll find his first name spelled both “Lewis” and “Louis” in different registries. Census records from 1900, 1910 and 1920 spell his family’s last name “Pearsley,” “Parfley” and then “Persley.” There are even variations in his middle name (Hudson/Hudison).

A Macon street named for him (or his family) is spelled “Pursley,” and that’s how his name reads on his gravestone in Linwood Cemetery, where he is buried

But make no mistake. There was never any confusion about his talent in his chosen field, architecture. And that was at a time when such an achievement was virtually unheard of for a person of color. In fact, the Macon native was the first registered black architect in Georgia. It happened 100 years ago, on April 5, 1920.

Still, few people have ever heard of Persley. One reason is that there’s not a lot of information out there about him.

“He’s still obscure in history,” said Muriel McDowel Jackson, the head genealogy librarian and archivist at Washington Memorial Library. “We have black history, but we don’t have all of black history. We’re still learning information about people.”

(Jackson also told us about Wallace A. Rayfield, who was born in Macon in 1874 and also went on to become an architect. He designed the famous 16th Street Baptist Church in Birmingham, Ala., that was bombed in 1963 during the civil rights movement.)

Tuskegee Institute in Macon County, Alabama — now Tuskegee University — offered him a teaching job. (“He still had to come back south to practice,” Jackson said.) He taught mechanical drawing until 1917, when he volunteered to fight in World War I. (A man named Robert Robinson Taylor was director of the college’s Mechanical Industries Department at the time. Remember that name.)

When Persley returned from the war, he was promoted to head of the Architectural Drawing Division.

He hadn’t been at Tuskegee long when he designed a new building for the First African Methodist Episcopal Church in Athens, one of just a few projects he ever had in Georgia. (The church began as Pierce’s Chapel in 1866, during Reconstruction, and is thought to be the first congregation in Athens that black families forged after the Civil War.) A marker erected there in 2006 tells the story.

He designed the Chambliss Hotel in 1922 and helped with the seven-story Colored Masonic Temple in Birmingham, a Renaissance Revival building that was dedicated in 1924. There are also references to Atlanta jobs and design work on a two-story brick-and-stone funeral home in Macon.

But he really made his mark at Tuskegee, designing many of the campus’s iconic buildings, several of them while working in partnership with his colleague, Robert Taylor, during the last decade of Persley’s life. Taylor & Persley Architects may have been the country’s first-ever formal partnership of two black architects.

In 1921, the two men completed their first building for the campus, James Hall, a dorm for nursing students. Among the others were Sage Hall, a dorm for young men where the Tuskegee Airmen would later live; Logan Hall, which merged athletic and entertainment facilities; the Armstrong Science Building; and the Hollis Burke Frissell Library.

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An early rendering of Logan Hall

In a short YouTube video “The Persley House: An Architectural Gem in Tuskegee,” Persley’s granddaughter, Linda Kenney Miller, tells viewers about the house that Persley designed for his second wife, Phala Harper. He completed his final design for the home, located near the university, just months before he died, and he didn’t get to see the finished product.

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