aww ok i aint finish cuz i ust wanted to give an example so i aint do the whole 16, plus i wanted to make sure i was doing it right. how does rappin against the beat work, cuz for most songs i start a freestyle first without takin in working within the beat. when i go to revisit shld i make the lyrics work into the beat or can i mix and match it. also the same with switchin flows do they have to be within the beat or like i said can I mix and match to create my unique sound?
switchin flows/making it unique etc etc
but it's all rhythm with words and cacs have been writing music for so long that any rhythm you spit has already been described by some dude in a book on rhythm.
16th note triplets homie, that's all I can say. I'm not a spitter, all I can say is 16th note triplets...most beats use quarter notes (quarter = 1/4) so putting triplets over that (1/3) you make african polyrhythms.
3:2. Or latin samba y'know. White people like hypnotic 4 on the flour unce-unce-unce house music right?
Well other cultures aren't bland goofs, so they like 3 over 2s and shyt.
That's how African tribes can have an entire village playing drums at once. One group of kids holds the tempo. Then older people do the more complex 3 shyt.
In latin/Caribbean countries, the first bar is 3 (or 2) and the second bar is 2 (or 3). kids will hold down the beat usually on a cowbell or something while the older men will do the polyrhythm. 3:2 in samba is called the "clave" which is spanish for "key". It's why jazz musicians have a hard time playing samba. Jazz you nod your head up and down. Samba is more side to side swing.