Capoeira Angola
Capoeira Angola has its roots in Bantu tradition and was used by the enslaved Africans of Brazil as a form of revolution. In keeping with African war strategies, Capoeiristas masked the art's effectiveness from plantation overseers. Then and today, to uninformed onlookers the art appeared to be a harmless demonstration of dance, acrobatics, play and music.
The ideal of Capoeira Angola is to maintain Capoeira as close to its roots as possible. Characterized by being strategic, with sneaking movements executed standing or near the floor depending on the situation to face, it values the traditions of malícia, malandragem and unpredictability of the original Capoeira.
Capoeira is a fast and versatile martial art which is historically focused on fighting outnumbered or in technological disadvantage.
The ginga (literally: rocking back and forth; to swing) is the fundamental movement in capoeira, important both for attack and defense purposes. It has two main objectives. One is to keep the capoeirista in a state of constant motion, preventing him or her from being a still and easy target. The other, using also fakes and feints, is to mislead, fool, trick the opponent, leaving them open for an attack or a counter-attack.
Capoeira Angola has its roots in Bantu tradition and was used by the enslaved Africans of Brazil as a form of revolution. In keeping with African war strategies, Capoeiristas masked the art's effectiveness from plantation overseers. Then and today, to uninformed onlookers the art appeared to be a harmless demonstration of dance, acrobatics, play and music.
The ideal of Capoeira Angola is to maintain Capoeira as close to its roots as possible. Characterized by being strategic, with sneaking movements executed standing or near the floor depending on the situation to face, it values the traditions of malícia, malandragem and unpredictability of the original Capoeira.
Capoeira is a fast and versatile martial art which is historically focused on fighting outnumbered or in technological disadvantage.
The ginga (literally: rocking back and forth; to swing) is the fundamental movement in capoeira, important both for attack and defense purposes. It has two main objectives. One is to keep the capoeirista in a state of constant motion, preventing him or her from being a still and easy target. The other, using also fakes and feints, is to mislead, fool, trick the opponent, leaving them open for an attack or a counter-attack.