The Stanley Kubrick movie Denzel Washington turned down

KingsOfKings

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Having been one of the most acclaimed and respected actors in the business for over 30 years – not to mention one of its most reliably popular and bankable stars – Denzel Washington has spent a long time in the position of being able to pick and choose his roles.

Of course, that wasn’t the case when he was first making his way in the industry, but even as a younger man, he was confident enough in his own abilities to decline the opportunity to work with a legendary director. There aren’t many performers who’d reject the notion of collaborating with Stanley Kubrick, but Washington was one of the rare few


Medical drama St. Elsewhere marked his first major part on screen and stage, with Washington appearing in 116 episodes over six years between 1982 and 1988 while notching several feature film credits in the meantime. In only his fifth-ever movie, his career was elevated to the next level when Cry Freedom saw him shortlisted for ‘Best Supporting Actor’ at the Academy Awards.

Director Richard Attenborough’s apartheid story was released a matter of months after Kubrick’s war epic Full Metal Jacket, which could have starred Washington had the filmmaker been more willing to allow prospective cast members to read the script before deciding whether or not they wanted to sign on


He was being eyed for the part of Eightball that was eventually played by Dorian Harewood. However, even though he was far from being a cemented A-lister at the time Full Metal Jacket was gearing up to enter production, Washington couldn’t in all good conscience agree to board the production without having any idea of what his character entailed.

As he explained to GQ when reflecting on the high-profile parts he turned down, Washington admitted he had his eyes on both Full Metal Jacket and Platoon. “They were like, ‘Well, Kubrick doesn’t send out his scripts,'” he said. “I was like, ‘Well, then what do you want me to do?'”

Having no clue about what would be required of him turned out to be a dealbreaker for Washington, who ended up missing out on the chance to work with Kubrick due to the director’s hesitance in playing his hand too early. The 2001: A Space Odyssey architect was every bit as secretive as he was meticulous when developing his projects, and seeing as he wasn’t a hugely known quantity at the time, Washington was hardly in a position to issue an ultimatum.

These days, the best and brightest auteurs in the industry would be falling over themselves to send the two-time Oscar-winning icon their scripts as soon as possible in the hopes of having him star. Still, it goes without saying that Kubrick wasn’t one for bending to the demands of his actors.
 

The Intergalactic Koala

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:francis: TBF...I couldn't picture Denzel getting called "monkeys" and other shyt from Animal Lover without getting the beats broken off of him on the set. Dodged bullet that was pretty smart versus Will Smith turning down The Matrix which was dumb as all hell.

FOR FRIGGIN WILD WILD WEST :why:
 

phillycavsfan

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I remember him saying Se7en and Michael Clayton are the ones he regrets

Michael Clayton is the one that hurts because he could've nailed the Clooney, Wilkinson, or Swindon roles.

Clooney killed this scene, but can you imagine Denzel doing this? It'd be up there with his best.

 

The Intergalactic Koala

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I agree, but ultimately he didn't really miss out as Se7en was completely overshadowed by The Usual Suspects. I still don't understand why TUS was so hyped over Se7en back then.

Dude I never understood the hype of that movie. Like the whole flick felt like a cac version of Harlem Nights. Meaning the battle of egos and actors trying to one up each other. The whole flick felt forced and corny as all hell.

Meanwhile, Se7en just hits man....

  • The backdrop intro leading to a powerful opening with the NIN remix :banderas:
  • The dark undertones throughout the movie and the scenery being moody as hell
  • The layers of the murders
  • The fact that Kevin Spacey wasn't even credited in the movie
  • The ending where Brad Pitt ended up being the 7th sin (he lost his life behind bars, while ending a life)
So many layers to the movie versus..."Oh...Keizer Soze is scary" :francis:
 

swampfox

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Dude I never understood the hype of that movie. Like the whole flick felt like a cac version of Harlem Nights. Meaning the battle of egos and actors trying to one up each other. The whole flick felt forced and corny as all hell.

Meanwhile, Se7en just hits man....

  • The backdrop intro leading to a powerful opening with the NIN remix :banderas:
  • The dark undertones throughout the movie and the scenery being moody as hell
  • The layers of the murders
  • The fact that Kevin Spacey wasn't even credited in the movie
  • The ending where Brad Pitt ended up being the 7th sin (he lost his life behind bars, while ending a life)
So many layers to the movie versus..."Oh...Keizer Soze is scary" :francis:
Both movies are classics. I find myself watching Usual Suspects more. I'm not sure if Hollywood would have kept Morgan Freeman if Denzel decided to play the Pitt role. In 1995, I dont see that happening, and if not who? Anthony Hopkins? Sutherland? Connery?
 

TheSuperkick!

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I'm not sure if Hollywood would have kept Morgan Freeman if Denzel decided to play the Pitt role. In 1995, I dont see that happening, and if not who? Anthony Hopkins? Sutherland? Connery?
:yeshrug: I know it's a different movie but Bad Boys had Martin and Will.
 

Art Barr

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It was for the better.

Why be black and go through some honkyweird hollyweirdo Hollywood hazing. From some whites.
When they have some initiation to just get a script.



Denzel made the right choice.
Plus was talented enough.
to carry the film.
along with Cast, director and crew.

Art Barr
 

Cakebatter

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Dude I never understood the hype of that movie. Like the whole flick felt like a cac version of Harlem Nights. Meaning the battle of egos and actors trying to one up each other. The whole flick felt forced and corny as all hell.

Meanwhile, Se7en just hits man....

  • The backdrop intro leading to a powerful opening with the NIN remix :banderas:
  • The dark undertones throughout the movie and the scenery being moody as hell
  • The layers of the murders
  • The fact that Kevin Spacey wasn't even credited in the movie
  • The ending where Brad Pitt ended up being the 7th sin (he lost his life behind bars, while ending a life)
So many layers to the movie versus..."Oh...Keizer Soze is scary" :francis:
I watched Se7en in theaters in the 90s and it had husbands literally :picard:. A lot of people watched it, who wouldn't normally watch a horror movie and ended up being freaked out over their movie going experience. The vibe of it inspired the aesthetic of so many movies and TV shows over the years. The Usual Suspect was a classic Hollywood crime thriller. 30 years later and Se7en has significantly more mindshare over The Usual Suspects, despite the Oscars it won.
 

Primetime

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Denzel is one of those performers who I have zero regrets or issues with how his career went.

40 years of sustained excellence but for me that ‘03 - ‘07 run was special (Out of Time, Man On Fire, Manchurian Candidate, Inside Man, De Ja Vu, American Gangster…)

You just didn’t get many depictions of grown swagged out well educated black men on the big screen (or any screen) dealing with “important” shyt outside of broke hood beef.

I give Wesley and Will credit too, tho Wesley’s off camera issues and Will’s on-camera choices (that Hancock twist ruined a much needed black superhero IP), made me feel they didn’t maximize their lane like Washington did his.
 
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