Sara Gómez
[...] In an industry dominated by men, Gomez’s presence was a brazen challenge to the status quo. Female directors in Cuba, especially those of African descent, were often marginalized and their films were not taken as seriously as those of male counterparts. Sara Gomez was one of the visionaries who started the movement to change this. Gomez was the first female Cuban filmmaker in the
Cuban Film Institute (ICAIC), and her intimate portrayals of women in Cuban society sparked an important cinematic dialogue which continues to this day.
Sara Gomez was born in Havana, Cuba in 1943. She studied AfroCuban ethnography and piano at The Conservatory of Music in Havana. She then went on to work at the Cuban Film Institute as an assistant director to several famous Cuban filmmakers. Most notably, she studied under
Tomas Gutierrez Alea, whose style influenced her work. Alea’s impact is most evident in Gomez’s best-known film,
De Cierta Manera. The film is a love story set in the poor neighborhoods of Havana following the 1959 Cuban Revolution. It examines the cultural consequences of modern development programs in Havana’s slum settlements. The film highlights issues of race, sex and class in Cuba, and its form was as innovative as its content. Gomez combined documentary-style camera work with a fictional narrative; this allowed her to represent material reality, while also providing a creative and critical perspective in the piece.
Gomez’s promising career was cut unexpectedly short in 1971, when she died of an
asthma attack at age 31. [...]
Remembering AfroCuban Filmmaker Sara Gomez