1 of the best songs devante swing wrote & produced won't even a jodeci song

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You know Dalvin & Stevie J ghost produced & wrote that album right

yeah and although the movie didn't get good reviews, i thought dalvin and stevie did a good job on the soundtrack. jimmy jam and terry lewis put a lot work on that soundtrack. along with mariah's old collaborator songwriter and producer walter afanasieff

rick james even contributed to the soundtrack, he wrote "all my life"
 

Wacky D

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ya i cant believe it either, which is why im thinking there might be some truth to the claim about timbaland ghost producing it :patrice:



if somebody ghost-produced that beat, it definitely wasnt timbaland.

timbo probably contributed but hes not capable of putting together a track like that.






DAT CLASSIC CHIT
 
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JustCKing

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if somebody ghost-produced that beat, it definitely wasnt timbaland.

timbo probably contributed but hes not capable of putting together a track like that.






DAT CLASSIC CHIT

It was Timbaland. Listen to the drums and compare them to what Timbaland was doing around that time. The beats on the intro to Ginuwine's The Bachelor and the interludes on that same album, Aaliyah's "Beats 4 Da Streets" all have similar arrangements. This one too:

 

Won Won

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Timbaland said himself that No More Pain was one of the reasons he left the Swing Mob camp. That track and Love Me Down were straight jacks of Timbaland's style at the time.
 

MusicConsulting

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Devante produced it, he just used Timbaland drums


It is funny there is a guy that timbaland was highly influenced by w/ drums that hardly gets mentioned. He says he did the programming on No More Pain. I thought I'd mention this because ....
I've never heard of this guy and apparently he was down w/ Da Bassment crew. Timbaland used his pattern style & duplicated the drum pattern after listening to 2 artists SMK & Accion.

Definitely. Let me tell you- that musical sound that you heard back then that creatively moved mountains in the music industry- that musical sound was mostly DeVante. It developed in Da Bassment and was managed between him & Timbaland but it was mainly DeVante in terms of the development, because he really was the only one who had the skills to do that. Timbaland at that point was a very talented young man but he was learning and being schooled by DeVante. The actual bass drums, and the way Timbaland would pattern his drumbeats, that was actually a combination of my mouth and a producer called SMK that DeVante liked and brought in from Rochester. What would happen is, like I'd already described- a typical day in the life of Da Bassment consisted of what we called vibin'. So we'd be vibin' in a cypher and we'd all be just impromptu singin', rhymin' freestylin' and somebody would have to bust a beat out. So the way I used to beatbox with my mouth- I don't know if you're going to hear this clearly over the phone properly, but I'd do this (Accion beatboxes for 15 seconds and it sounds uncannily like what we classed as a Timbaland drum beat between 1997-1999). So I'd beatbox like that, but I wasn't producing music, so what would happen is DeVante & Tim would go into the studio and duplicate my pattern with the drum machine and develop it. SMK's music was very bass heavy so he brought in the bass pattern to match with my beatboxing & DeVante's drum pattern, and it sounded like this (Accion beatboxes for another 15 seconds). So basically DeVante & Tim took those two ideas and then developed it further and made that sound you're referring to.


 

Wacky D

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It was Timbaland. Listen to the drums and compare them to what Timbaland was doing around that time. The beats on the intro to Ginuwine's The Bachelor and the interludes on that same album, Aaliyah's "Beats 4 Da Streets" all have similar arrangements. This one too:




yea. he helped.

the drums are only half the battle.

leave timbaland to do the overall track and the entire feel of it is gone.
 
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